Ex Veterum Comicorum Fabulis, Quae Integrae Non Extant, Sententiae, Nunc Primum In Sermonem Latinum Conversae (1553) (Latin Edition)

Literature & Fiction

Morel, Guillaume

United States

Kessinger Publishing

Literary

Kessinger Publishing, LLC

LE LAM

Arts & Photography

Averty, Christophe

Lasnier, Jean-François

Architecture

CONNAISSAN ARTS

HOTEL DE CAUMONT

Coignard, Jéröme

Castaldo, Inès

Corty, Axelle

Bergh, Xavier de

Les Préraphaélites de Rossetti à Burne-Jones

History & Criticism

PLACE VICTOIRES

Paquebots - Le triomphe de l'art déco - L'art du voyage à la française

Engineering & Transportation

Transportation

<p>Classique par ses sujets, moderne par son sens de la composition, de la couleur et de la lumière, le peintre nabi Pierre Bonnard (1867-1947) a tracé son chemin à l'écart des grands courants et mouvements de la première moitié du XXe siècle.\nEn plus de deux cent cinquante paysages, portraits, autoportraits, nus féminins, scènes d'intérieurs et natures mortes, cette monographie réunit l'essentiel de la production de l'artiste. Conçue de façon chronologique, elle met en évidence la cohérence et la continuité de l'œuvre de Bonnard, tout en soulignant son évolution, subtile mais constante.\nLanguages : Fr. En.\n-------\nClassical in his subjects, modern in his sense of composition, color and light, the Nabi painter Pierre Bonnard (1867-1947) made his way outside the major currents and movements of the first half of the 20th century.\nIn more than two hundred and fifty landscapes, portraits, self-portraits, female nudes, interior scenes and still lifes, this monograph brings together the essential of the artist's production. Conceived chronologically, it highlights the coherence and continuity of Bonnard's work, while underlining his subtle but constant evolution.</p>

Pierre Bonnard

Individual Artists

<p><div>Classical on account of his subjects, modern on account of his sense of composition, color, and light, the Nabis painter Pierre Bonnard (1867-1947) followed his path away from the great currents and movements of the first half of the twentieth century. In more than 250 landscapes, portraits, self-portraits, female nudes, interior scenes, and still lifes, this monograph gathers most of the artist's work.</div></p>

Pierre Bonnard (Artist Monographs)

Koenemann

<p>Celebrated the world over for its impressionist masterpieces, the Orsay museum keeps thousands of paintings, sculptures and decorative art from the greatest artists of the second half of the 19th and early 20th centuries. Rediscover the 300 most beautiful works of the Musée d'Orsay within the historical, aesthetic and stylistic context of the time of Gustave Courbet to Paul Gauguin, van Gogh to Claude Monet, Auguste Renoir, Edgar Degas, Gustave Caillebotte, Berthe Morisot, Edouard Manet, Paul Cézanne, or Maurice Denis.</p>

Musée d'Orsay (Museum Collections Flexi)

<p><div>Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group.</div></p>

Gustave Caillebotte (Artist Monographs)

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