A provocative examination of reproductive technologies that questions our understanding of fertility, motherhood, and the female body Since the world's first test-tube baby was born in 1978, in vitro fertilization has made the unimaginable possible for millions of people, but its revolutionary potential remains unrealized. Today, fertility centers continue to reinforce conservative norms of motherhood and family, and infertility remains a deeply emotional experience many women are reluctant to discuss. &nbsp; In this vivid and incisive personal and cultural history, Jenni Quilter explores what it is like to be one of those women, both the site of a bold experiment and a potential mother caught between fearing and yearning. Quilter observes her own experience with the eye of a critic, recounting the pleasures and pains of objectification: how medicine mediates between women and their bodies, how marketing redefines pregnancy and early parenthood as a set of products, how we celebrate the "natural" and denigrate the artificial.&nbsp; &nbsp; With nuance, empathy, and a fierce intellect, Quilter&nbsp;asks urgent questions about what it means to desire a child and how much freedom reproductive technologies actually offer. Her writing embraces the complexities of motherhood and the humanity of IVF: the waiting rooms, the message boards, and the genetic permutations of what a thoroughly modern family might mean.

Hatching: Experiments in Motherhood and Technology

Biographies & Memoirs

Quilter, Jenni

Community & Culture

Riverhead Books

New York School Painters &amp; Poets charts the collaborative milieu of New York City poets and artists in the mid-twentieth century. This unprecedented volume comprehensively reproduces rare ephemera, collecting and reprinting collaborations, paintings, drawings, poetry, letters, art reviews, photographs, dialogues, manifestos, and memories. Jenni Quilter offers a chronological survey of this milieu, which includes artists such as Willem de Kooning, Robert Motherwell, Alex Katz, Jasper Johns, Fairfield Porter, Larry Rivers, George Schneeman, and Rudy Burckhardt, plus writers John Ashbery, Bill Berkson, Ted Berrigan, Joe Brainard, Edwin Denby, Larry Fagin, Frank O’Hara, Charles North, Ron Padgett, James Schuyler, Anne Waldman, and more. “Giving us for the first time a full picture of the scene these artists and writers shared,” writes Carter Ratcliff in his foreword, “this book illuminates the unities and tensions, the playfulness and glamour and startling authenticity of their collaborations. Here we not only see evidence of a modus operandi. We also feel the exuberance of a certain modus vivendi, a way of life.” By Jenni Quilter, Edited by Allison Power, with Advisory Editors: Bill Berkson and Larry Fagin, and Forewords by Bill Berkson and Carter Ratcliff

New York School Painters & Poets: Neon in Daylight

Arts & Photography

History & Criticism

Rizzoli

Literary Nonfiction. Art. Poetry History &amp; Criticism. TIBOR DE NAGY GALLERY PAINTERS &amp; POETS is an exhibition catalog containing "A Hidden History of the Avant-Garde," by Douglas Crase, and "The Love of Looking: Collaborations Between Artists and Writers," by Jenni Quilter. It examines the gallery's early days in 1950s New York and the collaborative spirit that was nurtured among the young painters and poets of the New York School.

Tibor de Nagy Gallery Painters & Poets

Crase, Douglas

Collections, Catalogs & Exhibitions

Tibor de Nagy Editions

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Books by Quilter, Jenni