NIMA Ref. No. CDPUBSD158.8th Edition. Corrected to 20 February 2003, including Notice to Mariners No. 10 of 2000. Covers the harbors, coasts, and waters of Japan. Provides information that cannot be shown graphically on nautical charts and is not readily available elsewhere. Includes detailed coastal and port approach information which supplements the latest revised print of the largest scale chart for sale by the National Imagery and Mapping Agency. Divided into geographic areas. Contains copyright material.

Dream Anatomy

Arts & Photography

Sappol, Michael

Collections, Catalogs & Exhibitions

United States Govt Printing Office

In antiquity, the human body’s internal structure was subject to speculation, fantasy, and some study, but there were few efforts to represent it in pictures. The invention of the printing press in the 15th century helped to inspire a new spectacular science of anatomy and equally spectacular visions of the body. Dream Anatomy, a lavishly illustrated new publication from the National Library of Medicine, is filled with the anatomical imagery made possible by the printing press, ranging from the detailed and informative to the beautiful, whimsical, surreal, and grotesque. This new catalogue, based on the National Library of Medicine’s milestone Dream Anatomy exhibition, displays the anatomical imagination in some of its most astonishing incarnations, from the fourteenth century to present. This fascinating medical art book, filled with rare color illustrations, includes: 
<ul>
<li>170 photos and illustrations</li> <li>Insightful descriptive text</li>
</ul>
<ul>
<li>Informative description of the print technologies of anatomical illustration </li> <li>History of anatomy timeline</li> <li>Full exhibition checklist</li> <li>Exhibition credits </li>
</ul>

National Library of Medicine

A Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy. It shows how nineteenth-century American physicians used anatomy to develop a vital professional identity, while claiming authority over the living and the dead. It also introduces the middle-class women and men, working people, unorthodox healers, cultural radicals, entrepreneurs, and health reformers who resisted and exploited anatomy to articulate their own social identities and visions.
 The nineteenth century saw the rise of the American medical profession: a proliferation of practitioners, journals, organizations, sects, and schools. Anatomy lay at the heart of the medical curriculum, allowing American medicine to invest itself with the authority of European science. Anatomists crossed the boundary between life and death, cut into the body, reduced it to its parts, framed it with moral commentary, and represented it theatrically, visually, and textually. Only initiates of the dissecting room could claim the privileged healing status that came with direct knowledge of the body. But anatomy depended on confiscation of the dead--mainly the plundered bodies of African Americans, immigrants, Native Americans, and the poor. As black markets in cadavers flourished, so did a cultural obsession with anatomy, an obsession that gave rise to clashes over the legal, social, and moral status of the dead. Ministers praised or denounced anatomy from the pulpit; rioters sacked medical schools; and legislatures passed or repealed laws permitting medical schools to take the bodies of the destitute. Dissection narratives and representations of the anatomical body circulated in new places: schools, dime museums, popular lectures, minstrel shows, and sensationalist novels.
 Michael Sappol resurrects this world of graverobbers and anatomical healers, discerning new ligatures among race and gender relations, funerary practices, the formation of the middle-class, and medical professionalization. In the process, he offers an engrossing and surprisingly rich cultural history of nineteenth-century America.

A Traffic of Dead Bodies: Anatomy and Embodied Social Identity in Nineteenth-Century America.

Self-Help

Death & Grief

Princeton University Press

A Traffic of Dead Bodies: Anatomy and Embodied Social Identity in Nineteenth-Century America

