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Hecuba (Greek Tragedy in New Translations)

History

Lembke, Janet

Reckford, Kenneth J.

Eurípides

Ancient Civilizations

Oxford University Press

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, The Greek Tragedy in New Translation series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. If the line from a lost play, "There is no greater god than necessity," were all that survived of Euripides, we would have his signature. No other artist or thinker has ever dramatized with such relentless concentration the pervasiveness of necessity's power--the terrible force by which it shapes and destroys human character--and in no other play is this theme made more manifest than in Hecuba. In this new edition of Hecuba, a poet and a classical scholar have collaborated to produce a striking version of a play central to Euripides' dramatic vision. The translators have focused their attention on tonal texture, ranging from grief-stricken monodies and duets to lyrical choral verse, as well as on the problems created by political and forensic rhetoric. The result is a subtle and highly evocative translation of the unjustifiable sacrifice of Hecuba's daughter, Poyxena, and the consequent destruction of Hecuba's character.

Literature & Fiction

Dramas & Plays

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. This vital translation of Euripides' Electra recreates the prize-winning excitement of the original play. Electra, obsessed by dreams of avenging her father's murder, impatiently awaits the return of her exiled brother Orestes. When he arrives, the play mounts toward its first climax, a tender recognition scene. From that moment on, Electra uses Orestes as her instrument of vengeance. They kill their mother's husband, then their mother herself--and only afterward see the evil inherent in these seemingly just acts. But in his usual fashion, Euripides has imbued myth with the reality of human experience, counterposing suspense and horror with comic realism and down-to-earth comments on life.

Electra (Greek Tragedy in New Translations)

Recognizing Persius is a passionate and in-depth exploration of the libellus--or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that normally would have been recited before a reclining, feasting audience. In highlighting the satires' remarkable honesty, Reckford shows how Persius converted Roman satire into a vehicle of self-exploration and self-challenge that remains relevant to readers today.
 The book explores the foundations of Roman satire as a performance genre: from the dinner-party recitals of Lucilius, the founder of the genre, through Horace, to Persius's more intense and inward dramatic monologues. Reckford argues that despite satire's significant public function, Persius wrote his pieces first and mainly for himself. Reckford also provides the context for Persius's life and work: his social responsibilities as a landowner; the interplay between his life, his Stoic philosophy, and his art; and finally, his incomplete struggle to become an honest and decent human being. Bringing the modern reader to a closer and more nuanced acquaintance with Persius's work, Recognizing Persius reinstates him to the ranks of the first-rate satirists, alongside Horace and Juvenal.

Recognizing Persius (Martin Classical Lectures)

History & Criticism

Princeton University Press

Aristophanes' Old-and-New Comedy: Volume I: Six Essays in Perspective

This startling and original study emerged from Kenneth Rockford's wish to vindicate Aristophanes' Clouds against detractors. As a result of years of rereading and teaching Aristophanes, he realized that the Clouds could not be defended in an analysis of that play in isolation. A better approach, he decided, would be to define a comic perspective within which Aristophanes' comedies in general as well as the Clouds in particular could be appreciated.This first volume of Reckford's defense examines the comedies as a whole in a series of defining essays, each with its own dominant concern and method of approach. The author begins by exploring not the usual questions of Aristophanes' political attitudes and his place in the development of comedy, but rather the festive, celebratory, and Dionysian nature of Old Comedy. Here and throughout the book Reckford illustrates Aristophanes' form of comedy with analogies to Rabelais, Shakespeare, Charlie Chaplin, Alice in Wonderland, and The Wonderful Wizard of Oz.In the remaining essays Reckford goes beyond the usual Freudian approaches, reinterpreting the comic catharsis as a clarification of wishing and hoping. He also explores the growth of plays from comic idea to comic performance, in ways reflected in Tom Stoppard's plays today. Only then are Aristophanes' basic political loyalties described, as well as the place of his old- and-new comedy within the history of the genre.In a book that is as much about comedy generally as it is about Aristophanes specifically, some plays are treated more fully than others. Reckford discusses the Wasps at length, comparing the symbolic transformations and comic recognitions in the play with dream experience and dream interpretation. He also analyzes the Peace, the Acharians, the Birds, and the Frogs. Reckford's vindication of the Clouds will appear in the second volume of his defense, Clouds of Glory.Reckford's playful translations preserve the puns and anachronisms of Aristophanes, maintaining the playwright's comic feeling and tone. Combining traditional classical scholarship with a variety of literary, psychological, and anthropological approaches, he has written a study that will appeal to both the academic audience and the general reader who cares about comedy.Originally published in 1987.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The University of North Carolina Press

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Books by Reckford, Kenneth J.

See the best price to sell, buy, or rent books by Reckford, Kenneth J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Hecuba (Greek Tragedy in New Translations)

Hecuba (Greek Tragedy in New Translations)

Electra (Greek Tragedy in New Translations)

Recognizing Persius (Martin Classical Lectures)

Aristophanes' Old-and-New Comedy: Volume I: Six Essays in Perspective

Aristophanes' Old-and-New Comedy: Volume I: Six Essays in Perspective