Tolstoy As Man and Artist with an Essay on Dostoyevsky (Mint Editions (In Their Own Words: Biographical and Autobiographical Narratives))

Product Description Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature’s most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist’s work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky’s view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers. From the Back Cover A writer is both artist and human, someone whose expression of feeling depends on the written word. For generations of Russians, Tolstoy and Dostoevsky represented this figure more than anyone before or since―for these artists, to live is to be called to write. Tolstoy as Man and Artist with an Essay on Dostoevsky is a critical work by Dmitriy Merezhkovsky. About the Author Dmitry Merezhkovsky (1866-1941) was a Russian novelist and poet. Born in Saint Petersburg, Merezhkovsky was raised in a prominent political family. At thirteen, while a student at the St. Petersburg Third Classic Gymnasium, Dmitry began writing poetry. Soon, he earned a reputation as a promising young writer and enrolled at the University of Saint Petersburg, where he completed his PhD with a study on Montaigne. In 1892, he published Symbols. Poems and Songs, a work inspired by Poe and Baudelaire in which Merezhkovsky explores his increasingly personal religious ideas. In 1895, he published The Death of the Gods, the first novel in his groundbreaking Christ and Antichrist Trilogy. With these novels, Merezhkovsky was recognized as a cofounder of the Russian Symbolist movement. In 1905, his apocalyptic Christian worldview seemed to come to fruition in the First Russian Revolution, which he supported through poetry and organizing groups of students and artists. Formerly a supporter of the Tsar, Merezhkovsky was involved in leftist politics by 1910, but soon became disillusioned with the rise of the radical Bolsheviks. In the aftermath of the October Revolution, Merezhkovsky and his wife, the poet Zinaida Gippius, were forced to flee Russia. Over the years, they would find safe harbor in Warsaw and Paris, where Merezhkovsky continued to write works of nonfiction while advocating for the Russian people. Toward the end of his life, he came to see through such leaders as Benito Mussolini, Francisco Franco, and Adolf Hitler a means of defeating Communism in Russia. Though scholars debate his level of commitment to fascist and nationalist ideologies, this nevertheless marked a sinister turn in an otherwise brilliant literary career.

Biographies & Memoirs

Merezhkovsky, Dmitry

Arts & Literature

Mint Editions

Peter and Alexis (Mint Editions (Literary Fiction))

Literature & Fiction

Genre Fiction

The Death of the Gods (Mint Editions (Literary Fiction))

Peter and Alexis (1904) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. Peter and Alexis, the final work in the trilogy, is preceded by The Death of the Gods (1895) and Resurrection of the Gods (1900). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. "'Antichrist is coming. He, the last of devils, has not yet come himself; but the world is teeming with his progeny. The children are preparing the way for their father. They twist everything to suit the designs of Antichrist. He will appear in his own due time, when everywhere all is prepared and the way smoothed. He is already at the door. Soon will he enter!'" In Peter and Alexis, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Russian Empire. The novel portrays Peter the Great's conflict with his son, the Tsarevich Alexei, as the inevitable confrontation between Antichrist and Christ for the soul of humanity. Rejecting the historical view of Peter as a powerful and honorable leader, Merezhkovsky suggests that he was a tyrant whose desire for progress and control came at the cost of countless lives. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky's Peter and Alexis is a classic of Russian literature reimagined for modern readers.

Resurrection of the Gods (1900) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. Resurrection of the Gods, the second work in the trilogy, is preceded by The Death of the Gods (1895) and followed by Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. "This personage was already inspecting the Venus, with a cold, imperturbable composure, so different from Giovanni's personal agitation, that the lad could not but be struck with astonishment. He continued to gaze at the statue, but his consciousness now was entirely for the man by his side." In Resurrection of the Gods, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Italian Renaissance. The novel captures a pivotal moment in the life of Leonardo da Vinci: invited as an expert to appraise a recently rediscovered statue of Venus, the artist embarks down a path of self-discovery whereby the humanist ideals of the ancient world will reinvigorate his faith in art. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky's Resurrection of the Gods is a classic of Russian literature reimagined for modern readers.

Resurrection of the Gods (Mint Editions (Literary Fiction))

The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. "'Julian!' a voice cried; 'Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.' The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy." In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky's The Death of the Gods is a classic of Russian literature reimagined for modern readers.

Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature's most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist's work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky's view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky's Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.

The Death of the Gods. Julian the Apostate is a novel by Dmitry Merezhkovsky, first published in 1895 as the first instalment of "The Christ and Antichrist" trilogy. Exploring the theme of the 'two truths', those of Christianity and the Paganism, and developing Merezhkovsky's own religious theory of the Third Testament, the novel made Merezhkovsky a well-known author both in Russia and Western Europe.

Death of the Gods. Julian the Apostate (Russian Edition)

Classics

JiaHu Books

Resurrection of Gods. Leonardo da Vinci is the second novel by Dmitry Merezhkovsky, first published in 1900 by Mir Bozhy magazine. The novel constitutes the second part of the Christ and Antichrist trilogy. The novel starts with the merchant Buonarcozzi digging out the statue of Venus, with Leonardo invited as an expert. This echoes the final scene of The Death of the Gods with Arsinoya's prophecy about "future brothers" who will dig out the precious bones of Hellas, and start worshipping them again. The adventures of the great artist and thinker of the Renaissance are set against the background of conflicts and tragedies, all going to show the new epoch's re-emerging humanism, harking back to the spirit of Antiquity and contrasting the monastic horrors of the Middle Ages.

Resurrection of Gods. Leonardo Da Vinci (Russian Edition)

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Books by Merezhkovsky, Dmitry

See the best price to sell, buy, or rent books by Merezhkovsky, Dmitry. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Tolstoy As Man and Artist with an Essay on Dostoyevsky (Mint Editions (In Their Own Words: Biographical and Autobiographical Narratives))

Peter and Alexis (Mint Editions (Literary Fiction))

The Death of the Gods (Mint Editions (Literary Fiction))

Peter and Alexis (Mint Editions (Literary Fiction))

Resurrection of the Gods (Mint Editions (Literary Fiction))

The Death of the Gods (Mint Editions (Literary Fiction))

Tolstoy As Man and Artist with an Essay on Dostoyevsky (Mint Editions (In Their Own Words: Biographical and Autobiographical Narratives))

Death of the Gods. Julian the Apostate (Russian Edition)

Resurrection of Gods. Leonardo Da Vinci (Russian Edition)