Thoroughly updated to reflect the latest trends in theory and practice, this this substantially revised and extended edition is the most in-depth and wide-ranging textbook available on person-centred psychotherapy and counselling. Divided into four parts, it examines the theoretical, philosophical and historical foundations of the person-centred approach; the fundamental principles of person-centred practice and applications of person-centred practice; how person-centred conceptualisations and practices can be applied to groups of clients who bring particular issues to therapy; and, finally, professional issues for person-centred therapists, such as ethics, supervision and training. Written by a diverse range of expert contributors, unified by a more relational, ethics-based reading of person-centred theory and practice, this is a comprehensive, cutting-edge resource for students on all advanced level person-centred courses, as well as for a wide range of professional practitioners in the field.

The Handbook of Person-Centred Psychotherapy and Counselling

Health, Fitness & Dieting

Cooper, Mick

O'Hara, Maureen

Schmid, Peter F.

Psychology & Counseling

Bloomsbury Academic

From a leading financial economist, a searching examination of the ethics of modern finance.
In 2001, Goldman Sachs structured a complex financial contract so that its client, the government of Greece, would appear to have far less debt than it actually did. When news of this transaction came out years later, the inevitable question arose: Even though Goldman’s actions were legal, were they ethically wrong? Is modern finance itself inherently unethical?
In Something for Nothing, financial economist Maureen O’Hara explains that one of the key innovations of modern finance is its reliance on arbitrage, the practice of taking advantage of a price difference between two or more markets to generate profits and remove inefficiencies. When done correctly, arbitrage can create value at little or no cost (in effect, getting “something for nothing”); but it can also be an exploitative tool.
In a lucid, insightful discussion of the ethics of arbitrage in modern finance, O’Hara reveals how the rules can often be stretched into still-legal yet highly unethical business practices. Examining key cases in clear and persuasive prose, O’Hara illuminates various aspects of financial ethics, from the Goldman Greek transaction to Lehman Brothers’ attempt to cover up its debt, JPMorgan Chase’s maneuvers in California’s energy markets, Bernie Madoff’s trading strategies in the 1980s, high-frequency trading practices, and toxic loans in France.
Ultimately, O’Hara turns to philosophy and religion to argue for a new, humanistic approach to ethics in the financial industry. She makes a strong case for a way forward: fewer rules and more standards to foster a morally responsible outlook. Fearlessly raising the questions at the moral heart of our financial system, Something for Nothing is a masterful treatise on the ethics of modern finance.

Something for Nothing: Arbitrage and Ethics on Wall Street

Business & Money

Business Culture

W.W.Norton&Company

Written by one of the leading authorities in market microstructure research, this book provides a comprehensive guide to the theoretical work in this important area of finance.

Market Microstructure Theory

Economics

wiley

Known for her remarkable beauty and her fiery screen persona, Maureen O'Hara came to Hollywood when she was a still a teenager, taken there by her mentor, the great actor Charles Laughton. Almost immediately she clashed with the men who ran the movie business - the moguls who treated actors like chattel, the directors who viewed every actress as a potential bedmate. Determined to hold her own and to remain true to herself, she fought for roles that she wanted and resisted the advances of some of Hollywood's most powerful and attractive men. It was in the great director John Ford that she first found someone willing to give her a chance to prove herself as an important actress. Beginning with the Academy Award-winning How Green Was My Valley, she went on to make five films with Ford and through him first met the great John Wayne, with whom she also made five films. In O'Hara, Ford had found his ideal Irish heroine, a role that achieved its greatest realization in The Quiet Man. And in O'Hara, John Wayne found his ideal leading lady, for she was perhaps the only actress who could hold her own when on screen with "The Duke." Ford, however, was not without his quirks, and his relationship with his favorite actress became more and more complex and ultimately deeply troubled. The on-screen relationship between Wayne and O'Hara, on the other hand, was transformed into a close friendship built on mutual respect, creating a bond that endured until his death. Writing with complete frankness, O'Hara talks for the first time about these remarkable men, about their great strengths and their very human failings. She writes as well about many of the other actors and actresses - Lucille Ball, Tyrone Power, Errol Flynn, John Candy, Natalie Wood, to name a few - with whom she worked, but ultimately it is about herself that she is most revealing. With great candor and a mixture of pride and regret, she reflects on just how this young girl from Ireland made it to America and onto movie screens all around the world. There were missteps, of course - a troubled and deeply destructive marriage, a willingness to trust too readily in others - but there were triumphs and great happiness as well, including her marriage to the aviation pioneer Brigadier General Charles F. Blair, who tragically died in a mysterious plane crash ten years after their marriage. Throughout, 'Tis Herself is informed by the warmth and charm and intelligence that defined Maureen O'Hara's performances in some sixty films, from The Hunchback of Notre Dame to Miracle on 34th Street to The Parent Trap to McLintock! to Only the Lonely. 'Tis Herself is Maureen O'Hara's story as only she can tell it, the tale of an Irish lass who believed in herself with the strength and determination to make her own dreams come true.

'Tis Herself: A Memoir

Biographies & Memoirs

Nicoletti, John

Arts & Literature

Simon&Schuster

Maureen O'Hara was born for Technicolour. Her fiery red hair and piercing green eyes made the screen crackle with electricity. Her bold Irish bearing cast her as the prototypical strong, determined woman struggling in a man's world. During a career that has spanned some sixty years, she has earned a reputation as a fiercely independent thinker, a tireless champion of causes, and, of course, a premier actress. 'TIS HERSELF chronicles a standout career that includes such timeless British and Hollywood films as THE HUNCHBACK OF NOTRE DAME, HOW GREEN WAS MY VALLEY, RIO GRANDE, OUR MAN IN HAVANA, MCLINTOCK! and THE PARENT TRAP. O'Hara also shines a light on her private life, including her romance with aviation pioneer Brigadier General Charles F. Blair, 'the great love of her life', who died in a mysterious plane crash ten year after their marriage. Going behind the scenes and delivering intimate memories about her co-stars and directors, including John Wayne, Alfred Hitchcock, John Ford, Tyrone Power, John Candy, James Stewart, Charles Laughton, Lucille Ball and Rex Harrison. O'Hara's first-person reminiscences afford readers an unprecedented view of Hollywood's 'Golden Age'.

