In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist Louis Agassiz to provide evidence of the supposed biological inferiority of Africans. Lost for many years, the photographs were rediscovered in the attic of Harvard’s Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving together the histories of race, science, and photography in nineteenth-century America, Rogers explores the invention and uses of photography, the scientific theories the images were intended to support and how these related to the race politics of the time, the meanings that may have been found in the photographs, and the possible reasons why they were “lost” for a century or more. Each image is accompanied by a brief fictional vignette about the subject’s life as imagined by Rogers; these portraits bring the seven subjects to life, adding a fascinating human dimension to the historical material.

Delia's Tears: Race, Science, and Photography in Nineteenth-Century America

Arts & Photography

Blight, David W.

Rogers, Molly

Individual Artists

Yale University Press

In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist Louis Agassiz to provide evidence of the supposed biological inferiority of Africans. Lost for many years, the photographs were rediscovered in the attic of Harvard&#8217;s Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving together the histories of race, science, and photography in nineteenth-century America, Rogers explores the invention and uses of photography, the scientific theories the images were intended to support and how these related to the race politics of the time, the meanings that may have been found in the photographs, and the possible reasons why they were &#8220;lost&#8221; for a century or more. Each image is accompanied by a brief fictional vignette about the subject&#8217;s life as imagined by Rogers; these portraits bring the seven subjects to life, adding a fascinating human dimension to the historical material.

When was Christianity born? When was it that Christianity, born as a particular current within Judaism, constituted itself as a religion different and separate from the Jewish religion? The question has been asked, and the problem has therefore been considered, since the historical-critical investigation of Christian origins began. However the problem has become acute only in the last few decades, because of the occurrence of a whole series of circumstances and of reflections that have deeply changed the historiographic understanding regarding Judaism in the first century, and thus the origins of Christianity as well. Traditional opinion considered the founders of Christianity to be Jesus of Nazareth and Paul of Tarsus. Recent studies however affirm that a Christian religion as distinct from the Jewish religion can be spoken of only much later, and that for the entire first century, and for at least a part of the second century, Christianity was nothing more than a sect within Judaism. Dealing with the problem from an historical point of view, and thus considering not only Christianity of Jewish origin but also that of gentile origin, Giorgio Jossa demonstrates that the birth of a Christian identity as distinct from Jewish identity must actually be dated back to the first period of life of the community of Jesus.

Jews or Christians?: The Followers of Jesus in Search of their own Identity (Wissenschaftliche Untersuchungen Zum Neuen Testament) (German Edition)

History

Jossa, Giorgio

Ancient Civilizations

Mohr Siebeck

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