Mixing menace and unease with buoyancy and optimism, Swiss-born, New York-based artist Ugo Rondinone (born 1963) infuses his sculptures, drawings, videos, photographs, sound art and text works with a wide repertoire of fantasies and fears. Rondinone is famed for his celebratory, rainbow-colored "Hell, Yes!" sign, emblazoned on the New Museum's frontage on the occasion of its 2007 opening. At the other end of his emotional-artistic spectrum lie his outsized monster heads and contorted trees that could be modeled from illustrations to a children's ghost story, and somewhere in between lie such works as his curiously ominous series of heavily augmented doors and his looming lightbulbs. At nearly 400 pages, and with a wealth of color plates, this enormous new monograph from JRP|Ringier surveys all of these works and more, taking full stock of Rondinone's prolific activity over the past dozen years.

Ugo Rondinone: The Night of Lead

Arts & Photography

Rubio, Agustín Pérez

Schuppli, Madeleine

Individual Artists

JRP|Ringier

Life has taken Julie Mehretu from Addis Ababa, Ethiopia to New York the long way. Now the New York Times writes that her canvases--multilayered, futuristic visual worlds where historical and fictional landscapes meet--"make history painting important again." Each one pulls from diverse sources, noteworthy among them Japanese manga, Chinese landscape art, Ethiopian illuminated books, Baroque engraving in the style of Dürer, graffiti and the geometric abstractions of Kazimir Malevich and Vasily Kandinsky. And they are often structured on architectural drawing, which appeals to Mehretu "because there is no way that you could make architecture that doesn't work." Plans for buildings are metaphors "for systems, for rational efforts to construct the world that we exist within, even though so many things happen in a very organic or irrational way." These angular architectural spaces swarm with organic forms, with communities marching to war, confronting systems and creating elaborate new civilizations. Human relationships unfold, interacting with the built and controlled world. Of her interest in these warring factions and in the "aggressive and forceful nature of history," Mehretu says that, "most of my personal ancestry comes from different cultures that, at one time or another, were at war." This is the first comprehensive monograph on a strong new talent in contemporary painting.

Julie Mehretu: Black City

Steinweg, Marcus

Reference

Hatje Cantz

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Books by Rubio, Agustín Pérez