'Tis Herself

A first-ever, revealing and candid look at the life and career of one of Hollywood’s brightest and most beloved stars, Maureen O’Hara . In an acting career of more than seventy years, Hollywood legend Maureen O’Hara came to be known as “the queen of Technicolor” for her fiery red hair and piercing green eyes. She had a reputation as a fiercely independent thinker and champion of causes, particularly those of her beloved homeland, Ireland. In ‘Tis Herself, O’Hara recounts her extraordinary life and proves to be just as strong, sharp, and captivating as any character she played on-screen. O’Hara was brought to Hollywood as a teenager in 1939 by the great Charles Laughton, to whom she was under contract, to costar with him in the classic film The Hunchback of Notre Dame. She has appeared in many other classics, including How Green Was My Valley, Rio Grande, The Quiet Man, and Miracle on 34th Street. She recalls intimate memories of working with the actors and directors of Hollywood’s Golden Age, including Laughton, Alfred Hitchcock, Tyrone Power, James Stewart, Henry Fonda, and John Candy. With characteristic frankness, she describes her tense relationship with the mercurial director John Ford, with whom she made five films, and her close lifelong friendship with her frequent costar John Wayne. Successful in her career, O’Hara was less lucky in love until she met aviation pioneer Brigadier General Charles F. Blair, the great love of her life, who died in a mysterious plane crash ten years after their marriage. Candid and revealing, ‘Tis Herself is an autobiography as witty and spirited as its author.

'Tis Herself: An Autobiography

Tis Herself

Maureen O'Hara was born for Technicolour. Her fiery red hair and piercing green eyes made the screen crackle with electricity. Her bold Irish bearing cast her as the prototypical strong, determined woman struggling in a man's world. During a career that has spanned some sixty years, she has earned a reputation as a fiercely independent thinker, a tireless champion of causes, and, of course, a premier actress. 'TIS HERSELF chronicles a standout career that includes such timeless British and Hollywood films as THE HUNCHBACK OF NOTRE DAME, HOW GREEN WAS MY VALLEY, RIO GRANDE, OUR MAN IN HAVANA, MCLINTOCK! and THE PARENT TRAP. Going behind the scenes and delivering intimate memories about her co-stars and directors, including John Wayne, Alfred Hitchcock, John Ford, Tyrone Power, John Candy, James Stewart, Charles Laughton, Lucille Ball and Rex Harrison, O'Hara's first-person reminiscences afford readers an unprecedented view of Hollywood's 'Golden Age'.

Humor & Entertainment

Pocket_Books

Maureen O'Hara was born for Technicolour. Her fiery red hair and piercing green eyes made the screen crackle with electricity. Her bold Irish bearing cast her as the prototypical strong, determined woman struggling in a man's world. During a career that has spanned some sixty years, she has earned a reputation as a fiercely independent thinker, a tireless champion of causes, and, of course, a premier actress. 'TIS HERSELF chronicles a standout career that includes such timeless British and Hollywood films as THE HUNCHBACK OF NOTRE DAME, HOW GREEN WAS MY VALLEY, RIO GRANDE, OUR MAN IN HAVANA, MCLINTOCK! and THE PARENT TRAP. Going behind the scenes and delivering intimate memories about her co-stars and directors, including John Wayne, Alfred Hitchcock, John Ford, Tyrone Power, John Candy, James Stewart, Charles Laughton, Lucille Ball and Rex Harrison, O'Hara's first-person reminiscences afford readers an unprecedented view of Hollywood's 'Golden Age'.

Thorndike Pr

If the idea of a conceptual emergency seemed original when it was introduced in the first edition of this booklet, it now appears inescapable. Brought on by the global credit crunch and the collapse or effective nationalisation of so many familiar institutions (HBOS, Lehman Brothers, Woolworths...), we face a fresh crisis of faith, as the instability of our previous perceptions of identity, morality, cultural coherence and social position is revealed. In a world where we are losing our collective bearings, we urgently need leadership inspired by fresh and insightful thinking. This little book provides a remarkable amount of both. The authors are writing under the banner of the International Futures Forum (IFF), an innovative and forward-thinking group that has inspired many communities to respond powerfully to severe social and economic challenges. Ten Things records IFF's learning over seven years on how to take more effective and responsible action in a world we do not understand and cannot control. This second edition has been expanded and updated with seven inspirational case studies from around the world, generated by IFF's work. Insightful yet playful, compact, readable and touchingly illustrated, this is a gem of a book. It will appeal to managers and organisational and political leaders but also to environmental campaigners, social psychologists and educationalists.

Ten Things to do in a Conceptual Emergency

Politics & Social Sciences

Leicester, Graham

Social Sciences

Triarchy Press Ltd

Mclintock!

Wayne, John

Wayne, Michael

Powers, Stefanie

Copyright Collection (Library of Congress)

Grant, James Edward

Mclaglen, Andrew V. (andrew Victor)

Wayne, Patrick

Kruschen, Jack

Wills, Chill

Batjac Productions

GoodTimes Home Video (Firm)

Goodtimes Home Video

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