Nobuyoshi Araki is one of Japan's greatest living photographers, and certainly its most controversial. Over the last forty years he has published more than 250 books, which bear testimony to his inexhaustible creative energy, while his work, which often challenges social taboos surrounding sex and death, has drawn critical attention both at home and abroad. This major publication provides the most comprehensive overview yet of Araki's highly prolific forty-year career. Araki's key series of works are included alongside many new and previously unpublished photographs. Featuring an interview and essays by writers from Japan and Europe, this book examines Araki from a broad range of perspectives and gives a cultural context to his work. Also included is a wide selection of Araki's writings, translated into English for the first time, as well as an illustrated and annotated bibliography of his own books.

Nobuyoshi Araki: Self, Life, Death

Arts & Photography

Miki, Akiko

Sato, Tomoko

Isshiki, Yoshiko

Individual Artists

Phaidon Press

This new abridged edition of the highly acclaimed Self Life Death provides an overview of Nobuyoshi Araki's (b.1940) prolific forty year career, featuring his finest and most iconic images in a new, expanded format. Arguably Japan's greatest living photographer - and certainly its most controversial - Araki consistently challenges artistic and social conventions in postwar Japan. The book examines Araki's work from a wide variety of viewpoints: Japanese and European; female and male, including all his major works, such as Sentimental Journey (1971), Tokyo Story (1989) and Erotos (1993). Araki's writings, widely admired and published in Japan, which were translated into English for the first time for Self Life Death, are also included. At this affordable and accessible format, a new audience of photography students and enthusiasts will be able to own a book on this influential photographer

Barbican Art Gallery

Jeffrey, Ian

Somewhere between realism and metaphor, humanity and bestiality, South Africa and the rest of the world, Jane Alexander's sculptures give shape to the brutal, painful, tragic, bizarre, incomprehensible, and fragile existence of her multicultural society--and, to a lesser extent, others. Existening in a no-man's-land where the difference between victim and perpetrator is blurred and meaningless, her life-size figures, made from fiberglass, wood, clay, and found objects, sometimes dressed as people do, sometimes naked as people and animals are, are uncanny in their astonishing naturalism, a naturalism thwarted by bandages, animal masks, incomprehending animal eyes, and violent lacerations. This is the first extensive publication dedicated to Alexander's work.

Jane Alexander

Kopke, Christoph

Njami, Simon

Bengu, Sibusiso

Schrempp, Jurgen

History & Criticism

Hatje Cantz Publishers

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Books by Miki, Akiko