Singing to the Goddess: Poems to Kali and Uma from Bengal

This vibrant collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems-many of which are presented here for the first time in English translation-were written from the early eighteenth century up to the contemporary period. They represent the unique Bengali tradition of goddess worship (Saktism) as it developed over this period. Included are forty poems by the most famous of all Sakta poets, Ramprasad Sen (c.1718-1775) and ten lyrics by the renowned 20th-century poet Kaji Najrul Islam. McDermott's lucid introduction places these works in their historical context and shows how images of the goddesses evolved over the centuries. Her lively translations of these poetic lyrics evoke the passion and devotion of the followers of Kali and Uma and shed light on the history and practice of goddess worship.

Literature & Fiction

McDermott, Rachel Fell

History & Criticism

Oxford University Press

This vibrant collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems--many of which are presented here for the first time in English translation--were written from the early eighteenth century up to the contemporary period. They represent the unique Bengali tradition of goddess worship (Saktism) as it developed over this period. Included are forty poems by the most famous of all Sakta poets, Ramprasad Sen (c.1718-1775) and ten lyrics by the renowned 20th-century poet Kaji Najrul Islam. McDermott's lucid introduction places these works in their historical context and shows how images of the goddesses evolved over the centuries. Her lively translations of these poetic lyrics evoke the passion and devotion of the followers of Kali and Uma and shed light on the history and practice of goddess worship.

This book chronicles the rise of goddess worship in the region of Bengal from the middle of the eighteenth century to the present. Focusing on the goddesses Kali and Uma, McDermott examines lyrical poems written by devotees from Ramprasad Sen (ca. 1718-1775) to Kazi Nazrul Islam (1899-1976).

Mother of My Heart, Daughter of My Dreams: Kali and Uma in the Devotional Poetry of Bengal

Revelry, Rivalry, and Longing for the Goddesses of Bengal: The Fortunes of Hindu Festivals

Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.

History

Asia

Columbia University Press

Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.

Encountering Kali explores one of the most remarkable divinities the world has seen―the Hindu goddess Kali. She is simultaneously understood as a blood-thirsty warrior, a goddess of ritual possession, a Tantric sexual partner, and an all-loving, compassionate Mother. Popular and scholarly interest in her has been on the rise in the West in recent years. Responding to this phenomenon, this volume focuses on the complexities involved in interpreting Kali in both her indigenous South Asian settings and her more recent Western incarnations. Using scriptural history, temple architecture, political violence, feminist and psychoanalytic criticism, autobiographical reflection, and the goddess's recent guises on the Internet, the contributors pose questions relevant to our understanding of Kali, as they illuminate the problems and promises inherent in every act of cross-cultural interpretation.

Encountering Kali: In the Margins, at the Center, in the West

KRIPAL, JEFFREY J.

University of California Press

Merton and Hinduism is the first book to thoroughly and definitively trace the lasting influence of Yoga and Hindu traditions on the life and writings of renowned author Thomas Merton, Catholic Priest and Trappist Monk, and pioneer of inter-religious dialogue. Informative and original essays by leading scholars highlight specific points of contact between Merton and various aspects of the Hindu and Yoga traditions, such as Merton and Gandhi, Merton and the Bhagavad Gita, and Merton's dialogue and friendship with key Indian intellectuals such as A.K. Coomaraswamy, among many others. Approximately half of the book collects Merton's own writings on Hinduism and Yoga, and many essays are published here for the first time. These essays portray Merton as teacher and novice master, cultural commentator, and contemplative practitioner interested in the mutually enriching dialogue among Catholic Christianity, Hinduism, and Yoga traditions.

Merton & Hinduism: The Yoga of the Heart (The Fons Vitae Thomas Merton Series)

Religion & Spirituality

Rosen, Steven J.

Narayanan, Vasudha

Lipsey, Roger

Quenon, Paul

Apel PhD, William

Buchanan PhD, William

Cattoi PhD, Thomas

Chapple PhD, Christopher Key

Clooney PhD, Francis X.

Croghan PhD, Richard V.

Dekar PhD, Paul R.

Matus PhD, Thomas

O'Connell PhD, Patrick F.

Thangaraj PhD, M. Thomas

White PhD, David Gordon

Christian Books & Bibles

Fons Vitae

This book is a commemorative volume to N.N. Bhattacharya, an internationally recognized master interpreter and an encyclopedic expert in the field of ancient Indian history. Part one of this volume is devoted to research that examines familiar texts or familiar figures, not only to further scholarly inquiry but also to tap hitherto unutilized resources. A second set of essays, grouped together in Part II under the heading `Rethinking Blood, Cadavers, and Death`, presents new perspectives-historical field-oriented, and textual on sacrifice. From texts and contexts, Part III turns to art history. Final essays in Part IV share a common interest in power: the transformations possible through Sakti, and through the Goddess as Sakti, in the experiences of Hindu men and women. Each of the essayists in this volume urges those engaged in the study of Saktism to push out in new directions.

Breaking Boundaries with the Goddess: New Directions in the Study of Saktism

Humes, Cynthia Ann

Manohar Publishers

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