Physical description; 79 p. : ill., photogr. ; 23 cm. Subjects; Art, Modern - 20th century.

Art & Fashion (Fashion Memoir) /anglais

Crafts, Hobbies & Home

Müller, Florence

Crafts & Hobbies

Thames&Hudson

One of the most distinctive and influential designers of the second half of the twentieth century, Yves Saint Laurent takes his place in the pantheon of French couturiers, alongside Coco Chanel, Christian Dior, and Jeanne Lanvin. Yves Saint Laurent, the first comprehensive retrospective of his life’s work, will accompany an exhibition of some 250 garments from the collection of the Fondation Pierre Bergé–Yves Saint Laurent at the Petit Palais in Paris. From his early days working under Dior and heading the House of Dior after his mentor’s death, to the opening of his first prêt a porter shop on the Rive Gauche and the debut of the Le Smoking tuxedo, to the muses he adored, Loulou de la Falaise and Catherine Deneuve among them, this volume reveals the breadth and scope of the designer’s entire career. With a preface by Pierre Bergé, author Faride Chenoune explores the sources of inspiration that drove Saint Laurent’s continuous innovation, drawing upon painting, sculpture, theater, opera, literature, and cinema.

Yves Saint Laurent

Arts & Photography

Chenoune, Farid

Graphic Design

Abrams Books

Dolce&Gabbana: From the Heart to the Hands

Rizzoli Electa

This volume is an unprecedented history of Louis Vuitton’s women’s bags, the most coveted line of accessories in women’s fashion. At the heart of Louis Vuitton are its City Bags, a range of women’s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today’s most sought-after collectibles, including Vuitton’s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.

Louis Vuitton City Bags: A Natural History

Luna, Ian

KAUFMANN, Jean-Claude

Nishitani, Mariko

Pringle, Colombe

Rizzoli

A gorgeous exploration of the relationship between the haute couture of Dior and the Impressionist movement. Christian Dior grew up in Granville, in Normandy, in a natural environment similar to the setting favored by the Impressionist artists. Throughout his career, he designed dresses that show links with this art movement, such as the elegance seen in the Impressionist paintings, with subtle connections through common themes such as nature, light, color, and the notion of movement. Published to accompany the Impressions Dior exhibition presented at the Musée Christian Dior in Granville, France, this lavish volume features over 150 pieces of gorgeous art—including noted artworks by Monet, Renoir, Degas, and Manet—alongside a magnificent visual tour of Dior garments, from Christian Dior’s first designs to Raf Simons’s latest collection.

Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior

Thiébaut, Philippe

Jeauffroy-Mairet, Barbara

Richart, Brigitte

History & Criticism

Yves Saint Laurent: The Perfection of Style

An intimate look at the famed designer and his work, revealing his artistic process and influence. Modernizing haute couture. Pioneering high-end ready-to-wear. Bringing masculine ease to women’s clothing. Legendary fashion designer Yves Saint Laurent’s reputation precedes him—but what of the man behind the work? Fashion historian and YSL expert Florence Müller traces Saint Laurent’s career, from aspiring designer to Christian Dior’s protégé to director of his own fashion house from 1961 until 2002. The book emphasizes the designer’s creative process—his inspirations, the conception and fabric selection, the various stages of fitting and production—and takes the reader behind the scenes of the atelier. Also featured are original sketches, runway shots, and never-before-published photographs of Saint Laurent at work, as well as new photography of iconic YSL designs from the exhibition, including the first Tuxedo pantsuit (1966), the Safari tunic (1968), the Mondrian dress (1965), and the Wesselmann dress (1966). The book also includes a 1991 interview from Le Figaro with the late designer. This focused exploration shows how Saint Laurent’s radical clothes for the modern woman—presented here in gorgeous detail—continue to inspire fashion lovers and fans of art and design for their innovation and perfection of style.

Skira/Rizzoli

grace de monaco: PRINCESSE EN DIOR

RIZZOLI FR

This sumptuously illustrated book surveys the exquisite range of costume jewelry produced by haute couture fashion houses, a subject until now overlooked by historians and fashion cognoscenti alike. The term “costume jewelry” was coined in the twentieth century for the use of non-precious metals and jewels for human adornment. This book showcases the extraordinary diversity and exceptional craftsmanship of this jewelry in hundreds of beautifully reproduced pieces from such fashion houses as Chanel, Balenciaga, Dior, Yves Saint Laurent, Lanvin, Schiaparelli, and Givenchy. 
“A time capsule of creativity.” ~ Dallas Morning News

Costume Jewelry for Haute Couture

Sigal, Patrick

Fashion

Vendome Press

Shock Wave : Japanese Fashion Design, 1980s-90s

Museum

Statement of responsibility from p. 320.

Inspiration Dior

Abrams

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