Discusses the nature of images, examines the connection between images and words, and analyzes the ideological meaning of images

Iconology: Image, Text, Ideology

Mitchell, William J.

Arts & Photography

Univ of Chicago Pr

This book provides a long-overdue vision for a new automobile era. The cars we drive today follow the same underlying design principles as the Model Ts of a hundred years ago and the tail-finned sedans of fifty years ago. In the twenty-first century, cars are still made for twentieth-century purposes. They are inefficient for providing personal mobility within cities -- where most of the world's people now live. In this pathbreaking book, William Mitchell and two industry experts reimagine the automobile, describing vehicles of the near future that are green, smart, connected, and fun to drive. They roll out four big ideas that will make this both feasible and timely.
The fundamental reinvention of the automobile won't be easy, but it is an urgent necessity -- to make urban mobility more convenient and sustainable, to make cities more livable, and to help bring the automobile industry out of crisis.

Reinventing the Automobile: Personal Urban Mobility for the 21st Century

Business & Money

Burns, Lawrence D.

Borroni-Bird, Chris

Industries

Mit Pr

There is a universality about the creation of gardens across time and in diverse cultures that has inspired this entirely different garden book: a playful and affectionate typology of gardens; a pattern book in which a score of landscapes and gardens are drawn, described, and analyzed not just as a bouquet of pleasures but as sources, lodes to be mined for materials, shapes and relationships, and ideas for transforming our own backyards. The Poetics of Gardens is a celebration of places and the gardens they can become. Most of the 500 sketches, axonometric drawings, and photographs were created especially for this book. They explore the special qualities of places and the acts that can transform them into gardens. The authors discuss the qualities that create the promise of a garden the shapes of land and water, the established plants, the light and wind, the climate and show how these can be organized to give a place a special meaning. And they pay particular attention to the "rituals of habitation" by which we imaginatively take possession of places on the surface of the earth. The Poetics of Gardens examines great gardens made in other places, with other climates, at other times from ancient Rome to modem England, from Ball to Botany Bay, from the court of Ch'ien Lung to the magic kingdom of Walt Disney to explore their devices and record their images, scents, and sounds. The authors discuss the adaptation of the great garden traditions of the past to North American soil and call together the creators of these gardens to speculate about how their patterns and ideas can be appropriated, transformed, and composed into places that come alive for us. Charles W. Moore, one of America's best known architects, is O'Neil Ford Professor of Architecture at the University of Texas at Austin. William J. Mitchell is Professor of Architecture at Harvard University. William Turnbull, Jr. is Principal of William Turnbull Associates, San Francisco.

The Poetics of Gardens

Moore, Charles W.

Turnbull, William

Architecture

Mitchell (architecture and media arts and sciences, MIT) discusses the virtual city which, while largely invisible, serves as an increasingly important system of interconnected links which is increasingly replacing traditional centers of community activity. Annotation copyright Book News, Inc. Portland, Or.

City of Bits: Space, Place, and the Infobahn

Computers & Technology

Networking & Cloud Computing

The global digital network is not just a delivery system for email, Web pages, and digital television. It is a whole new urban infrastructure--one that will change the forms of our cities as dramatically as railroads, highways, electric power supply, and telephone networks did in the past. In this lucid, invigorating book, William J. Mitchell examines this new infrastructure and its implications for our future daily lives.Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian circulation and mechanized transportation systems. He proposes strategies for the creation of cities that not only will be sustainable but will make economic, social, and cultural sense in an electronically interconnected and global world. The new settlement patterns of the twenty-first century will be characterized by live/work dwellings, 24-hour pedestrian-scale neighborhoods rich in social relationships, and vigorous local community life, complemented by far-flung configurations of electronic meeting places and decentralized production, marketing, and distribution systems. Neither digiphile nor digiphobe, Mitchell advocates the creation of e-topias--cities that work smarter, not harder.

e-topia

Me++: The Cyborg Self And The Networked City

How the transformation of wireless technology and the creation of an interconnected world are changing our environment and our lives.
With Me++ the author of City of Bits and e-topia completes an informal trilogy examining the ramifications of information technology in everyday life. William Mitchell describes the transformation of wireless technology in the hundred years since Marconi―the scaling up of networks and the scaling down of the apparatus for transmission and reception. It is, he says, as if "Brobdingnag had been rebooted as Lilliput"; Marconi's massive mechanism of tower and kerosene engine has been replaced by a palm-size cellphone. If the operators of Marconi's invention can be seen as human appendages to an immobile machine, today's hand-held devices can be seen as extensions of the human body. This transformation has, in turn, changed our relationship with our surroundings and with each other. The cellphone calls from the collapsing World Trade Center towers and the hijacked jets on September 11 were testimony to the intensity of this new state of continuous electronic engagement.
Thus, Mitchell proposes, the "trial separation" of bits (the elementary unit of information) and atoms (the elementary unit of matter) is over. With increasing frequency, events in physical space reflect events in cyberspace, and vice versa; digital information can, for example, direct the movement of an aircraft or a robot arm. In Me++ Mitchell examines the effects of wireless linkage, global interconnection, miniaturization, and portability on our bodies, our clothing, our architecture, our cities, and our uses of space and time. Computer viruses, cascading power outages, terrorist infiltration of transportation networks, and cellphone conversations in the streets are symptoms of a dramatic new urban condition―that of ubiquitous, inescapable network interconnectivity. He argues that a world governed less and less by boundaries and more and more by connections requires us to reimagine and reconstruct our environment and to reconsider the ethical foundations of design, engineering, and planning practice.

