Lesbianism in literature has been dealt with rather indirectly in the past. Editors have led readers to the "artistry" of a work containing lesbianism, emphasizing instead the literary history and historical context of the work rather than the representations of lesbianism. The editor for Colette's The Pure and the Impure, for instance, affirms that Colette has a knowledge of a "strange sisterhood," but assures readers she has never strayed from the "normal." In the groundbreaking A Lure of Knowledge, Judith Roof demonstrates that representations of lesbian sexuality occupy specific locations or positions in the arguments, subject matter, and rhetoric of Western European and American literary criticism. She examines the political context of representations: how lesbian sexuality is used as a signifier an why it appears when and where it does. Roof argues that attempts to depict or explain lesbian sexuality spur anxieties about knowledge and identity. In reaction to and denial of these anxieties, lesbian sexuality is represented in film, literature, theory, and criticism as foreplay, as simulated heterosexuality, as erotic excess, as joking inauthenticity, as artful compromise, or as masculine mask in a specific repertoire of neutralization and evasion. Challenging the heterosexism of film theory and feminist theory, this book analyzes the rhetorical use of lesbian sexuality. Roof explores a range of discourses, from the woks of such authors as Anais Nin, Olga Broumas, Julia Kristeva, Jane Rule, Luce Iriguray, and Sigmund Freud, to films such as Emmanuelle, Desert Hearts, Entre Nous, and I've Heard the Mermaids Singing, to professional tennis.

A Lure of Knowledge: Lesbian Sexuality and Theory

Self-Help

Roof, Judith

Columbia University Press

A Lure of Knowledge: Lesbian Sexuality and Theory (Between Men--Between Women)

Literature & Fiction

History & Criticism

Roof's ambitious, wide-ranging book links narrative theory, theories of sexuality, and gay and lesbian theory to explore the place of homosexuality, and specifically the lesbian, in the tradition of western narrative. According to Freud, perversions are the necessary obstacles in a heroic plot of normal heterosexual development; and homosexuality is the nineteenth century's classic case of perversion. Roof builds on Freud to illustrate that a structural understanding of narrative enforces a heterosexual paradigm, a sense of meaning that provides psychological stability for the reader. Looking at film, television, and lesbian novels, Roof explores how ideas of narrative and sexuality inform, determine, and reproduce one another. She identifies the paradigmatic lesbian story, its unvarying repetition, and how it might be recast. Understanding identification as a narrative practice, and narrative as typically heterosexual and reproductive, Roof shows how sexuality and narrative must be disentangled to alter oppressive social practices.Come As You Are marks a significant contribution to lesbian and gay studies, psychoanalytic theory, and feminism.

Come As You Are

All about Thelma and Eve: SIDEKICKS AND THIRD WHEELS

Inviting us to "wallow in the middle," Judith Roof offers a fresh, inventive look at female comic secondary characters who, though never on center stage, play an indispensable role in enriching and complicating the course of the narrative. Paying attention to these characters shows that narrative is not always as straight as it might seem. Focusing on such superb comic seconds as Eve Arden, Thelma Ritter, Rosalind Russell, and Whoopi Goldberg, Roof explores what is queer about the middle--in the sense of eccentric and in terms of desire--and how that queerness functions as a part of and an antidote to narrative. Shrewd, pragmatic, self-denying, perceptive, outspoken, and witty, these female characters are able to cross the bounds of social groupings, gender expectations, and propriety, presenting possibilities that threaten the "fitting ends" of narrative closure: norms such as heterosexuality, production, reproduction, knowledge, and victory. Roof characterizes female seconds as modern-day versions of the Shakespearean fool, able to speak the truth without being punished for it. Discussing films ranging from Mildred Pierce, Auntie Mame, and Rear Window to Stage Door, Sister Act, and The Associate, she shows how Hollywood's recasting of the wise servant figure as female, unattached, and lower class reflects more general cultural anxieties about the role of women, gender confusion, race, and class distinctions. She also tracks changes in the form and function of the minor and middle from the stylized, hierarchical economy of classical Hollywood film to the expanded, serial variety fitted to 1990s commodity culture. A meticulous, playful rereading of Hollywood classics from the margins, All about Thelma and Eve registers both delight in these female characters and discernment of their integral role in unseating narrative and other norms.

