<p>'The atomic bomb. As ominous as the atomic legacy itself, these words conjure a stark image of a mushroom cloud, devastation, and death by radiation. Code-named the Manhattan Project, the detailed plans for developing an atomic bomb were impelled by urgency and shrouded in secrecy. The Manhattan Engineer District, the coded designation for the numerous sites where the volatile bomb components were developed, included not only university laboratories, but also geographically remote locations where civilians and scientists clashed with the requirements of military culture. "Atomic Spaces" tells the story of the project's three key sites: Oak Ridge, Tennessee; Hanford, Washington; and Los Alamos, New Mexico. Drawing from tens of thousands of never-before-studied documents, from house plans to medical records, Peter Bacon Hales trains a cultural historian's eye on the worlds within the fences'.'The result is a bold, graphic reinterpretation of these sites and the larger issues they represented: the clashes between ideals of obedience and freedom, efficiency and democracy. Out of these, Hales proposes, came a new form of American culture. Creating an atomic bomb was an utterly new, dangerous, and urgent mission, one that seemed to justify ignoring known environmental hazards, downplaying dangers, and covering up accidents; yet as part of our atomic legacy, some of these wartime imperatives endure in peacetime practices in the military and defense industries. Peter Bacon Hales, a professor of art history and director of the American Studies Institute at the University of Illinois at Chicago, is the author of "Silver Cities: The Photography of American Urbanization, 1839-1915 and William Henry Jackson and the Transformation of the American Landscape"'.</p>

Atomic Spaces: Living on the Manhattan Project

History

Peter Bacon Hales

Americas

University of Illinois Press

<p>In The Perfect City, photographer Bob Thall explores the changing downtown landscape of America's third-largest city - Chicago. In sixty-four duotone photographs, Thall provides a visual record of the changing architectural landscape of downtown Chicago between 1972 and 1991. Throughout, Thall's photographs stress the concept of change and the importance of architecture in shaping our notion of place. They examine the great public spaces, buildings, and streets that have always served at the heart and soul of city life, culture, and commerce. And they show how the city in which modern urban architecture began becomes a metaphor for urban change throughout America. In the essay accompanying the photographs Peter Bacon Hales examines the notion of the city as museum (especially for visitors from the suburbs and rural areas), highlights the successes and failures of urban renewal in downtown Chicago, and assesses the city's current character.</p>

The Perfect City (Creating the North American Landscape)

Arts & Photography

Photography & Video

The Johns Hopkins University Press

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Books by Peter Bacon Hales