Sweet Canadian Girls Abroad: A Transnational History of Stage and Screen Actresses

Literature & Fiction

Morgan, Cecilia

Dramas & Plays

McGill-Queen's University Press

<div>By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture. Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these "sweet girls'" childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women. Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women's history and to our understanding of Canada in a transnational world.</div>

Material Memory: Documents in Pre-Confederation History

History

Jaenen, Cornelius

World

Pearson Education Canada

In the late eighteenth century and throughout the nineteenth century, an unprecedented number of Indigenous people – especially Haudenosaunee, Anishinaabeg, and Cree – travelled to Britain and other parts of the world. Who were these transatlantic travellers, where were they going, and what were they hoping to find? Travellers through Empire unearths the stories of Indigenous peoples including Mississauga Methodist missionary and Ojibwa chief Reverend Peter Jones, the Scots-Cherokee officer and interpreter John Norton, Catherine Sutton, a Mississauga woman who advocated for her people with Queen Victoria, E. Pauline Johnson, the Mohawk poet and performer, and many others. Cecilia Morgan retraces their voyages from Ontario and the northwest fur trade and details their efforts overseas, which included political negotiations with the Crown, raising funds for missionary work, receiving an education, giving readings and performances, and teaching international audiences about Indigenous cultures. As they travelled, these remarkable individuals forged new families and friendships and left behind newspaper interviews, travelogues, letters, and diaries that provide insights into their cross-cultural encounters. Chronicling the emotional ties, contexts, and desires for agency, resistance, and negotiation that determined their diverse experiences, Travellers through Empire provides surprising vantage points on First Nations travels and representations in the heart of the British Empire.

Travellers Through Empire: Indigenous Voyages from Early Canada (Volume 91) (McGill-Queen's Indigenous and Northern Studies)

Americas

Public Men and Virtuous Women: The Gendered Languages of Religion and Politics in Upper Canada, 1791-1850 (Heritage)

Analyzes political and religious language in the Upper Canadian secular and religious presses, and in other material published in the colony during the period. Examines constructs of gender in narratives of the War of 1812, political struggles over responsible government, evangelical religious discourses, and discussions of manners and moral behavior. Considers the relations between religion and politics in the 1840s, and the effects of gender, class, and race on cultural development of the middle class. Paper edition (unseen), $18.95. Annotation c. by Book News, Inc., Portland, Or.

Public Men and Virtuous Women: The Gendered Languages of Religion and Politics in Upper Canada, 1791-1850 (Studies in Gender and History)

Univ of Toronto Pr

Heroines and History is a comparative study of the images of Laura Secord and Madeleine de Verchères, symbols respectively of the nationalism of English-Canadian and French-Canadian loyalism and national identity. The authors explore the relations of gender, race/ethnicity, and imperialism in defining national identity and shaping the past by looking at such things as the role of local historical societies, the formation of narratives of Loyalism and the War of 1812 in school texts, the use of historical figures in the services of twentieth-century consumer capitalism (e.g. the Secord chocolate company), and the development of tourism.This is a fascinating comparison of the histories of Ontario and Quebec as seen through the handling of their best-known heroines. The story of Laura Secord and her cow bravely crossing the American lines to warn the British during the War of 1812 is well known in Ontario; most of us also grew up with the legend of Madeleine de Verchères defending Montreal against the Iroquois in 1692. Although both tales are dubious, the authors show how the images of these heroines were used for nationalistic purposes in both provinces, and how their images changed down through the ages.Heroines and History is a unique work, one which makes a significant contribution to the growing body of literature on commemoration, as well as to the literatures of gender, cultural, and aboriginal studies. It is accessible both to an audience of specialist academic readers and to a wider readership of those interested in Canadian history and society.Winner of the Prix Lionel-Groulx -- Fondation Yves-Saint-Germain 2003, awarded by l'Institute d'histoire de l'Amérique franâaise

Heroines and History: Representations of Madeleine de Verchères and Laura Secord

Biographies & Memoirs

Coates, Colin M.

Historical

University of Toronto Press

Heroines and History is a comparative study of the images of Laura Secord and Madeleine de Verchères, symbols respectively of the nationalism of English-Canadian and French-Canadian loyalism and national identity. The authors explore the relations of gender, race/ethnicity, and imperialism in defining national identity and shaping the past by looking at such things as the role of local historical societies, the formation of narratives of Loyalism and the War of 1812 in school texts, the use of historical figures in the services of twentieth-century consumer capitalism (e.g. the Secord chocolate company), and the development of tourism.
This is a fascinating comparison of the histories of Ontario and Quebec as seen through the handling of their best-known heroines. The story of Laura Secord and her cow bravely crossing the American lines to warn the British during the War of 1812 is well known in Ontario; most of us also grew up with the legend of Madeleine de Verchères defending Montreal against the Iroquois in 1692. Although both tales are dubious, the authors show how the images of these heroines were used for nationalistic purposes in both provinces, and how their images changed down through the ages.
Heroines and History is a unique work, one which makes a significant contribution to the growing body of literature on commemoration, as well as to the literatures of gender, cultural, and aboriginal studies. It is accessible both to an audience of specialist academic readers and to a wider readership of those interested in Canadian history and society.
Winner of the Prix Lionel-Groulx -- Fondation Yves-Saint-Germain 2003, awarded by l'Institute d'histoire de l'Amérique franâaise

One of the most revealing things about national character is the way that citizens react to and report on their travels abroad. Oftentimes a tourist's experience with a foreign place says as much about their country of origin as it does about their destination. A Happy Holiday examines the travels of English-speaking Canadian men and women to Britain and Europe during the late nineteenth and early twentieth centuries. It describes the experiences of tourists, detailing where they went and their reactions to tourist sites, and draws attention to the centrality of culture and the sensory dimensions of overseas tourism.
 Among the specific topics explored are travellers' class relationships with people in the tourism industry, impressions of historic landscapes in Britain and Europe, descriptions of imperial spectacles and cultural sights, the use of public spaces, and encounters with fellow tourists and how such encounters either solidified or unsettled national subjectivities. Cecilia Morgan draws our attention to the important ambiguities between empire and nation, and how this relationship was dealt with by tourists in foreign lands. Based on personal letters, diaries, newspapers, and periodicals from across Canada, A Happy Holiday argues that overseas tourism offered people the chance to explore questions of identity during this period, a time in which issues such as gender, nation, and empire were the subject of much public debate and discussion.

A Happy Holiday: English-Canadians and Transatlantic Tourism, 1870 - 1930

A Happy Holiday: English Canadians and Transatlantic Tourism, 1870-1930

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