Pol Bury (1922-2005) was a painter, sculptor, jewelry designer, writer, and graphic artist, but is perhaps best known to the general public for his fountains and sculpture in public spaces throughout the world. Acclaimed as one of the first proponents of “moving” works, driven by a motor, he became one of the protagonists of kinetic art and was without doubt one of Belgium’s most important postwar artists. Accompanying a major exhibition in Belgium, this publication presents an opportunity to rediscover Bury’s multifaceted oeuvre.

Pol Bury: Time in Motion

Arts & Photography

Lee, Pamela M.

Pas, Johan

Dujardin, Paul

De Boodt, Kurt

Marquenie, Gilles

Morain, André

History & Criticism

Mercatorfonds

Fred Bervoets: Printwork 1990-2010

Graphic Design

Lanoo Books

The First World War began on July 28, 1914, 100 years ago, and lasted until November 11, 1918. From the start, photography and film played decisive roles in the media and governmental presentation of this unprecedentedly global conflict. Shooting Range: Photography &amp; The Great War draws on a selection of magnificent private archives to show how this then relatively new technology was used for a variety of propaganda purposes. Reproducing a massive wealth of archival postcards, newspaper and magazine features, photo albums, commemorative images and amateur photographs from all sides of the conflict, it looks at the ways in which battlefields were staged for media images, the strict protocols on photography at the Front, and the obviation of these restrictions by private soldiers. The result is a fascinating tale of tensions between power and powerlessness, between the visible and the hidden, between public representation and historical document.

Shooting Range: Photography & The Great War

Deslé, Rein

Photography & Video

AsaMER

This massive publication, initiated by the ZERO foundation in Düsseldorf, presents the result of several years of collaboration by an international group of scholars composed of art historians from Belgium, Germany, Italy, the Netherlands and Switzerland. The texts are based on extensive research in various archives in Europe and the United States that has brought to light unpublished material. They reflect the cooperation of the ZERO foundation with other institutions, foundations and private archives. Formed at the beginning of the 1960s, the ZERO group was an international network of like-minded artists from Europe, Japan and North and South America that included among its ranks such artists as Lucio Fontana, Yves Klein, Yayoi Kusama, Piero Manzoni, Almir Mavignier, Jan Schoonhoven and Jesús Rafael Soto.

The Artist as Curator: Collaborative Initiatives in the International Zero Movement 1957-1967

Pörschmann, Dirk

Pola, Francesca

Melissen, Antoon

Schmitt, Ulrike

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Books by Pas, Johan