Queer Anatomies: Aesthetics and Desire in the Anatomical Image, 1700-1900

History & Criticism

Bloomsbury Visual Arts

A poster first printed in Germany in 1926 depicts the human body as a factory populated by tiny workers doing industrial tasks. Devised by Fritz Kahn (1888–1968), a German-Jewish physician and popular science writer, “Der Mensch als Industriepalast” (or “Man as Industrial Palace”) achieved international fame and was reprinted, in various languages and versions, all over the world. It was a new kind of image—an illustration that was conceptual and scientific, a visual explanation of how things work—and Kahn built a career of this new genre. In collaboration with a stable of artists (only some of whom were credited), Kahn created thousands of images that were metaphorical, allusive, and self-consciously modern, using an eclectic grab-bag of schools and styles: Dada, Art Deco, photomontage, Art Nouveau, Bauhaus functionalism, and commercial illustration. 
In Body Modern, Michael Sappol offers the first in-depth critical study of Fritz Kahn and his visual rhetoric. Kahn was an impresario of the modern who catered to readers who were hungry for products and concepts that could help them acquire and perform an overdetermined “modern” identity. He and his artists created playful new visual tropes and genres that used striking metaphors to scientifically explain the “life of Man.” This rich and largely obscure corpus of images was a technology of the self that naturalized the modern and its technologies by situating them inside the human body.
The scope of Kahn’s project was vast—entirely new kinds of visual explanation—and so was his influence. Today, his legacy can be seen in textbooks, magazines, posters, public health pamphlets, educational websites, and Hollywood movies. But, Sappol concludes, Kahn’s illustrations also pose profound and unsettling epistemological questions about the construction and performance of the self. Lavishly illustrated with more than 100 images, Body Modern imaginatively explores the relationship between conceptual image, image production, and embodied experience.

Body Modern: Fritz Kahn, Scientific Illustration, and the Homuncular Subject

Univ. of Minnesota Press

A poster first printed in Germany in 1926 depicts the human body as a factory populated by tiny workers doing industrial tasks. Devised by Fritz Kahn (1888–1968), a German-Jewish physician and popular science writer, “Der Mensch als Industriepalast” (or “Man as Industrial Palace”) achieved international fame and was reprinted, in various languages and versions, all over the world. It was a new kind of image—an illustration that was conceptual and scientific, a visual explanation of how things work—and Kahn built a career of this new genre. In collaboration with a stable of artists (only some of whom were credited), Kahn created thousands of images that were metaphorical, allusive, and self-consciously modern, using an eclectic grab-bag of schools and styles: Dada, Art Deco, photomontage, Art Nouveau, Bauhaus functionalism, and commercial illustration. 
In Body Modern, Michael Sappol offers the first in-depth critical study of Fritz Kahn and his visual rhetoric. Kahn was an impresario of the modern who catered to readers who were hungry for products and concepts that could help them acquire and perform an overdetermined “modern” identity. He and his artists created playful new visual tropes and genres that used striking metaphors to scientifically explain the “life of Man.” This rich and largely obscure corpus of images was a technology of the self that naturalized the modern and its technologies by situating them inside the human body.
The scope of Kahn’s project was vast—entirely new kinds of visual explanation—and so was his influence. Today, his legacy can be seen in textbooks, magazines, posters, public health pamphlets, educational websites, and Hollywood movies. But, Sappol concludes, Kahn’s illustrations also pose profound and unsettling epistemological questions about the construction and performance of the self. Lavishly illustrated with more than 100 images, Body Modern imaginatively explores the relationship between conceptual image, image production, and embodied experience.

See the best price to sell, buy, or rent books by Sappol, Michael. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Sappol, Michael

See the best price to sell, buy, or rent books by Sappol, Michael. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Dream Anatomy

Dream Anatomy

A Traffic of Dead Bodies: Anatomy and Embodied Social Identity in Nineteenth-Century America.

A Traffic of Dead Bodies: Anatomy and Embodied Social Identity in Nineteenth-Century America

Queer Anatomies: Aesthetics and Desire in the Anatomical Image, 1700-1900

Queer Anatomies: Aesthetics and Desire in the Anatomical Image, 1700-1900

Body Modern: Fritz Kahn, Scientific Illustration, and the Homuncular Subject

Body Modern: Fritz Kahn, Scientific Illustration, and the Homuncular Subject