H. G. Wells (Writers and critics)

PARRINDER, Patrick

Literature & Fiction

Oliver & Boyd

This book is one of the classic book of all time.

The "Invisible Man" (Pocket Penguin Classics)

Wells., H.G

Genre Fiction

Penguin Classics

Nation and Novel: The English Novel from Its Origins to the Present Day

What is "English" about the English novel, and how has the idea of the English nation been shaped by the writers of fiction? How do the novel's profound differences from poetry and drama affect its representation of national consciousness?Nation and Novel sets out to answer these questions by tracing English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the present-day novels of immigration. Major novelists from Daniel Defoe to the late twentieth century have drawn on national history and mythology in novels which have pitted Cavalier against Puritan, Tory against Whig, region against nation, and domesticity against empire. The novel is deeply concerned with the fate of the nation, but almost always at variance with official and ruling-class perspectives on English society.Patrick Parrinder's groundbreaking new literary history outlines the English novel's distinctive, sometimes paradoxical, and often subversive view of national character and identity. This sophisticated yet accessible assessment of the relationship between fiction and nation will set the agenda for future research and debate.

British & Irish

Oxford University Press

What is "English" about the English novel, and how has the idea of the English nation been shaped by the writers of fiction? How do the novel's profound differences from poetry and drama affect its representation of national consciousness? Nation and Novel sets out to answer these questions by tracing English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the present-day novels of immigration. Major novelists from Daniel Defoe to the late twentieth century have drawn on national history and mythology in novels which have pitted Cavalier against Puritan, Tory against Whig, region against nation, and domesticity against empire. The novel is deeply concerned with the fate of the nation, but almost always at variance with official and ruling-class perspectives on English society. Patrick Parrinder's groundbreaking new literary history outlines the English novel's distinctive, sometimes paradoxical, and often subversive view of national character and identity. This sophisticated yet accessible assessment of the relationship between fiction and nation will set the agenda for future research and debate.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. The 36 expert contributors to Volume 4 trace the dramatic changes in British and Irish fiction from the cumbersome 3-volume novels of the 1880s to the 'paperback revolution' in the late 1930s. It looks at the intense debates over the nature and purpose of the novel in the period, the development of new popular sub-genres, and the stratification of the readership of fiction. In a period characterized by huge political and economic upheavals and wholesale revisions of personal morality and sexual and linguistic taboos, the volume traces both the process of modernist experimentation and the work of novelists who registered the social and cultural impact of modernity. The topics covered include national (Irish, Scottish, and Welsh), regional, and women's fiction; the influence of the European novel, of the cinema, and the growth of the modern city; the impact of the Empire, class-consciousness, and the First World War; and such specialized forms as the children's novel, detective stories, and thriller, science fiction and fantasy, and the short story.

The Oxford History of the Novel in English: Volume 4: The Reinvention of the British and Irish Novel 1880-1940

Gasiorek, Andrzej

Reference

One of the great paradoxes of modern times is that the more scientists understand the natural world, the more we discover that our everyday beliefs about it are wrong. Astronomy, in particular, is one of the most misunderstood scientific disciplines.With the participation of thousands of undergraduate students, Neil F. Comins has identified and classified, by origin and topic, over 1,700 commonly held misconceptions. Heavenly Errors provides access to all of them and explores many, including:* Black holes suck in everything around them.* The Sun shines by burning gas.* Comets have tails trailing behind them.* The Moon alone causes tides.* Mercury, the closest planet to the Sun, is the hottest planet.In the course of correcting these errors, he explains that some occur through the prevalence of pseudosciences such as astrology and UFO-logy and some enter the public conscience through the "bad astronomy" of Star Trek, Star Wars, and other science-fiction movies. Perhaps most important, Professor Comins presents the reader with the methods for identifying and replacing incorrect ideas -- tools with which to probe erroneous notions so that we can begin to question for ourselves...and to think more like scientists.

Authors and Authority

History & Criticism

Columbia Univ. Pr.

One of the great paradoxes of modern times is that the more scientists understand the natural world, the more we discover that our everyday beliefs about it are wrong. Astronomy, in particular, is one of the most misunderstood scientific disciplines.With the participation of thousands of undergraduate students, Neil F. Comins has identified and classified, by origin and topic, over 1,700 commonly held misconceptions. Heavenly Errors provides access to all of them and explores many, including: * Black holes suck in everything around them.* The Sun shines by burning gas.* Comets have tails trailing behind them.* The Moon alone causes tides.* Mercury, the closest planet to the Sun, is the hottest planet.In the course of correcting these errors, he explains that some occur through the prevalence of pseudosciences such as astrology and UFO-logy and some enter the public conscience through the bad astronomy of Star Trek, Star Wars, and other science-fiction movies. Perhaps most important, Professor Comins presents the reader with the methods for identifying and replacing incorrect ideas -- tools with which to probe erroneous notions so that we can begin to question for ourselves...and to think more like scientists

Authors and Authority: English and American Criticism, 1750-1990 (Social Foundations of Aesthetic Forms)

Columbia University Press

Authors and Authority: English and American Criticism 1750–1990

Red Globe Press

Authors and Authority: English and American Criticism 1750-1990

Palgrave HE UK

Science Fiction: Its Criticism and Teaching (Routledge Library Editions: Science Fiction)

This book, first published in 1980, examines issues such as the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook. In order to work towards a more comprehensive view of the genre, the author analyses science fiction by turns as a mode of popular literature, as a socially responsible and quasi-realistic form of writing, and as a home for a fantastic and parodic use of language. How much are ‘future histories’, to name but one type of SF, the answer to a frustration of the epic impulse? These questions and more are closely examined in this lively and informative book.

Comics & Graphic Novels

History & Price Guides

Routledge

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Books by PARRINDER, Patrick