Symphony No.4 in A major Op.90 Italian (Full Score)

Arts & Photography

Mendelssohn, Felix

Music

Bärenreiter

Excerpt from Elijah: Containing the Music of the Principal Solos, Duets, and ChorusesThe harvest now is over, the summer days are gone, and yet no power cometh to help us Will then the Lord be no more God in Zion?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Elijah: Containing the Music of the Principal Solos, Duets, and Choruses (Classic Reprint)

Forgotten Books

Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf &amp; Härtel edition. Included in Volume One are: "Capriccio in F-sharp Minor" (1825), "Sonata in E Major" (1826), Seven Characteristic Pieces," "Rondo Capriccioso in E Major" (1824), "Fantasy in F-sharp Minor" (1835), "Andante cantabile e Presto agitato in B Major" (1838), "Etude in F Minor" (1836), "Scherzo in B Minor," "Gondola Song in A Major" (1837), "Scherzo a Capriccio in F-sharp Minor," "Three Caprices" (1833–1835), "Six Preludes and Fugues" (1827–1837), "Variations Sérieuses in D Minor" (1841), "Six Pieces for Children" (c. 1842), "Variations in E-flat Major" (1841), and Variations in B-flat Major." Volume Two contains: "Three Predules" (1836), "Three Etudes" (1834–1838), "Sonata in G Minor" (1821), "Sonata in B-flat Major" (1827), "Album Leaf (Song Without Words) in E Minor," "Capriccio in E Major/Minor" (1837), "Perpetuum Mobile in C Major," "Prelude and Fugue in E Minor" (1827, 1841), "Two Pieces," and "Song Without Words" [48 pieces in 8 books]. Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, running measure numbers, etc. For playing, study, or just listening to records, this work will be an admirable addition to your music library.

Complete Works for Pianoforte Solo, Vol. 1

Dover Publications

Complete Works for Pianoforte Solo, Vol. 2

Here in one volume are all of Mendelssohn's major orchestral works in full score: the complete Midsummer Night's Dream — Overture and Incidental Music, plus all the play cues and all the "melodramas" — more than has ever been recorded; The Hebrides Overture, or Fingal's Cave, Op. 26; its pendant, the Calm Sea and Prosperous Voyage Overture, Op. 27; Symphony No. 3 in A ("Scottish"), Op. 56; and Symphony No. 4 in A ("Italian"), Op. 90. These are the most performed orchestral works and are usually considered Mendelssohn's finest. This sturdy edition has been reproduced from selected volumes of the Breitkopt &amp; Härtel Complete Works edition, edited by Julius Rietz. Noteheads are large and clear, and wide margins and ample staves offer space for written notes, analysis, and more.

Major Orchestral Works in Full Score (Dover Orchestral Music Scores)

"As a composer of chamber music Mendelssohn claims greatness almost without qualification. . . . He had a complete mastery of his medium . . . and an intensity of interest in pure music that renders his quartets, in particular, works of integrity in thought and statement." — Grove's These masterpieces in the chamber music repertoire are works perennially popular with players and listeners. All of them have been recorded and many appear frequently on chamber music programs. They have been reproduced directly from the famous and scholarly Breitkopf &amp; Härtel series, an eminently readable edition, and contain all of Mendelssohn's chamber music for strings, excluding only those pieces with piano. The following works are included: Octet in E-flat Major, Op. 20Quintet No. 1 in A Major, Op. 18Quintet No. 2 in B-flat Major, Op. 87Quartet No. 1 in E-flat Major, Op. 12Quartet No. 2 in A Major, Op. 13 Quartet No. 3 in D Major, Op. 44, No. 1Quartet No. 4 in E Minor, Op. 44, No. 2Quartet No. 5 in E-flat Major, Op. 44, No. 3Quartet No. 6 in F Minor, Op. 80Four Pieces for String Quartet, Op. 81The music has been reproduced in a size large enough to be read easily, and there is ample space between staves and in the margins for any notes, harmonic analyses, fingerings or annotations that you may want to record on the score. The edition is practical for almost any use, whether as a study guide, a reference, or just a companion for your greater musical enjoyment.

