First publication ever of this treasured manuscript from Windsor Castle. The Padshahnama ("King of the World") has long been recognized as one of the greatest works made for the Mughal Emperor, Shah-Jahan, the builder of the Taj Mahal. The volume, which is now in the Royal Library at Windsor Castle, documents the first ten years of the Emperor's rule and contains works by some of the finest imperial artists of the time. Among the events recorded in the paintings are court ceremonies, hunting scenes, fortresses under siege, and the attack on the Portuguese near Calcutta in 1631. During the eighteenth century the manuscript entered the collection of the nawabs of Oudh. The Padshahnama was eventually given by a reigning nawab to the King of England, and it remains today one of the most treasured items in the collections of Her Majesty Queen Elizabeth II. The Padshahnama has seldom been exhibited, and even then only a single opening could be seen at any one time. A recent conservation project, however, means that the manuscript is now unbound, and the Royal Library has made all the pages available for an exhibition that coincides with the celebration in 1997 of the fiftieth anniversary of the Independence of India. This book accompanies the exhibition and illustrates all the paintings and illuminations in full color. The events, personalities, and settings depicted are identified and discussed with the help of enlarged details, comparative photographs, and drawings. Milo Beach, Director of the Arthur M. Sackler Gallery, Smithsonian Institution, provides a history of the volume and its context in Mughal painting. Ebba Koch, a leading authority on Mughal architecture from the University of Vienna, comments on the subject matter and analyzes the different modes of Mughal painting. Wheeler Thackston of the Department of Near Eastern Languages and Civilizations at Harvard University has translated the original text and other documents.

The King of the World: The Padshahnama : An Imperial Mughal Manuscript from the Royal Library, Windsor Castle

Arts & Photography

Wheeler M. Thackston

Milo Cleveland Beach

Ebba Koch

History & Criticism

Thames&Hudson

"This is a study centered on two artists within one family, but it has also explored a network of patronage among the successive rulers of one small territory subordinate to a major ruling house. It has led us to explore new, previously unrecognized centers of painting (Karera and Gyangarh, for example) and to realize that most powerful ruling courts did not necessarily provide the most informed, or the most productive, patronage. Paintings made for the Chundawats of Devgarh are for more interesting and innovative than the works made contemporaneously in Udaipur. But it is now clear that , even within one family of patrons, tastes can be quite distinct, as can the stylistic affiliations of the artists that various family members employed. It seems clear that Rajasthani painting will richly reward further attention." -- From the Afterword

Rajasthani Painters: Bagta and Chokha, Master Artists at Devgarh (Artibus Asiae)

Rawat Nahar Singh II

Artibus Asiae

The Adventures of Rama

Collections, Catalogs & Exhibitions

Mapin Publishing Pvt.Ltd

Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India s cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian s museums of Asian art, have the distinction of being one of the world s leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume. Published in association with Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC.

Imperial Image: Paintings for the Mughal Court

Other Media

Mapin Publishing

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