Me++: The Cyborg Self and the Networked City (Mit Press)

Certification

MIT Press]

The story of the decade long, billion-dollar building boom at MIT and how it produced major works of architecture by Charles Correa, Frank Gehry, Steven Holl, Fumihiko Maki, and Kevin Roche.
In the 1990s, MIT began a billion-dollar building program that transformed its outdated, run-down campus into an architectural showplace. Funded by the high-tech boom of the 1990s and and driven by a pent-up demand for new space, MIT's ambitious rebuilding produced five major works of architecture: Kevin Roche's Zesiger Sports and Fitness Center, Steven Holl's Simmons Hall, Frank Gehry's Stata Center, Charles Correa's Brain and Cognitive Science Complex, and Fumihiko Maki's still-unrealized project for the Media Laboratory. In Imagining MIT, William Mitchell (who served as architectural adviser to MIT president Charles Vest) offers a critical, behind-the-scenes view of MIT's new buildings and the complex processes that produced them. The story is not simply one of commissions, projects, CAD, and hardhats; it is about all the forces that come into play―including money, politics, institutional dynamics, and ideology―when a major university campus is imagined, designed, and built. Lavishly illustrated with architectural photographs, drawings, plans, and models, with color images throughout, Imagining MIT shows both the opportunities and the obstacles facing architectural production and city building at the dawn of a new millennium.
Mitchell challenges and subverts the standard form of architectural narrative―the mythic tale of heroic designers and enlightened patrons who overcome adversity to realize their visions. Instead, he offers a Rashomon-like construction of multiple voices and viewpoints. He sets the scene by recounting the history of MIT campus architecture, from its early synthesis of classicism and pragmatism to the daring mid-twentieth-century modernism of Alvar Aalto and Eero Saarinen. The descriptions and illustrations of the new projects show not only the evolution of each building, but the relationship of the techniques of architectural representation―themselves evolving, from sketching and modeling to three-dimensional computer modeling and rendering―to the conception and development of architectural ideas.

Imagining MIT: Designing a Campus for the Twenty-First Century

History

Americas

Borroni-Bird, Chris E.

The MIT Press

The story of the decade long, billion-dollar building boom at MIT and how it produced major works of architecture by Charles Correa, Frank Gehry, Steven Holl, Fumihiko Maki, and Kevin Roche.
In the 1990s, MIT began a billion-dollar building program that transformed its outdated, run-down campus into an architectural showplace. Funded by the high-tech boom of the 1990s and and driven by a pent-up demand for new space, MIT's ambitious rebuilding produced five major works of architecture: Kevin Roche's Zesiger Sports and Fitness Center, Steven Holl's Simmons Hall, Frank Gehry's Stata Center, Charles Correa's Brain and Cognitive Science Complex, and Fumihiko Maki's still-unrealized project for the Media Laboratory. In Imagining MIT, William Mitchell (who served as architectural adviser to MIT president Charles Vest) offers a critical, behind-the-scenes view of MIT's new buildings and the complex processes that produced them. The story is not simply one of commissions, projects, CAD, and hardhats; it is about all the forces that come into play―including money, politics, institutional dynamics, and ideology―when a major university campus is imagined, designed, and built. Lavishly illustrated with architectural photographs, drawings, plans, and models, with color images throughout, Imagining MIT shows both the opportunities and the obstacles facing architectural production and city building at the dawn of a new millennium.
Mitchell challenges and subverts the standard form of architectural narrative―the mythic tale of heroic designers and enlightened patrons who overcome adversity to realize their visions. Instead, he offers a Rashomon-like construction of multiple voices and viewpoints. He sets the scene by recounting the history of MIT campus architecture, from its early synthesis of classicism and pragmatism to the daring mid-twentieth-century modernism of Alvar Aalto and Eero Saarinen. The descriptions and illustrations of the new projects show not only the evolution of each building, but the relationship of the techniques of architectural representation―themselves evolving, from sketching and modeling to three-dimensional computer modeling and rendering―to the conception and development of architectural ideas.

Imagining MIT: Designing a Campus for the Twenty-First Century (Mit Press)

How to leave behind our unwieldy, gas-guzzling, carbon dioxide–emitting vehicles for cars that are green, smart, connected, and fun. 
This book provides a long-overdue vision for a new automobile era. The cars we drive today follow the same underlying design principles as the Model Ts of a hundred years ago and the tail-finned sedans of fifty years ago. In the twenty-first century, cars are still made for twentieth-century purposes. They are inefficient for providing personal mobility within cities―where most of the world's people now live. In this pathbreaking book, William Mitchell and two industry experts reimagine the automobile, describing vehicles of the near future that are green, smart, connected, and fun to drive. They roll out four big ideas that will make this both feasible and timely.
The fundamental reinvention of the automobile won't be easy, but it is an urgent necessity―to make urban mobility more convenient and sustainable, to make cities more livable, and to help bring the automobile industry out of crisis.

See the best price to sell, buy, or rent books by Mitchell, William J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Mitchell, William J.

See the best price to sell, buy, or rent books by Mitchell, William J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Iconology: Image, Text, Ideology

Reinventing the Automobile: Personal Urban Mobility for the 21st Century

The Poetics of Gardens

City of Bits: Space, Place, and the Infobahn

e-topia

Me++: The Cyborg Self and the Networked City (Mit Press)

Imagining MIT: Designing a Campus for the Twenty-First Century

Reinventing the Automobile: Personal Urban Mobility for the 21st Century

Imagining MIT: Designing a Campus for the Twenty-First Century (Mit Press)

Reinventing the Automobile: Personal Urban Mobility for the 21st Century