Softcover exhibition catalog Twenty Women Artists

Media Post Media: Twenty Women Artists

Literature & Fiction

Milazzo, Richard

Collins, Tricia

History & Criticism

Collins & Milazzo

Selection of essays that adopt a variety of forms - travelogue,exhibition and symposium statements, letters, obituary,meditation, as well as formal essay - to document the artof the 1990s.

Caravaggio on the beach: Essays on art in the 1990's

Editions d'Afrique du Nord

Malcolm Morley: The Art of the Superreal, the Rough, the Neo-Classical, and the Incommensurable 1958-1998

MORLEY, Malcolm

Lawrence Carroll

Edited by Johann-Karl Schmidt, Lawrence Carroll. Text by Richard Milazzo.

Arts & Photography

Individual Artists

Cantz

This monograph documents Sandro Chia's brilliant career from 1977 to the present day, with reproductions of the artist's oil paintings, mixed media works, mosaics, and bronze sculptures. It also features previously unpublished work from his recent exhibition at the Galleria Civica di Arte Contemporanea in Trent, Italy.

Sandro Chia

Chia, Sandro

Hopefulmonster

Peter Nadin has shown no work since 1992. His last exhibition came after 16 years of critical and commercial success, with works going to The Metropolitan Museum of Art and The Museum of Modern Art, New York, the Yale University Art Gallery and many museums across Western Europe. Nadin stopped exhibiting in order to "unlearn how to make art." The past decade and a half has been marked by a very private artistic productivity on the farm he owns with his wife in the Catskill Mountains. Old Field Farm boasts 150 acres of forest, pasture for goats, chickens, hogs and wild bees and vegetable and fruit gardens. The paintings and sculptures included in First Marks involve a process intimately linked to the farm, its animals, vegetation and surrounding environs. Drawing on the farm's available sensory stimuli, Nadin makes marks on linen using such materials as honey, wax, bee propolis, black walnut, elderberry, chicken eggs and cashmere wool. The 76 paintings and sculptures in First Marks represent an artistic process nearly 15 years in the making, a process that boldly reduces art to its simplest premises. Peter Nadin teaches classes on the relationship between cognitive science and art at Cooper Union, New York.

Peter Nadin: First Mark

McCarron, Andrew

Charta

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Books by Milazzo, Richard