In 2052 a squad of Marines from the Earth Military Federation are sent to investigate a newly built terraforming colony on mars. The station has mysteriously gone dark, after unearthing an alien structure buried just beneath the surface. The unit embarks on a mission to find out what has happened, only to uncover a nightmarish blood bath-the entire colony has been violently slaughtered. Now the unit must uncover what has caused the gruesome deaths of the colonists, and manage to escape before whatever it is that is hiding in the station begins to hunt them down, and they wind up another victim of the ENTITY.

ENTITY

Literature & Fiction

Morrison, Donald

Genre Fiction

Dark Forest Publishing

Ouroboros

The Isle of Children

The Death of French Culture

For a long time, France and its culture have been one and the same. The greatness of the former added to the influence of the latter, and vice versa. French writers, artists and philosophers were at the centre of the world’s attention and enjoyed unparalleled prestige. Of this past glory, all that is left today is navel-gazing, nostalgia, and timidity. This was the disabused verdict reached by Donald Morrison, an American in Paris, at the conclusion his inquiry into the place of French culture in the world. The creativity of its artists may be undeniable, but the influence (ghostlike) and the importance (derisory) of France in cultural exchanges both go to show that French culture no longer speaks to the world. This decline ultimately suits the French national mentality, inclined as it is to lamentation and sorrow.  When Morrison originally published this piercing verdict on contemporary French culture in Time magazine in November 2007, it caused a sensation. Morrison was pilloried by the French press and attacked in countless newspapers, magazines and blogs. Morrison’s article gave rise to an extended interrogation of French culture by admirers and critics alike.  Undeterred by the controversy, Morrison has returned to his original article to see how well his central arguments hold up in the light of the criticisms levelled at him. This new and updated version of his controversial text is accompanied by a thoughtful reply by Antoine Compagnon, who highlights a certain ambivalence within French culture, still capable of achieving the best but seemingly paralysed by its preoccupation with its own grandeur. This important exchange between Morrison and Compagnon will be of great interest to anyone concerned with French culture and its legacy in the world today.

COMPAGNON, Antoine

History & Criticism

Polity

For a long time, France and its culture have been one and the same. The greatness of the former added to the influence of the latter, and vice versa. French writers, artists and philosophers were at the centre of the world’s attention and enjoyed unparalleled prestige. Of this past glory, all that is left today is navel-gazing, nostalgia, and timidity. This was the disabused verdict reached by Donald Morrison, an American in Paris, at the conclusion his inquiry into the place of French culture in the world. The creativity of its artists may be undeniable, but the influence (ghostlike) and the importance (derisory) of France in cultural exchanges both go to show that French culture no longer speaks to the world. This decline ultimately suits the French national mentality, inclined as it is to lamentation and sorrow. When Morrison originally published this piercing verdict on contemporary French culture in Time magazine in November 2007, it caused a sensation. Morrison was pilloried by the French press and attacked in countless newspapers, magazines and blogs. Morrison’s article gave rise to an extended interrogation of French culture by admirers and critics alike. Undeterred by the controversy, Morrison has returned to his original article to see how well his central arguments hold up in the light of the criticisms levelled at him. This new and updated version of his controversial text is accompanied by a thoughtful reply by Antoine Compagnon, who highlights a certain ambivalence within French culture, still capable of achieving the best but seemingly paralysed by its preoccupation with its own grandeur. This important exchange between Morrison and Compagnon will be of great interest to anyone concerned with French culture and its legacy in the world today.

Changing Britain 1850 - 1979

Morrison, Elliot

History

Pulse Publications

Mac Dre: A Crime That Was Never Committed

Arts & Photography

Music

BookBaby

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Books by Morrison, Donald