In Pursuit Of The Mad Mullah: Service And Sport In The Somali Protectorate

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McNeill, Malcolm

Literature & Fiction

Kessinger Publishing

Photographer Mark Miller opened his studio in Fort Collins, Colorado, in 1914. The town he chose to live and work in sits in a river valley in northern Colorado, nestled between the Rocky Mountain foothills and the semiarid high plains, with Denver to the south and Cheyenne, Wyoming, to the north. Established as a Civil War-era army post, the town was a Wild West frontier outpost until it was tamed in the 1870s by the arrival of a land-grant college and the railroad. By the turn of the century, Fort Collins had become a quietly respectable college town with a thriving economy and steadily increasing population. Over almost six decades, as the small town evolved into a city, Miller photographed people, businesses, and landscapes. Fort Collins: The Miller Photographs offers a representative sampling of the over 70,000 Miller images, a collection housed at the Fort Collins Museum's Local History Archive.

Fort Collins:: The Miller Photographs (Images of America)

Arts & Photography

Fleming, Barbara

Photography & Video

Arcadia Publishing

Fort Collins:: The Miller Photographs (Postcards of America)

History

Americas

From a frontier town of the 1870s to a thriving city, Fort Collins, Colorado, has grown and evolved, losing some of its rich architectural heritage but preserving the distinctive beauty of its Old Town area.

Fort Collins (Then and Now)

The Beginning Woods

A MYSTERY NO ONE CAN SOLVE The Vanishings started without warning. People disappearing into thin air—just piles of clothes left behind. Each day, thousands gone without a trace. A BABY NO ONE WANTED Abandoned in a bookshop, Max has grown up haunted by memories of his parents. Only he can solve the mystery of the Vanishings. A SECRET THAT COULD SAVE THE FUTURE To find the answers, Max must leave this world and enter the Beginning Woods, a realm of magic and terror where stories are all too real. A STORY THAT WILL TAKE YOU TO ANOTHER WORLD Greater than your dreams. Darker than your fears. Full of more wonder than you could ever desire. Welcome to the ineffable Beginning Woods. . . .

Children's Books

Action & Adventure

Sky Pony

Photographer Mark Miller opened his studio in Fort Collins, Colorado, in 1914. The town he chose to live and work in sits in a river valley in northern Colorado, nestled between the Rocky Mountain foothills and the semiarid high plains, with Denver to the south and Cheyenne, Wyoming, to the north. Established as a Civil War-era army post, the town was a Wild West frontier outpost until it was tamed in the 1870s by the arrival of a land-grant college and the railroad. By the turn of the century, Fort Collins had become a quietly respectable college town with a thriving economy and steadily increasing population. Over almost six decades, as the small town evolved into a city, Miller photographed people, businesses, and landscapes. Fort Collins: The Miller Photographs offers a representative sampling of the over 70,000 Miller images, a collection housed at the Fort Collins Museum's Local History Archive.

Fort Collins: The Miller Photographs

Arcadia Publishing Library Editions

Carved eons ago by the Cache la Poudre River, the Poudre Canyon, north and west of Fort Collins, Colorado, has long been a favored recreation place, for fishing, hiking, camping, and more, of area residents and tourists. The canyon has many colorful tales to tell; this book takes readers on a drive through that history, milepost by milepost, stopping at historic places and taking some side trips along the way. Beginning with trappers and mountain men, the canyon has been traveled since the early 1800s, and Native Americans roamed here for times unknown before that. Explorers came, as did seekers of gold and silver. The expanding railroads resulted in logging enterprises, and mining interests brought about better access to mining towns. Near the end of the 19th century, tourists began to enjoy the hunting and fishing of the area. In 1920, the road, which had been blocked from either direction by a place in the canyon called the Narrows, finally went through all the way, bringing resorts and tourists.

Poudre Canyon

Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for Beat writer William S. Burroughs proto-graphic novel, a book-length meditation on time, power, control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. These, finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs’ text will not be included). McNeill is an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context divorced from the words, they represent a stunning precursor to the graphic novel form to come. Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs’ and McNeill’s work together, including its incomplete publishing history with Rolling Stone’s Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.

The Lost Art of Ah Pook Is Here: Images from the Graphic Novel

Comics & Graphic Novels

Graphic Novels

Fantagraphics Books

Observed While Falling is the account of the creative interaction between author William S. Burroughs and artist Malcolm McNeill - a collaboration that began when McNeill was still in art school in London in 1970, and continued beyond the point when Burroughs himself was dead. The primary focus of their endeavors was Ah Pook is Here, a 'Word/Image Novel' concerning the Control of Time and the possibilities of 'traveling' within it. This was the overt fictional medium for a deeper enquiry into the inherent nature of words and images themselves. Ah Pook was a form of Metafiction, a literary device in which the author deliberately places himself within the narrative in order to set up a dialogue of creative exchange between fiction and fact - an attempt as Burroughs described it "...to make it happen". Over the course of almost four decades Ah Pook is Here did indeed "happen", and many of its fictional elements were realized as fact. Given that the principle character Ah Pook, is the Mayan god of Death and regeneration, these facts often bordered on the uncanny...In keeping with Ah Pook's essential character, Observed While Falling was unexpectedly brought to life by a dead man: another English artist who had also collaborated with an American writer on the subject of the Maya 160 years before. In effect, an individual, whose creative and personal life trajectory often matched McNeill's precisely, 'traveled' forward in Time to confirm Ah Pook's underlying premise, and revive a project that had been lost to the record for more than 30 years. This unlikely fictional/factual exchange resulted in a unique document: Observed While Falling is the record of an inexplicable correspondence in Time... an unusual insight into the nature of words and images and the energies that compel them... a rare intimate portrait of one of the twentieth century's iconic literary figures... a detailed account of the making of an unusual proto-typical graphic novel before the term existed... Black &amp; white throughout

Observed While Falling: Bill Burroughs, Ah Pook, and Me

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Books by McNeill, Malcolm

See the best price to sell, buy, or rent books by McNeill, Malcolm. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

In Pursuit Of The Mad Mullah: Service And Sport In The Somali Protectorate

In Pursuit Of The Mad Mullah: Service And Sport In The Somali Protectorate

Fort Collins:: The Miller Photographs (Images of America)

Fort Collins:: The Miller Photographs (Postcards of America)

Fort Collins (Then and Now)

The Beginning Woods

Fort Collins: The Miller Photographs

Poudre Canyon

The Lost Art of Ah Pook Is Here: Images from the Graphic Novel

Observed While Falling: Bill Burroughs, Ah Pook, and Me