Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this ground-breaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose drip paintings he convincingly links with the sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post–World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s.

Native American Art and the New York Avant-Garde: A History of Cultural Primitivism (American Studies Series)

Arts & Photography

Rushing, W. Jackson

History & Criticism

University of Texas Press

This showcase of Native American paintings features works by students of Dorothy Dunn, Kansas-born schoolteacher and curator, who, though an outsider, absorbed Navajo and Pueblo ways and established the country's first Indian art school. Reproduced here are more than ninety paintings by prominent artists such as Pablita Velarde, Joe H. Herrera, Allan Houser, and Pop Chalee.

Modern by Tradition: American Indian Painting in the Studio Style

Bernstein, Bruce

Collections, Catalogs & Exhibitions

Museum of New Mexico Pr

This showcase of Native American paintings features works by students of Dorothy Dunn, Kansas-born schoolteacher and curator, who, though an outsider, absorbed Navajo and Pueblo ways and established the country's first Indian art school. Reproduced here are more than ninety paintings by prominent artists such as Pablita Velarde, Joe H. Herrera, Allan Houser, and Pop Chalee.

Modern by Tradition: American Indian Painting in the Studio Style: American Indian Painting in the Studio Style

W. Jackson, Rushing

Museum of New Mexico Press

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Books by Rushing, W. Jackson