Humor & Entertainment

Movies

University of Illinois Press

Inviting us to "wallow in the middle," Judith Roof offers a fresh, inventive look at female comic secondary characters who, though never on center stage, play an indispensable role in enriching and complicating the course of the narrative. Paying attention to these characters shows that narrative is not always as straight as it might seem. Focusing on such superb comic seconds as Eve Arden, Thelma Ritter, Rosalind Russell, and Whoopi Goldberg, Roof explores what is queer about the middle--in the sense of eccentric and in terms of desire--and how that queerness functions as a part of and an antidote to narrative. Shrewd, pragmatic, self-denying, perceptive, outspoken, and witty, these female characters are able to cross the bounds of social groupings, gender expectations, and propriety, presenting possibilities that threaten the "fitting ends" of narrative closure: norms such as heterosexuality, production, reproduction, knowledge, and victory. Roof characterizes female seconds as modern-day versions of the Shakespearean fool, able to speak the truth without being punished for it. Discussing films ranging from Mildred Pierce, Auntie Mame, and Rear Window to Stage Door, Sister Act, and The Associate, she shows how Hollywood's recasting of the wise servant figure as female, unattached, and lower class reflects more general cultural anxieties about the role of women, gender confusion, race, and class distinctions. She also tracks changes in the form and function of the minor and middle from the stylized, hierarchical economy of classical Hollywood film to the expanded, serial variety fitted to 1990s commodity culture. A meticulous, playful rereading of Hollywood classics from the margins, All about Thelma and Eve registers both delight in these female characters and discernment of their integral role in unseating narrative and other norms.

Reproductions of Reproduction is about the loss of the paternal metaphor and how the ensuing scramble to relocate it has set off a series of representational crises. Examining the sudden popularity of such figures as cyborgs, bodybuilders, and vampires; shifts in legislation about abortion, paternity and copyright; the transition to a digital-based society; the emergence of lesbian and gay studies; the growing infatuation with hyper-realistic patterns in television, this book argues that each of these manifestations represents an attempt to resituate the paternal metaphor. While this shift affects our understandings of everything from narratives to law to time, it also suggests a point of potential political intervention, allowing us to identify the full implications of these changes.

Reproductions of Reproduction: Imaging Symbolic Change

Routledge

Understanding Literature: An Introduction to Reading and Writing, MLA Update

Kalaidjian, Walter

Watt, Stephen

Wadsworth Publishing

An intelligent, relevant, and lively new introduction to fiction builds on the success of its parent text, Understanding Literature. With accessible discussions of historical and cultural contexts and critical approaches, biographical information, and a stimulating table of contents, Understanding Fiction offers instructors and students an innovative option in anthologies. Accompanied by the Understanding Literature CD-ROM and Web Site, Understanding Fiction enriches the reading experience, enhances critical thinking, and promotes mastery in writing about fiction.

Understanding Fiction

Contemporary

Cengage Learning'

See the best price to sell, buy, or rent books by Roof, Judith. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Roof, Judith

See the best price to sell, buy, or rent books by Roof, Judith. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Lure of Knowledge: Lesbian Sexuality and Theory

A Lure of Knowledge: Lesbian Sexuality and Theory (Between Men--Between Women)

Come As You Are

Come As You Are

All about Thelma and Eve: SIDEKICKS AND THIRD WHEELS

All about Thelma and Eve: SIDEKICKS AND THIRD WHEELS

Reproductions of Reproduction: Imaging Symbolic Change

Reproductions of Reproduction: Imaging Symbolic Change

Understanding Literature: An Introduction to Reading and Writing, MLA Update

Understanding Fiction