Textile artist Takaku Kuboku (1908-1993) is a paragon among modern artists of Japan, fusing rural and urban, traditional and innovative, and Asian and European influences in his life and work. This volume introduces his aesthetic ideas and artistic practice to an English-speaking audience for the first time. In a milieu where artists championed indigenous craft techniques as a vital component of authentic Asian artistic achievement, he specialized in wax-resist textile dyeing, or roketsuzome. His works on silk were among the most highly sought-after by the elite classes of Japanese society. With his daughter Hisako (b. 1944) he produced obi and kimono that combine the Japanese aesthetic of spontaneous inkbrush painting with modern Cubist and abstract designs, while maintaining ties with traditional Japanese painting. The subjects are predominantly drawn from nature, with a spiritual undertone indicating an awareness of and sensitivity to the idea of a life force that courses through and unifies all living things.

Dyeing Elegance: Asian Modernism and the Art of Kuboku and Hisako Takaku

Arts & Photography

Quintanilla, Sonya Rhie

Nakano, Masato

Takaku, Hisako

History & Criticism

San Diego Museum of Art

Rhythms of India: the Art of Nandalal Bose

The mighty Persian warrior Rustam; the Israelite prophets Joseph, Moses, and Elijah; the Christian Messiah; the Mughal emperors Babur, Humayun, and Akbar; and the women of the harem; Mughal paintings tell the stories of these figures from epic poetry, holy texts, and the real-life history of the Mughals, one of the greatest empires of the early modern period. Captured in this unique art form, Mughal paintings blend Persian and Indian themes and styles, along with Central Asian and European elements. The results are works of great beauty: intense, delicate, detailed, luxurious, and unique.
This, the third volume in a series dedicated to the Cleveland Museum's light-sensitive treasures, casts new light on these stunning paintings—splendid works of wisdom and delight. The provenance, publication history, and technical information of each manuscript painting is also accompanied by full transcriptions of Persian and Arabic calligraphy.
Sonya Quintanilla is the George P. Bickford Curator of Indian and Southeast Asian Art at the Cleveland Museum of Art. Catherine Glynn Benkaim is a former curator of Indian Art at the Los Angeles County Museum of Art. Pedro Moura Carvalho is chief curator of the Asian Civilizations Museum in Singapore. Marcus Fraser is an independent Islamic art consultant and specialist in Islamic calligraphy. Mohsen Ashtiany is an associate research scholar at Columbia University. Ruby Lal is professor of South Asian Studies in the Department of Middle Eastern and South Asian Studies at Emory University, Atlanta.

Mughal Paintings: Art and Stories, The Cleveland Museum of Art

DeLuca, Dominique

GILES

Mughal Paintings

Cleveland Museum Of Art

Lal, Ruby

Fraser, Marcus

Ashtiany, Mohsen

Glynn, Catherine Ann

Carvalho, Pedro De Moura

Benkaim, Ralph

The Cleveland Museum of Art

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