The Canyons of Grace: Stories (Illinois Short Fiction)

Chicago 1982 first edition. University of Illinois. Hardcover thin octavo. 135p. Fine in VG dj.

The canyons of grace: Stories (Illinois short fiction)

Literature & Fiction

Peterson, Levi S.

United States

Orion Books

Chicago 1982 first edition. University of Illinois. Hardcover thin octavo. 135p. Fine in VG dj.

Short Stories & Anthologies

University of Illinois Press

Juanita Brooks: Mormon Woman Historian (Utah Centennial Series)

Biographies & Memoirs

Historical

Univ of Utah Pr

I will introduce myself with a few facts. I was born and raised in Snowflake, a Mormon town in northern Arizona. I have lived most of my adult life in the cities of the American West. Although I consider myself a religious person, I know very little about God. At first I intended this book to be about wilderness, but as I wrote it, it became an autobiography with many themes. Among these themes are wilderness, my vexed and vexing relationship with Mormonism, my moral and emotional qualities, and my family.' So begins the autobiography of educator and author Levi S. Peterson. Peterson has won a wide readership for his novels and short stories, his prize-winning biography of historian Juanita Brooks, and the essays that have appeared with regularity in western and Mormon literary and historical journals. In his autobiography, Peterson describes growing up on the Mormon frontier of rural Arizona, his growing skepticism with his Mormon faith, his teaching career at Weber State University, and his struggle to understand and master personal crises of confidence that kept him in therapy for almost two decades. Of particular interest to readers familiar with Peterson’s fiction are the many pages devoted to the creative process. Winner of the Mormon History Association Turner-Bergera Best Biography Award.

A Rascal by Nature, A Christian by Yearning: A Mormon Autobiography

Leaders & Notable People

University of Utah Press

Night Soil: New Stories

Signature Books

"Recognized as a Mormon classic twenty years after its release, The Backslider features longstanding Christian conflicts played out in a scenic, sparsely populated area of southern Utah. A young ranch hand, Frank Windham, conceives of God as an implacable enemy of human appetite. He is a dedicated sinner until family tragedy catapults him into an arcane form of penitence preached among frontier Mormons. He is saved by an epiphany that has proven controversial among readers, who interpret it either as an extreme impiety or as a moving and entirely plausible rendering of a biblical theme in a western setting."--

The Backslider

Recognized as a Mormon classic twenty years after its release,The Backslider features longstanding Christian conflicts played out in a scenic, sparsely populated area of southern Utah. A young ranch-hand, Frank Windham, conceives of God as an implacable enemy of human appetite. He is a dedicated sinner until family tragedy catapults him into an arcane form of penitence preached among frontier Mormons. He is saved by an epiphany that has proved controversial among readers, either interpreting it as an extreme impiety or celebrating it as a moving and entirely plausible rendering of a biblical theme in a Western setting.
Frank comes into contact with a host of rural and urban characters. Of central importance is his Lutheran girlfriend, Marianne, whom Frank seduces, begrudgingly marries, and eventually loves. Frank’s extended family is just a generation removed from polygamy and still energized by old-time grudges and deprivations. Along the way Frank encounters a closeted secular humanist, a polygamist prophet, a psychiatrist, a Mason, government employees, college professors, lawyers, and entrepreneurs—all drawn with heightened realism reminiscent of Charles Dickens or the grotesque forms of William Faulkner and Flannery O’Connor.
The story engages readers as it alternates almost imperceptibly between Frank’s naïve consciousness and the more informed awareness of its narrator. It can be read as a love story, a satiric comedy, or a dark and sobering study of self-mutilation. Shifting from one to another, it builds suspense and elicits complex emotions, among them a profound sense of compassion. More joyous than cynical, it sympathizes deeply with the plight of all of God’s backsliders.

The Backslider (Volume 1)

In these ten stories (three of which appear here for the first time), Levi S. Peterson demonstrates his continuing engagement to take seriously the duty of the fiction writer to illuminate and entertain. His subject remains Latter-day Saints caught between the polarities of conscience and passion. Among the stories are sober tellings of rape and misogyny, defiant statements of ascendant feminism and the worship of Heavenly Mother, and--most abundantly--narratives about impermissible love that sometimes lead to heartbreak and other times forges unexpected couplings destined to last a lifetime. Once again, Peterson shows himself as a peerless master of the English language, the tools of his craft, and the artistry of creative fiction.

Losing a Bit of Eden: Recent Stories (Volume 1)

Literary

Born in 1898 in Bunkerville, Nevada, Juanita Brooks led an early life similar to that of many who grew up in isolated, tightly knit, rural Mormon communities. An early marriage suggested her future would follow a predictable course, but the death of her husband, the need to raise a young son, and a passion for knowledge led her along a different path, when at mid-life she became a well-known author after publishing The Mountain Meadows Massacre. In this book she exposed the killing of some 100 California-bound emigrants traveling through southern Utah in 1856 as an atrocity carried out by a Mormon militia with Indian allies and not solely as an Indian massacre, as it had been for so long portrayed.Juanita Brooks was a faithful and active member of the Mormon Church, and her courage to tell the truth about this dark moment in Mormon history established her reputation as a respected historian. While there was no official church condemnation of the book, there was unofficial disapproval and Brooks was shunned by many in her community. She nevertheless doggedly pursued church authorities to revise their stand on the incidents at Mountain Meadows. The desire to tell the truth as she saw it became her hallmark, and Brooks’s life as wife, mother, teacher, community member, and undaunted historian became an uncommon story of personal stamina and intellectual courage. 

Juanita Brooks: The Life Story of a Courageous Historian of the Mountain Meadows Massacre

Community & Culture

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