Sharing Honors and Burdens: Renwick Invitational 2023

Arts & Photography

Montiel, Anya

Belarde-Lewis, Miranda

Evans, Lara M.

History & Criticism

University of Washington Press

Form and Relation showcases the versatility of ceramics and its many forms through the work of seven contemporary Indigenous artists from across what is now the United States. Bringing together recent acquisitions, commissioned works, and loans directly from artists' studios, this book urges audiences to reconsider and expand their understanding of what constitutes Native American ceramics. The catalogue highlights the innovative and critical works of renowned artists Anita Fields, Courtney M. Leonard, Cannupa Hanska Luger, Ruben Olguin, Rose B. Simpson, Kali Spitzer, and Roxanne Swentzell through stunning photography by Addison Doty and critical essays by Hood Museum curatorial staff and outside scholars. In addition to shifting expectations, Form and Relation introduces new forms that demonstrate the ability of ceramics to hold complexity and wrestle with concepts like community, identity, gender, land, extraction, global climate change, colonialism, language, and responsibility.Exhibition dates: Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 2, 2020

Form and Relation: Contemporary Native Ceramics

Powell, Jami C.

Miller, Sequoia

Leonard, Courtney M.

Freeman, Morgan E.

Hood Museum of Art

This Present Moment: Crafting a Better World showcases American craft like never before. Accompanying a 2022 exhibition of the same name, it features artists’ stories of resilience, methods of activism, and highlights craft’s ability to spark essential conversations about race, gender, and representation.\nThis book marks the fiftieth anniversary of the Smithsonian American Art Museum’s Renwick Gallery, the nation’s preeminent center for the enjoyment of American craft. It honors the history of the American studio craft movement while also introducing progressive contemporary narratives. 
This Present Moment highlights the often-overlooked histories and contributions of women, people of color, and other marginalized communities. The volume features many of the more than two hundred recently acquired artworks to the Smithsonian American Art Museum’s collection. 
Named after Alicia Eggert’s 2019–20 neon artwork, This Present Moment looks at American craft “in the whirlwind of now,” revealing possibilities for contemporary makers to show us a more empathetic future. 
Featured artists include Tanya Aguiñiga, Nick Cave, David Chatt, Sonya Clark, Cristina Córdova, Cindy Drozda, Alicia Eggert, J. Paul Fennell, Aram Han Sifuentes, Carla Hemlock (Kanienkeháka), Sharon Kerry-Harlan, Ron Ho, Katie Hudnall, Pat Kramer, Stephen Young Lee, Linda Lopez, Roberto Lugo, Wendy Maruyama, Myra Mimlitsch-Gray, Tom Loeser, John Mascoll, Connie Mississippi, George Nakashima, L. J. Roberts, Judith Schaechter, Preston Singletary, Polly Adams Sutton, Toshiko Takaezu, Gail Tremblay (Mi’kmaq and Onondaga), Nancy Worden, Consuelo Jiménez Underwood, and many more. 
The cover of this volume is printed in 50 color variations; a purchased copy may be different from the image pictured.

This Present Moment: Crafting a Better World

Atkinson, Nora

Savig, Mary

GILES

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