Schnee

Natter, Tobias G.

et.al.

Hatje Cantz Verlag

This authoritative and generously illustrated book highlights Gustav Klimt’s portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth-century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mäda Primavesi (1913); Elisabeth Lederer (1914–16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called "golden style," as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstätte.

Klimt and the Women of Vienna's Golden Age, 1900-1918

Arts & Photography

History & Criticism

Prestel

Exploring an intriguing aspect of the artist’s work, this book examines Gustav Klimt’s fascination with the ancient world. Gustav Klimt’s 1907 publication of his illustrated edition of Lucian’s ancient work Dialogues of the Courtesans was the first time he exhibited his erotic art to the public, and it led to his denouncement by censors disturbed by the work’s graphic content. This volume revives Klimt’s masterful book, which pairs his erotic drawings with Wiener Werkstätte design, and which arguably resulted in the Art Nouveau era’s most beautiful book. Klimt and Antiquity also compares the red- and black figure Attic vases dating from the 5th century with Klimt’s art. It presents Klimt’s antiquity-inspired art as a dialogue between contemporary and ancient art, between genders, and between women’s roles in times of antiquity and modernity. Essays explore Klimt’s interest in ancient art; the ancient role of the courtesan; and the phenomenon of the Greek symposium as fertile ground for Greek art.

Klimt and Antiquity: Erotic Encounters

Rollig, Stella

Individual Artists

On the 100th anniversary of their deaths, Gustav Klimt and Auguste Rodin are celebrated as two pioneers of modernism who set new standards in their chosen media. Although they worked in different media, Auguste Rodin and Gustav Klimt were two artists whose output generated both incredible enthusiasm and virulent denunciation in their lifetimes. On the centenary of their deaths, in 1917 and 1918 respectively, this opulent volume highlights the remarkable parallels between the two creators: their passion for the human figure, erotic subject matter, pioneering techniques, and the achievement of international success. In chapters of alternating perspectives, this book features essays on fin-de-siècle Vienna, the phenomenon of artistic celebrity, and a tribute to the two seminal works that each artist gave the same name: The Kiss. Bringing these two masters together for the first time in such a detailed manner, this book captures a significant moment in European culture and demonstrates why their geniuses still speak so profoundly to us today.

Klimt & Rodin: An Artistic Encounter

This visually stunning volume offers perceptive examinations of several renowned German and Austrian Expressionist artists who redefined modern self-portraiture. The self-portrait has been a vital aspect of artistic expression throughout history. Neo-Classical painters such as El Greco and Rembrandt formalized the practice, and the first half of the 20th century saw a dramatic transformation in the self-portrait's style and context, especially in the hands of the German and Austrian Expressionists. Vibrant reproductions of works by Egon Schiele, Max Beckmann, Ernst Ludwig Kirchner, Oskar Kokoschka, and others are accompanied by essays that explore how these artists--many of whom were classified as "degenerate" by the Nazi party--imbued their images with eloquent expressions of resistance, isolation, entrapment, and provocation. From Schiele's erotically charged and overtly physical paintings to Beckmann's emotionally fraught depictions of psychic trauma, this important examination of a powerful aspect of modern European painting brilliantly illustrates how the Expressionist self-portrait became a powerful weapon against artistic oppression.

The Self-Portrait, from Schiele to Beckmann

Schneede, Uwe

Weppelmann, Stefan

Peters, Olaf

Faber, Monika

Gustav Klimt: The Interiors (Ronald S. Lauder Neue Galerie Museum for German and Austrian Art)

La totalité des tableaux de Klimt et des articles biographiques. L'accent est mis sur ses contemporains, les réflexions et les réactions de son entourage immédiat. De nombreux documents et la correspondance de l'artiste retranscrivent l'atmosphère des années du tout début du XXe siècle et les scandales qu'il a déclenchés à Vienne.

Gustav Klimt. Tout l'oeuvre peint

Taschen

Gustav Klimt. The Complete Paintings

After Egon Schiele (1890-1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.
His haggard, overstretched figures, drastic depiction of sexuality, and self-portraits in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt’s hymns of love, sexuality, and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.
Although his works were later defamed as “degenerate” and for a time were almost forgotten altogether, they influenced generations of artists – from Günter Brus and Francis Bacon to Tracey Emin. Today, his then-misunderstood oeuvre continues to fetch exorbitant prices on the international art market.
Presented in a voluminous format that captures all of the intensity and emotional truth of his work, Egon Schiele. The Complete Paintings 1909–1918 features 221 paintings and 146 drawings that retrace the fertile last decade of Schiele’s life. With many pieces newly photographed for this edition, these works are paired with excerpts from his countless writings and poems, as well as essays introducing his life and oeuvre, to situate the Austrian master in the context of European Expressionism and trace his extraordinary legacy.

Egon Schiele. The Complete Paintings 1909–1918

A century after his death, Viennese artist Gustav Klimt (1862-1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt's own archive to trace the evolution of his astonishing oeuvre. With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous "golden phase" when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold. About the series Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe!

Gustav Klimt. Obra pictórica completa (Bibliotheca Universalis) (Spanish Edition)

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