Provides a detailed and horrifying inside look at the legal, ethical, financial, and functional chaos of the juvenile justice system of New York City, with particular case studies as illustrations

The Child Savers

Prescott, Peter

KNOPF

The Modern Law of Copyright and Designs; Volume 2

Laddie, Hugh

Vitoria, Mary

Intellectual Property

Butterworth & Co. (Publishers) Ltd.

A Darkening Green: Notes on Harvard, the 1950s, and the End of Innocence

This is a book about the end of childhood. Much of it is drawn directly from a diary the author kept while he was a bright but insecure freshman at Harvard in the 1950s. From these pages emerges a precise description of the raw, half-understood experience of late adolescence-the anguish and arguments, the rivalry and anxiety about sex, the facile cynicism and desperate fumblings for purpose, the bull sessions held late at night-just as Peter Prescott recorded them only hours after the event. These diary excerpts are contained in a narrative that examines that freshman experience from a vantage point of twenty years. Thus, we are able to look at the past with a double perspective: The exact record, unclouded by memory or nostalgia, of what was said and done is set in a structure that reveals the form of the experience. The result is an ironic, witty, and often moving book. Writing with some compassion and even more asperity, Peter S. Prescott not only captures the conflicts and emotions of a single year, but probes beneath the surface of memory to explore certain tribal customs and rites of passage as they are played out in the classrooms and living quarters of the college. A few famous people-T. S. Eliot and Edith Sitwell among them-play brief parts in this chronicle, but young Prescott's attention was primarily engaged in his struggle with his extravagant roommates and an assortment of eccentric undergraduates.

Biographies & Memoirs

Routledge

Encounters with American Culture: Volume 1, 1963-1972

This collection of essays discusses some of the important books, authors, and literary trends of a volatile era in American and world literature whose cultural repercussions are still being felt. Peter S. Prescott was one of the most penetrating, knowledgeable, and sensitive critics to write for a general audience in the tradition of Edmund Wilson. Readers will discover not only Prescott's acute and subtle comments on the enduring and/or representative books of the time, but also his humor and style, his way with an anecdote or aphorism, his talent for parody, and his ability to laugh at himself, as well as at the authors he sometimes skewers.Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics.The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.

Encounters with American Culture

Literature & Fiction

Essays & Correspondence

Encounters with American Culture: Volume 2, 1973-1985

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long.The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism.This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.

This collection of essays discusses some of the important books, authors, and literary trends of a volatile era in American and world literature whose cultural repercussions are still being felt. Peter S. Prescott was one of the most penetrating, knowledgeable, and sensitive critics to write for a general audience in the tradition of Edmund Wilson. Readers will discover not only Prescott's acute and subtle comments on the enduring and/or representative books of the time, but also his humor and style, his way with an anecdote or aphorism, his talent for parody, and his ability to laugh at himself, as well as at the authors he sometimes skewers. Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics. The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long. The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism. This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.

This is a book about the end of childhood. Much of it is drawn directly from a diary the author kept while he was a bright but insecure freshman at Harvard in the 1950s. From these pages emerges a precise description of the raw, half-understood experience of late adolescence--the anguish and arguments, the rivalry and anxiety about sex, the facile cynicism and desperate fumblings for purpose, the bull sessions held late at night--just as Peter Prescott recorded them only hours after the event.  These diary excerpts are contained in a narrative that examines that freshman experience from a vantage point of twenty years. Thus, we are able to look at the past with a double perspective: Th e exact record, unclouded by memory or nostalgia, of what was said and done is set in a structure that reveals the form of the experience. Th e result is an ironic, witty, and often moving book.  Writing with some compassion and even more asperity, Peter S. Prescott not only captures the confl icts and emotions of a single year, but probes beneath the surface of memory to explore certain tribal customs and rites of passage as they are played out in the classrooms and living quarters of the college. A few famous people--T. S. Eliot and Edith Sitwell among them--play brief parts in this chronicle, but young Prescott's attention was primarily engaged in his struggle with his extravagant roommates and an assortment of eccentric undergraduates.  Peter S. Prescott was book review editor for Newsweek. His books include Encounters with American Culture (Volumes 1 and 2), and The Child Savers: Juvenile Justice Observed. His critical essays about books and other cultural phenomena have appeared in numerous magazines and newspapers.  Anne Lake Prescott is Helen Goodhart Altschul Professor of English at Barnard College. She is a specialist in the English Renaissance and is affi liated with the comparative literature program and the medieval and Renaissance studies program at Barnard College. Her most recent book is Renaissance Historicisms: Essays in Honor of Arthur F. Kinney.

Regional U.S.

London brims with gastronomic possibilities, from the trendiest bars to the liveliest pubs. Whether you are planning a trip, or simply wish to bring a little taste of this culinary capital into your own home, this guide by one of Britain’s best restaurateurs is sure to please. More than just a directory, it tells all about the food itself and the people who make, sell, cook, and care about it. Along with a journey from the markets of East London to haute cuisine in Mayfair, more than 60 recipes are included from the very people and places featured. Recreate a recipe for Sea Bream as it’s cooked in Bloomsbury, or sample the best vegetable curry that Brick Lane has to offer.

Eat London: All About Food

Cookbooks, Food & Wine

CONRAN, TERENCE

Regional & International

Conran

Discover more than 300 restaurants, cafes, markets and artisan stores, plus 60 recipes for you to cook at home from London's top chefs. This second edition of Eat London is completely revised and updated, with new entries highlighting the very best food stops not to be missed in a tour of London. This is not a restaurant guide - it is a book all about food and the people who make, sell and care about it. Its 15 chapters detail everything from the best fish and chip shops of East London to haute cuisine and artisan food stores in Mayfair. Every entry has been assessed for quality, originality, pleasant surroundings, convivial ambiance, consistency and above all amusing personalities. Eat London includes 60 recipes by some of Britain's top chefs including Francesco Mazzei of L'Anima, Giorgio Locatelli of Locanda Locatelli, Matthew Harris of Bibendum, Pierre Koffman of Koffman's, Bryn Williams of Odette's, Adam Byatt of Trinity as well as recipes from some of the capital's favorite restaurants such as Boundary, Brawn, Cecconi's, China Tang, Coq d'Argent, Galvin LaChapelle, Moro, Pizza East and Tinello amongst others. Every entry has complete listings and can be located on the fold-out maps. Special photography throughout illustrates the wonderful food and everyday street life of one of the tastiest places on earth.

Eat London 2

Business & Money

Industries

See the best price to sell, buy, or rent books by Prescott, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Prescott, Peter

See the best price to sell, buy, or rent books by Prescott, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Child Savers

The Modern Law of Copyright and Designs; Volume 2

A Darkening Green: Notes on Harvard, the 1950s, and the End of Innocence

Encounters with American Culture

Encounters with American Culture

Encounters with American Culture: Volume 1, 1963-1972

Encounters with American Culture: Volume 2, 1973-1985

A Darkening Green: Notes on Harvard, the 1950s, and the End of Innocence

Eat London: All About Food

Eat London 2