Spanning four continents and six countries, this book introduces “new art landscapes” that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions―Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardín Botánico, Culiacán, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy―dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. Iwan Baan, one of today’s most influential architectural photographers, thoughtfully documents each project. In addition to his stunning images, the sites are depicted with architects’ plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan’s insightful essay discusses important historical precedents and considers the defining characteristics of “new art landscapes” through descriptions of each of the projects. Brian O’Doherty offers an artist’s critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Álvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.

White Cube, Green Maze: New Art Landscapes

Ryan, Raymund

Reference

University of California Press

The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan's most recent projects with full-color photographs, drawings and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation and perception. Among his best-known projects is MoMA QNS, Maltzan's reworking of a former factory into a temporary accommodation for the Museum of Modern Art, which opened in Queens, New York, in June 2002. Projects currently in design or under construction include several innovative residences in California, the Fresno Metropolitan Museum and Kidspace Children's Museum, Pasadena, which was selected for the 2002 Venice Biennale International Exhibition of Architecture. Maltzan is quickly gaining increasing international recognition for his work, with projects in China, Canada and Milan.

Michael Maltzan: Alternate Ground

Arts & Photography

WEIWEI, Ai

Armstrong, Richard

Architecture

Carnegie Museum Of Art

Book by Moore, Rowan, Ryan, Raymund

Building Tate Modern: Herzog & De Meuron

Moore, Rowan

Tate

Standing on the south bank of the Thames opposite the dome of St. Paul's Cathedral, Sir Giles Gilbert Scott's vast brick edifice, with its tower of 325 feet, dominates the scenery and ranks among the most imposing structures of central London. Yet, after its closure in 1981, the Bankside Power Station was rendered invisible to the public eye by its redundancy and the frequent threat of demolition. The reopening of Bankside in May 2000 as London's first national gallery of modern and contemporary art restores the grandeur of Scott's design and regenerates a much neglected area of the city.
 The conversion to art gallery by the Swiss architects Herzog and de Meuron is marked by its extreme simplicity, at once enhancing the physical presence of the original architecture and completely transforming its derelict and impenetrable interior into an accessible, light-filled exhibition center. The tremendous affinity of contemporary art with ex-industrial settings has inspired a design that retains the monumental scale of the Turbine Hall and skillfully offers a range of spaces for widely differing types of art on the multiple floors of the Old Boiler House.
 This publication follows the story of the Bankside project and presents a stunning photographic account of every stage of its transformation. Including an interview with Jacques Herzog and Nicholas Serota, director of the Tate, it provides a detailed analysis of Herzog and de Meuron's design and redefines the Tate's role within contemporary culture.

Marking the ten-year anniversary of Fernando Romero's Laboratory of Architecture, this publication celebrates the work of the young Mexican architect. After working at the offices of Rem Koolhaas in Rotterdam from 1997 to 2000, Romero started his own practice, the Laboratory of Architecture (LAR). The firm has produced a vast collection of designs and buildings ranging from the orthogonal to the fluid and organic. With offices in Mexico City and Los Angeles, the firm has consistently lived up to its name, demonstrating a willingness to experiment with new materials and methods while serving a diverse international clientele. LAR has worked to create luxury apartments and low-cost housing projects, museums and banks, schools and bridges. Presenting a selection of projects combining master planning, cultural exchange and socio-political research, LAR/Fernando Romero: Simplexity provides an overview of the architect's visions, designs and buildings.

LAR Fernando Romero: Simplexity

OBRIST, Hans-Ulrich

Reyes, Pedro

Hatje Cantz

Located in Mexico City, Tatiana Bilbao Estudio is well known internationally for its use of traditional Mexican construction techniques, the highly sculptural effects of its buildings and its unusually collaborative approach toward each client. Founded by Tatiana Bilbao (born 1972) in 2004, its completed buildings include the Gratitude Open Chapel in La Ruta del Peregrino, Gabriel Orozco's house in Roca Blanca and the botanical garden in Culiacan. This volume appraises the studio's work to date in four thematic sections: Inhabiting, Space, Collage and Context. The texts by Patrick Charpenel, Simon Hartmann, Raymund Ryan and a conversation with Gonzalo Ortega address Bilbao's uniquely contemporary architectural language, which combines the efficient use of materials, optimal function and an original design with a discreet aesthetic that always conveys a responsiveness toward landscape.

Tatiana Bilbao: Perspectives

Bilbao, Tatiana

Charpenel, Patrick

Hartmann, Simon

Arquine

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