With the dual focus of equipping students to interact with academic texts and helping them acquire vital academic vocabulary, Inside Reading gives students the tools they need to succeed in their academic courses. Electronic Workbook Students can take their learning further with the electronic workbook included in their student book. It offers a variety of vocabulary exercises designed to deepen knowledge of and ability to use the targeted AWL words appropriately.

Inside Reading 4 Student Book Pack: The Academic Word List in Context

Reference

Richmond, Kent

Boyd Zimmerman, Cheryl

English as a Second Language

Oxford University Press, USA

This Instructor's pack contains the answer key for Inside Reading 4 along with a test generator CD-ROM. The test generator contains one test per unit from the level 4 book. Each test consists of a reading passage related to the topic of the unit, which features the target vocabulary. This is followed by reading comprehension and vocabulary questions. Teachers can use each unit's test in full or customize it in a variety of ways.

Inside Reading 4 Instructor Pack: The Academic Word List in Context

Develop reading skills and acquire the Academic Word List -Explicit reading skills provide the foundation for effective, critical reading -High-interest readings from academic content areas motivate students -Corpus-based examples from the Oxford English Corpus teach real-life English

Inside Reading 2e Student Book Level 4

Words, Language & Grammar

Oxford University Press

This complete, line-by-line translation of Twelfth Night makes the language of Shakespeare's play contemporary while preserving the metrical rhythm, complexity, and poetic qualities of the original. The aim is to capture both the sound and sense of Shakespeare's romantic comedy without the need for glosses or notes--to use more comprehensible language without simplifying or modernizing the play in any other way. 
<ul>
<li>Line-by-line verse translations, not prose paraphrases. </li>
<li>Complete. No lines deleted or simplified. </li>
<li>Accurate, authentic iambic pentameter. </li>
<li>Looks and feels like Shakespeare's original. </li>
<li>Tone, complexity, and poetic devices preserved. </li>
<li>Subtlety and richness revealed without distracting notes and glosses. </li>
<li>Attractive, easy-to-read layout.</li> <li>Ready for theatrical performance. </li>
</ul>
 Readers experience this hilarious tale of mistaken identity and frustrated love with the challenge, comprehension, and delight of audiences 400 years ago--the way Shakespeare intended. "Too often, unless we read a Shakespeare play beforehand, we process the language as if it were coming from a poorly tuned-in radio station. Shakespeare didn't write his plays to be experienced impressionistically as 'poetry;' he assumed his language was readily comprehensible. At what point does a stage of a language become so different from the modern one as to make translation necessary? Mr. Richmond is brave enough to assert that, for Shakespeare, that time has come. The French have Moliere, the Russians have Chekhov—and now, we can truly say that we have our Shakespeare." —John McWhorter, Manhattan Institute

Twelfth Night: A Verse Translation (Enjoy Shakespeare)

Literature & Fiction

Shakespeare., William

Dramas & Plays

Full Measure Press

This complete, line-by-line translation makes the language of Shakespeare's Much Ado About Nothing contemporary while preserving the metrical rhythm, complexity, and poetic qualities of the original. The aim is to capture both sound and sense of Shakespeare's comedy without the need for glosses or notes-to use contemporary language without simplifying or modernizing the play in any other way. Readers experience this comic exploration of male suspicion and its consequences with the challenge, comprehension, and delight of audiences 400 years ago-the way Shakespeare intended. Features * Line-by-line verse translation, not a prose paraphrase. * Complete. No lines deleted or simplified. * Accurate and authentic iambic pentameter. * True to the feel and look of Shakespeare's original. * Tone, complexity, and poetic devices preserved. * Subtlety and richness revealed without distracting notes and glosses. * For students, an accessible introduction to classic drama. * Attractive, uncluttered, easy-to-read layout. * Perfect for an audience-pleasing theatrical performance. "Too often, unless we read a Shakespeare play beforehand, we process the language as if it were coming from a poorly tuned-in radio station. Shakespeare didn't write his plays to be experienced impressionistically as 'poetry;' he assumed his language was readily comprehensible. At what point does a stage of a language become so different from the modern one as to make translation necessary? Mr. Richmond is brave enough to assert that, for Shakespeare, that time has come. The French have Moliere, the Russians have Chekhov-and now, we can truly say that we have our Shakespeare." -John McWhorter, Manhattan Institute "Richmond has performed a service for English-speaking students everywhere." -Boak Ferris, Calif. State Univ. Long Beach

Much Ado About Nothing: A Verse Translation (Enjoy Shakespeare)