S-K 60. First edition. Covers authorship, bookbinding, bookselling, book design, illustration, children's books, printing, publishing, etc. Illustrated. Ex-library copy with stamp on copyright page and jacket glued down on covers. 405 pages. cloth, dust jacket.. thick 8vo..

BRITISH BOOK TRADE: FROM CAXTON TO THE PRESENT DAY (GRAFTON BOOKS)

Reference

Robin MYERS

Writing, Research & Publishing Guides

Andre Deutsch

This is the latest book in the Publishing Pathways Series. Eight chapters on different aspects of "sharp practices" in the book world. Includes Christopher de Hamel on "Book Thefts in the Middle Ages," Adri K. Offenberg on "The Censorship of Hebrew Books in Sixteenth-Century Italy," Alastair J. Mann on "Some Property is Theft: copyright law and illegal activity in early modern Scotland," Maureen Bell on "Offensive Behaviour in the English Book Trade, 1641-1700," Helen Berry on "Crimes of Conscience: the last will and testament of John Dunton,", Nicholas Pickwoad on "The History of the False Raised Band,", Anthony Hobson on "Guglielmo Libri," and Bill Bell on "Bound for Botany Bay; or, what did the nineteenth-century convict read?" Illustrated and with an index. SALES RIGHTS: Worldwide except in the UK; Available in the UK from The British Library.

Against the Law : Crime, Sharp Practice and the Control of Print

Politics & Social Sciences

Social Sciences

Oak Knoll Press

<p>In this volume, leading specialists examine aspects of the relationship between the business of print and the practice of art and design across five centuries. The role played by the book trade in the diffusion of artistic and architectural theory, fashion and practice is explored, while other essays trace the impact on the appearance of books themselves of aesthetic trends and of advances in the techniques of binding, colour printing and illustration. Among topics discussed are the printed sources for decorative motifs in 16th-century churches, the publication history of the works of Andrea Palladio, and the evolution of drawing manuals in 17th-century England. Other subjects include the library formed by the architect Sir John Soane, developments in 19th-century art publishing, and the role of printed catalogues in documenting the acquisitions made by English collectors of paintings, sculpture and antiquities. Contents Introduction Mirjam Foot: It s pretty, but is it Art Malcolm Jones: Metal-cut border ornaments in Parisian-printed Books of Hours as design sources for sixteenth-century English works of art Charles Hind: Publishing Palladio in England, 1650-1750 Meghan Doherty: The Young-Mans Time Well Spent: Learning to draw from a master Susan Palmer: Building a library: Evidence from Sir John Soane s archive Abraham Thomas: Colour printing and design reform: Owen Jones and the birth of chromolithography Rowan Watson: Art publishing and the leisure market, from the 1840s to the 1870s Charles Sebag-Montefiore: The art collector and the catalogue from the early 1620s to the early 2000s</p>

Publishing the Fine and Applied Arts

Literature & Fiction

History & Criticism

British Library

Bibliophily

MICHAEL HARRIS

Chadwyck-healey Incorporated

Libraries and the Book Trade: The Formation of Collection from the Sixteenth to the Twentieth Century

The British Library Publishing Division

Tener / Having (Spanish Edition)

Antílope

Underground Church (Korean Edition)

Kim Jun Woo

Korea Christian Institute

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Books by Robin MYERS