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Stealing the Show: How Women Are Revolutionising Television

Press, Joy

Faber&Faber

The Village Voice Literary Supplement – Twenty Years of: Blasting the Canon Relocating the Cutting Edge Resurrecting the Forgotten * Albert Mobilio on Gertrude Stein * David Foster Wallace on Feodor Dostoevsky * Henry Louis Gates on Langston Hughes * Blanche McCrary Boyd on Katherine Anne Porter * Paul Elie on John Cheever * Bharati Mukherjee on Salman Rushdie * Andrew O’Hagan on Don DeLillo * Michele Wallace on Zora Neale Hurston * Erik Davis on Philip K. Dick * Gary Indiana on Thomas Bernhard * Greg Tate on Samuel Delany * Edmund White on Djuna Barnes * Joe Wood on Albert Murray * Darcey Steinke on William Goyen * Rick Moody on Angela Carter * Walter Kendrick on the Freud Backlash * Ellen Willis on Angela Davis, bell hooks, and Black Feminism * Richard Goldstein on Plague Literature in the Age of AIDS * Thulani Davis on Buppie Writers * Michael B?rub? on Postmodernism * Michael Warner on Queer Theory * Scott L. Malcomson on Whiteness and Anthropology * Lynne Tillman on the Future of Fiction * Dorothy Allison on Anne Rice * Lisa Jones on Black Romance Novels * Geoffrey O’Brien on Classic Comics * Hilton Als on Sammy Davis, Jr. * Greil Marcus on Situationism * Guy Trebay on the Warhol Diaries * Vince Aletti on Physique Magazines * Jonathan Lethem on Science Fiction’s Lost Promise * Paul Berman on The Pentagon Catalog * Mark Dery on Apocalypse Culture * Peter Schjeldahl on Dennis Cooper * C. Carr on Kathy Acker * Stacy D’Erasmo on Mary Gaitskill * David Shields on Nicholson Baker * Katherine Dieckmann on Lorrie Moore * Jeff Yang on Chang-Rae Lee * Richard B. Woodward on Jonathan Lethem A forum for writers who want to test the boundaries of the traditional book review, the Voice Literary Supplement is smart, iconoclastic, and accessible literary and cultural criticism at its best. In a collection of some of the finest pieces culled from the last twenty years, War of the Words preserves the flavor of this revolutionary magazine and will introduce a whole new generation of readers to the riskiness, urgency, and fun that has always characterized the VLS.

War of the Words: 20 Years of Writing on Contemporary Literature

Reference

Three Rivers Press

Iggy Pop once said of women: "However close they come I'll always pull the rug from under them. That's where my music is made." For so long, rock 'n' roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way? 
 Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P. J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love. 
 A heady blend of music criticism, cultural studies, and gender theory by two of rock's keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.

The Sex Revolts: Gender, Rebellion, and Rock ‘n’ Roll

Arts & Photography

REYNOLDS, SIMON

Music

Harvard University Press

Iggy Pop once said of women: "However close they come I'll always pull the rug from under them. That's where my music is made" For so long, rock 'n' roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart-the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way? Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P. J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love. A heady blend of music criticism, cultural studies, and gender theory by two of rock's keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.

The Sex Revolts: Gender, Rebellion, and Rock'N'Roll

From a leading cultural journalist, a definitive look at the rise of the female showrunner—and a new golden era of television. Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era. In this endlessly informative and wildly entertaining book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades, starting with Roseanne Barr (Roseanne) and Diane English (Murphy Brown), whose iconic shows redefined America’s idea of “family values” and incited controversy that reached as far as the White House. Barr and English inspired the next generation of female TV writers and producers to carve out the creative space and executive power needed to present radically new representations of women on the small screen. Showrunners like Amy Sherman Palladino (Gilmore Girls), Jenji Kohan (Weeds, Orange Is the New Black), and Jill Soloway (Transparent) created characters and storylines that changed how women are seen and how they see themselves, in the process transforming the culture. Stealing the Show is the perfect companion to such bestsellers as Mindy Kaling’s Is Everyone Hanging Out Without Me?, Tina Fey’s Bossypants, and Shonda Rhimes’ Year of Yes¸ not to mention Sheila Weller’s Girls Like Us and Rebecca Traister’s All the Single Ladies. Drawing on deep research and interviews with the key players, this is the exhilarating behind-the-scenes story of a truly groundbreaking revolution in television.

Stealing the Show: How Women Are Revolutionizing Television

Humor & Entertainment

Television

Atria Books

From a leading cultural journalist, the definitive cultural history of female showrunners—including exclusive interviews with such influential figures as Shonda Rhimes, Amy Sherman-Palladino, Mindy Kaling, Amy Schumer, and many more. “An urgent and entertaining history of the transformative powers of women in TV” (Kirkus Reviews, starred review). In recent years, women have radically transformed the television industry both behind and in front of the camera. From Murphy Brown to 30 Rock and beyond, these shows and the extraordinary women behind them have shaken up the entertainment landscape, making it look as if equal opportunities abound. But it took decades of determination in the face of outright exclusion to reach this new era. In this “sharp, funny, and gorgeously researched” (Emily Nussbaum, The New Yorker) book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades and the iconic shows that redefined the television landscape starting with Diane English and Roseanne Barr—and even incited controversy that reached as far as the White House. Drawing on a wealth of original interviews with the key players like Amy Sherman-Palladino (Gilmore Girls), Jenji Kohan (Orange is the New Black), and Jill Soloway (Transparent) who created storylines and characters that changed how women are seen and how they see themselves, this is the exhilarating behind-the-scenes story of a cultural revolution.

See the best price to sell, buy, or rent books by Press, Joy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Press, Joy

See the best price to sell, buy, or rent books by Press, Joy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Stealing the Show: How Women Are Revolutionising Television

War of the Words: 20 Years of Writing on Contemporary Literature

The Sex Revolts: Gender, Rebellion, and Rock ‘n’ Roll

The Sex Revolts: Gender, Rebellion, and Rock'N'Roll

Stealing the Show: How Women Are Revolutionizing Television

Stealing the Show: How Women Are Revolutionizing Television