The Foundation Pit

TRANSLATED BY ROBERT AND ELIZABETH CHANDLER AND OLGA MEERSON Platonov's dystopian novel describes the lives of a group of Soviet workers who believe they are laying the foundations for a radiant future. As they work harder and dig deeper, their optimism turns to violence and it becomes clear that what is being dug is not a foundation pit but an immense grave. This new translation, by Robert &amp; Elizabeth Chandler and Olga Meerson, is based on the definitive edition recently published by Pushkin House in Leningrad. All previous translations were done from a seriously bowdlerized text. Robert Chandler is also the translator of Vasily Grossman's Life and Fate. The American scholar Olga Meerson has written extensively on Pushkin, Dostoevsky, Platonov and many other Russian authors.

Platonov, Andrey

Literature & Fiction

Vintage Classics

Happy Moscow

Contemporary

NY 1975 1st Dutton. ISBN 0-525-10775-4. Translated by Mirra Ginsburg from Russian to English. Hardcover. Octavo, 141pp., yellow boards. Inscribed and signed by Ginsburg, the translator. Near Fine in VG DJ.

Ginsburg, Mirra (Translator)

Dutton

Once known only to a small circle of admirers in Russia and the West, Andrey Platonov (1899-1951) has emerged to assume his rightful place as one of the major Russian writers of the twentieth century. Set during a small Russian town during the forcible collectivization of agriculture, The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for a grand building where all the town's will live happily and "in silence."

The Foundation Pit (European Classics)

Northwestern University Press

This collection of Platonov's short fiction brings together seven works drawn from the whole of his career. It includes the harrowing novella Dzahn ("Soul"), in which a young man returns to his Asian birthplace to find his people deprived not only of food and dwelling, but of memory and speech, and "The Potudan River," Platonov's most celebrated story. In December 2007 The Fierce and Beautiful World will be superseded by Soul (978-159017-254-4), a new translation of eight of Platonov's stories.

The Fierce and Beautiful World (New York Review Books Classics)

Barnes, Joseph

Literary

NYRB Classics

A New York Review Books Original The Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision have become ever more clear. For Nadezhda Mandelstam and Joseph Brodsky, Platonov was the writer who most profoundly registered the spiritual shock of revolution. For a new generation of innovative post-Soviet Russian writers he figures as a daring explorer of word and world, the master of what has been called “alternative realism.” Depicting a devastated world that is both terrifying and sublime, Platonov is, without doubt, a universal writer who is as solitary and haunting as Kafka. This volume gathers eight works that show Platonov at his tenderest, warmest, and subtlest. Among them are “The Return,” about an officer’s difficult homecoming at the end of World War II, described by Penelope Fitzgerald as one of “three great works of Russian literature of the millennium”; “The River Potudan,” a moving account of a troubled marriage; and the title novella, the extraordinary tale of a young man unexpectedly transformed by his return to his Asian birthplace, where he finds his people deprived not only of food and dwelling, but of memory and speech. This prizewinning English translation is the first to be based on the newly available uncensored texts of Platonov’s short fiction.

Soul: And Other Stories (New York Review Books Classics)

Humor & Entertainment

Humor

Translated from the Russian by Robert &amp; Elizabeth Chandler and Olga Meerson With notes and an afterword by Robert Chandler and Olga Meerson In Andrey Platonov’s The Foundation Pit, a team of workers has been given the job of digging the foundation of an immense edifice, a palatial home for the perfect future that, they are convinced, is at hand. But the harder the team works, the deeper they dig, the more things go wrong, and it becomes clear that what is being dug is not a foundation but an immense grave. The Foundation Pit is Platonov’s most overtly political book, written in direct response to the staggering brutalities of Stalin’s collectivization of Russian agriculture. It is also a literary masterpiece. Seeking to evoke unspeakable realities, Platonov deforms and transforms language in pages that echo both with the alienating doublespeak of power and the stark simplicity of prayer. This English translation is the first and only one to be based on the definitive edition published by Pushkin House in Moscow. It includes extensive notes and, in an appendix, several striking passages deleted by Platonov. Robert Chandler and Olga Meerson’s afterword discusses the historical context and style of Platonov’s most haunted and troubling work.

The Foundation Pit (New York Review Books Classics)

Humor & Satire

An NYRB Classics Original Moscow Chestnova is a bold and glamorous girl, a beautiful parachutist who grew up with the Revolution. As an orphan, she knew tough times—but things are changing now. Comrade Stalin has proclaimed that “Life has become better! Life has become merrier!” and Moscow herself is poised to join the Soviet elite. But her ambitions are thwarted when a freak accident propels her flaming from the sky. A new, stranger life begins. Moscow drifts from man to man, through dance halls, all-night diners, and laboratories in which the secret of immortality is actively being investigated, exploring the endless avenues and vacant spaces of the great city whose name she bears, looking for happiness, somewhere, still. Unpublishable during Platonov’s lifetime, Happy Moscow first appeared in Russian only in 1991. This new edition contains not only a revised translation of Happy Moscow but several related works: a screenplay, a prescient essay about ecological catastrophe, and two short stories in which same characters reappear and the reader sees the mind of an extraordinary writer at work.

Happy Moscow (New York Review Books Classics)

A sort of Soviet Don Quixote, this novel about a craftsman who wanders around the U.S.S.R. hoping to ease human misery with his inventions is considered one of the most important novels of the Soviet era, and is now available in its full version in English for the first time. Chevengur is a philosophical novel that is also rich in psychological, social, and sensuous detail. Although it was never publishable in the USSR, it now stands as one of the most celebrated of Soviet novels, and along with The Foundation Pit, it is the most ambitious and moving of Andrey Platonov's efforts to take the measure of a world undergoing revolutionary transformation. The full text of Chevengur is here translated into English for the first time by Robert and Elizabeth Chandler, whose versions of Platonov and Vasily Grossman have made these towering masters of modern literature accessible to readers of English. Platonov's world is a world of orphans searching for family and home. The Russian people have lost both their Mother Earth and their Father in Heaven. Nothing is left to them but the horizon--a shining but ever-receding future. Thus in part one of the novel Zakhar Pavlovich, a gifted craftsman, moves from traditional village life to the world of industry. He falls in love with steam locomotives; he wishes to harness the power of machines to bring an end to human misery, and yet before long he is disillusioned. In the second part of the book it falls on his adopted son, Sasha Dvanov, to set out across the steppes in pursuit of revolution with, as his companion, Kopionkin, knight errant of the martyred revolutionary Rosa Luxemburg. Perhaps communism will be born spontaneously of human yearning? The last part of the book finds a group of impatient Bolsheviks who live in the fictional town of Chevengur attempting to make communism happen now. They liquidate the bourgeoisie and the half-bourgeoisie, believing that this will inevitably bring about communism, since nothing else will remain. They relocate all the buildings, so that property will become worn out and cease to oppress the proletariat. Finally, Sasha Dvanov arrives in Chevengur as a herald of communism with a human face--and for the briefest moment it bears one.

Chevengur (New York Review Classics)

Dramas & Plays

An epic story about the search for happiness, of longing to lead, yet needing to follow, and of learning about oneself.

Soul

Harvill Press

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Books by Platonov, Andrey

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The Foundation Pit

Happy Moscow

The Foundation Pit

The Foundation Pit (European Classics)

The Fierce and Beautiful World (New York Review Books Classics)

Soul: And Other Stories (New York Review Books Classics)

The Foundation Pit (New York Review Books Classics)

Happy Moscow (New York Review Books Classics)

Chevengur (New York Review Classics)

Soul