Prudentius (Aurelius Prudentius Clemens) was born in 348 CE probably at Caesaraugusta (Saragossa) and lived mostly in northeastern Spain, but visited Rome between 400 and 405. His parents, presumably Christian, had him educated in literature and rhetoric. He became a barrister and at least once later on an administrator; he afterwards received some high honour from Emperor Theodosius. Prudentius was a strong Christian who admired the old pagan literature and art, especially the great Latin poets whose forms he used. He looked on the Roman achievement in history as a preparation for the coming of Christ and the triumph of a spiritual empire.
The Loeb Classical Library edition of the poems of Prudentius is in two volumes. Volume I presents: "Preface" (Praefatio); "The Daily Round" (Liber Cathemerinon); 12 literary and attractive hymns, parts of which have been included in the Breviary and in modern hymnals; "The Divinity of Christ" (Apotheosis), which maintains the Trinity and attacks those who denied the distinct personal being of Christ; "The Origin of Sin" (Hamartigenia) attacking the separation of the 'strict' God of the Old Testament from the 'good' God revealed by Christ; "Fight for Mansoul" (Psychomachia), which describes the struggle between (Christian) Virtues and (Pagan) Vices; and the first book of "Against the Address of Symmachus" (Contra Orationem Symmachi), in which pagan gods are assailed.
The second volume contains the second book of "Against the Address of Symmachus," opposing a petition for the replacement of an altar and statue of Victory; "Crowns of Martyrdom" (Peristephanon Liber), 14 hymns to martyrs mostly of Spain; "Lines To Be Inscribed under Scenes from History" (Tituli Historiarum), 49 four-line stanzas which are inscriptions for scenes from the Bible depicted on the walls of a church; and an Epilogue.

Prudentius, Volume 1

Literature & Fiction

Prudentius

History & Criticism

Harvard University Press

Prudentius: Against Symmachus 2. Crowns of Martyrdom. Scenes From History. Epilogue (Loeb Classical Library No. 398)

The Origin of Sin: An English Translation of the "Hamartigenia" (Cornell Studies in Classical Philology, 61)

Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. 
Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since―most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.

Cornell University Press

Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition.Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since―most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.

The poems of Aurelius Prudentius appear in two volumes of the present series, i.e., Volume 43 and this volume, 52. It cannot be said that poetry, in a literary sense, truly prospered in Christian surroundings. However, the greatest of the Latin Christian poets was the present author, who was born in any one of the three cities: Tarragona, Saragossa, and Calahorra. Modern scholarship favors Calahorra.
Any estimate of Prudentius must include a recognition of certain defects in his works, notably the length and prolixity of his hymns, the crude realism in his descriptions of the torments of the martyrs, the long declamatory speeches, the unreality of his allegory, and his excessive use of alliteration and assonance. Though his writings as a whole cannot be ranked among those of the great poetry in many instances. Prudentius has a technical skill surpassing that of the other Christian Latin poets. He is the creator of the Christian ode and the Christian allegory. He has something of the epic power of Virgil and the lyric beauty and variety of Horace.
Prudentius has still greater claims to greatness, however, in the Christian thought and inspiration of his poetry. A recent critic has declared with truth that Prudentius is 'first a Catholic and only in the second place a poet.' His faith is that of the Nicene Creed.
In his poetry, Prudentius celebrates the triumph of Christianity over paganism. He saw the Church emerging from its three-hundred-year struggle against the forces if idolatry and heresy, triumphant through its saving doctrine and the blood of its martyrs. He saw the magnificent basilicas, both in Spain and in Rome, rising in the place of the pagan temples. As an historian of Christian thought and culture at the end of the fourth century, Prudentius cannot be overestimated.

Poems, Volume 2 (Fathers of the Church Patristic Series)

Religion & Spirituality

Christian Books & Bibles

The Catholic University of America Press

Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation.

Psychomachia (Bryn Mawr Commentaries, Latin) (Latin and English Edition)

Bryn Mawr Commentaries, Inc.

Translations From Prudentius (1890)

United States

Kessinger Publishing

Literary

Kessinger Publishing, LLC

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT144949Verse.London : printed in the year, 1743. [2],72p. ; 8°

Psychomachia; The War of the Soul: Or, the Battle of the Virtues, and Vices. Translated from Aur. Prudentius Clemens.

Reference

Words, Language & Grammar

Gale ECCO, Print Editions

Songs from Prudentius

History

Nabu Press

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