"This pictorial and descriptive profile of the artistic artifacts housed in the University of Melbourne includes pieces ranging from Greek antiquity to the European old masters. Information is provided on costumes designed by Percy Grainger, furniture fashioned by Burley Griffin, illuminated manuscripts, and stained glass by Napier Waller. Essays written by staff and students of the university, research findings on new methods of interpretation, and profiles of the different collections and their reflection of the institutional values of the university offer a glimpse into Australia’s distinct cultural heritage."

Treasures: Highlights of the Cultural Collections of the University of Melbourne

Arts & Photography

Yule, Peter

McAuliffe, Chris

History & Criticism

Melbourne University Publishing

Linda Marrinon: Let Her Try

Craftsman House

In the late 19th and early 20th century, Chicago was the center of bicycle manufacturing in the United States. As an early industrial and transportation center, two-thirds of all bicycles manufactured in the United States were from Chicago--it was the Detroit of bike manufacturing. For decades, Chicago was also a center for cycling track and road racing. Six-day races drew capacity crowds at the Chicago Stadium, Chicago Coliseum, and International Amphitheatre. Road and track competitions were also held at Sherman Park, the Humboldt Park Velodrome, and on Chicago's famed Magnificent Mile. Today, Chicago is a hub for recreational cyclists. Hundreds of miles of bike lanes, rail to trails, and bike paths, such as the Illinois Prairie Path, the Bloomingdale Trail, Lakefront Path, and the Big Marsh, provide cyclists with numerous recreational and commuting options in a crowded urban environment. Chicago was awarded Bicycling Magazine's Best Bike City of 2016.

Cycling in Chicago (Images of America)

Photography & Video

Arcadia Publishing

Cycling in Chicago

Arcadia Publishing Library Editions

Best known for his radical land art of the 1960s and early 1970s, Robert Smithson (1938-1973) is now widely recognised as one of the most influential artists of the twentieth century. Presenting new research on the figure of the 'time-crystal' in Smithson's practice, this book features essays by Amelia Barikin and Chris McAuliffe, and Stephen Melville, alongside manuscripts by Smithson drawn from the Robert Smithson and Nancy Holt papers at the Archives of American Art, Smithsonian Institution, which are reproduced in their complete form for the very first time. Robert Smithson: Time Crystals is published on the occasion of the first exhibition of Smithson's work to be held in Australia, which has been developed in cooperation with the Holt-Smithson Foundation. The exhibition has been made possible through support from the Terra Foundation for American Art.

Robert Smithson: Time Crystals (Monash University Museum of Modern Art (MUMA))

Melville, Stephen

Barikin, Amelia

Monash University Publishing

Art and Suburbia: A World Art Book

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Books by McAuliffe, Chris