Cutnell & Johnson Physics, 1st Australia & New Zealand Edition

David Young

Shane Stadler

JOHN D. CUTNELL

Kenneth W. Johnson

Matthew Collins

Heath Jones

John Daicopoulos

Boris Blankleider

Frank Bowling's White Paintings represent a strand of working practice covering nearly 40 years of painting. Best known for his large-scale vibrant abstract canvases of intense combinations of colours, The White Paintings are an integral part of his oeuvre and can be considered a more restrained counterpoint to his more colourful works. A catalogue 'FRANK BOWLING RA' accompanies this exhibition and the ROLLO Contemproary Art exhibition 'Latest Paintings: A Celebration of his Election to the Royal Academy of Arts'. Produced in association with ROLLO Contemporary Art. Includes 'See how they work: Frank Bowling's Paintings' a conversation between Matthew Collings and Frank Bowling.

Frank Bowling

Reference

Simon R. Gillespie

Mark Segal

Catalogs & Directories

ArtSway

You should never steal a car with a zombie in the trunk. And, if a frozen zombie falls out of the freezer portion of the refrigerator and thaws before you decide what to do, hop on your Segway and blow your zombie whistle. In The Ultimate Zombie Hunter's Handbook authors Matthew Collins and Geoffrey Collins have provided a comprehensive "how-to" guide for dealing with zombies.
 Through a series of lessons, illustrations, and lists, The Ultimate Zombie Hunter's Handbook:
 • Defines and describes zombies and their threat • Describes typical human responses to zombies • Suggests when "to throw in the towel" when faced by a zombie • Recommends appropriate weapons • Provides information for preparing for a zombie invasion • Supplies ideas for applying this new knowledge to tactical situations
 So when you're about to turn on the washing machine and you see pale zombie feet shuffling past your basement windows and hear a crash as something comes through the doors, you will know exactly what to do.

The Ultimate Zombie Hunter's Handbook: A Guide to Surviving Zombies . . . Probably

Humor & Entertainment

Geoffrey Collins

Humor

iUniverse

This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired.

Reading Dante with Images: A Visual Lectura Dantis

Arts & Photography

History & Criticism

Brepols Publishers

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Books by Matthew Collins