Complete Chamber Music for Strings (Dover Chamber Music Scores)

This volume presents three of the most popular violin concertos, published together in one volume for the first time: Ludwig van Beethoven: Concerto for Violin and Orchestra in D Major, Op. 61 Felix Mendelssohn: Concerto for Violin and Orchestra in E Minor, Op. 64 Peter Ilyitch Tchaikovsky, Concerto for Violin and Orchestra in D Major, Op. 35 Beethoven's masterwork explored the dimensions of the classical concerto and established the form for violin concertos ever after. Grove's Dictionary calls Mendelssohn's composition, "one of the most significant works in the genre." And Tchaikovsky's concerto is regarded as one of his greatest works. Reproduced from authoritative editions, this sturdy, inexpensive volume is a perfect addition to the libraries of any serious violinist, student, and musicologist. It is also an excellent way for music lovers to fully appreciate the concerto form and the powerful intelligence of three masterworks.

Great Romantic Violin Concertos in Full Score (Dover Orchestral Music Scores)

Tchaikovsky, Peter Ilyitch

Beethoven, Ludwig Van

This volume contains 11 works – duos, trios, quartets &amp; a sextet – all exactingly reprinted from the authoritative Beitkopf &amp; Hartel edition of Mendelssohn’s complete works. Titles: *Sextet in D major, Opus 110 *Piano quartet no. 1 in C minor, Opus 1 *Piano quartet no. 2 in F minor, Opus 2 *Piano quartet no. 3 in B minor, Opus 3 *Piano trio no. 1 in D minor, Opus 49 *Piano trio no. 2 in C minor, Opus 66 *Violin sonata in F minor, Opus 4 *Variations concertantes for cello &amp; piano, Opus 17 *Cello sonata no. 1 in Bb major, Opus 45 *Cello sonata no. 2 in D major, Opus 58 *Lied ohne worte for cello &amp; piano, Opus 109

Chamber Works for Piano and Strings

Dover Pubns

When Brahms, Mendelssohn, and Schumann composed for the organ, all three of these great Romantics turned for inspiration to the musical style of the late Baroque period, especially the music of Johann Sebastian Bach. Schumann's only compositions for organ were his Six Fugues on the Name BACH. And Brahms and Mendelssohn both emulated late Baroque style with considerable success when they composed for the organ. Included here are Brahms's beautiful Eleven Choral Preludes and Mendelssohn's Six Sonatas, basic repertoire works for every organist, as well as the Mendelssohn Three Preludes and Fugues — almost as well known. Now these and other fine pieces are presented in this convenient volume, all reprinted from the authoritative Breitkopf &amp; Härtel editions: Johannes Brahms: Two Preludes and Fugues; Fugue in A-flat Minor; Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid"; Eleven Chorale Preludes, Op. 122. Felix Mendelssohn: Three Preludes and Fugues, Op. 37; Six Sonatas, Op. 65. Robert Schumann: Six Fugues on the Name BACH, Op. 60.

Organ Works (Dover Music for Organ)

BRahms, Johannes

Schumann, Robert

Mendelssohn wrote the Symphony No. 5 ("Reformation"), Op. 107, for celebrations commemorating the Reformation and the Augsburg Confession. The composer strove to formulate the idea of the Reformation in symphonic terms, conveying both the joy and the suffering implicit in the subject. The work builds to a powerful finale that features variations on Martin Luther's confessional chorale "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"). A staple of the orchestral repertoire, the work is reprinted from the authoritative edition published by Breitkopf & H#65533;rtel of Leipzig. This high-quality, moderately priced edition is the perfect vehicle for play or study. The sturdy binding is specially designed to open flat, and it offers the additional convenience of large, easy-to-read noteheads and spacious margins for notes and analysis.

Symphony No. 5 ("Reformation") in Full Score

Dover `

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