Explains to experienced C++ software developers how to plan, build, and deploy distributed component applications with Microsoft's Component Object Model. First deconstructs the model to its essentials as a system for building reusable components, then use examples and sample code to demonstrate how to implement and test applications. The CD-ROM contains a complete C++ OLE training module from CBT Systems. No bibliography. Annotation c. by Book News, Inc., Portland, Or.

Understanding DCOM

Computers & Technology

RUBIN, William

BRAIN, MARSHALL

Networking & Cloud Computing

Prentice Hall PTR

Pablo Picasso: A Retrospective

Arts & Photography

Little,Brown & Co

Anthony Caro.

Museum of Modern Art

The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other media to illustrate the solutions Picasso invented to solve the "problem" of the modernist portrait. Published to accompany an exhibition to be shown at The Museum of Modern Art, New York, in 1996, the book contains eight essays examining different periods and aspects of Picasso's career. The personal relationships between Picasso and his subjects are clarified. Contributions come from Anne Baldassari, Pierre Daix, Michael Fitzgerald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel and Kirk Varnedoe.

Picasso and Portraiture /anglais

Thames&Hudson

Picasso and Braque: Pioneering Cubism

Reproduces drawings and paintings by two principal pioneers of cubism and examines the interlocking nature of these works

History & Criticism

Harry N.Abrams, Inc.

The William S. Paley Collection

Armstrong, Matthew

Collections, Catalogs & Exhibitions

Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here - most of them unfamiliar, some virtually unknown - demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity. The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject.

Picasso and Portraiture: Representation and Transformation

Museum Of Modern Art (new York, N.y.)

Daix, Pierre

VARNEDOE, Kirk

Baldassari, Anne

McCully, Marilyn

Seckel, Helene

Rosenblum, Robert

Léal, Brigitte

Grand Palais (Paris, France)

FitzGerald, Michæl C.

Beautiful like new paperback, no markings anywhere, no wear just a like new book. One tiny scuff on top left corner of this giant results in like new rather than new. We appreciate your business and welcome any questions

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Books by RUBIN, William