This book should be of interest to undergraduate students of film studies; professionals.

Electronic Cinematography: Achieving Photographic Control over the Video Image

Arts & Photography

PATTERSON, RICHARD

Mathias, Harry

Photography & Video

Wadsworth Pub. Co.

ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is newly back in print for the first time in years. This pioneering book was ahead of its time. This is the book that caused a new generation of filmmakers to think of creating digital cinema and video in creative and cinematic terms. A very popular Cinema Industry reference book and college text book, this book went through several re-printings. ELECTRONIC CINEMATOGRAPHY went out of print when its original publisher left the publishing business. It, never the less, enjoyed vigorous used book sales, commanding high prices and sales volumes as a used collector's book. ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is a book that uniquely demystifies video and reveals its real creative potential. Harry Mathias, who has worked successfully in both film and digital cinema, approaches digital cinema cinematography from the point of view of the cinematographer, rather than that of the video engineer. This book shows you how video theory can be applied to creative ends. They relate the image characteristics of video to those of film and demonstrate how those characteristics can be applied to tell dramatic visual stories. ELECTRONIC CINEMATOGRAPHY is filled withe exciting ideas and practical knowledge that, for the first time, provide the hows and whys of realizing both the filmic and special electronic potentials of video equipment. The book requires no previous electronic experience. Included in its detailed tone reproduction in a video image... determining exposure indexes for video cameras... lighting for video... and dealing with the limitations of digital image quality. The future demands a new analysis of the visual techniques that will be required by the improved picture quality of high-definition video and its application to dramatic cinema subjects. This book takes you toward that goal, and teaches you the necessary skills."

Electronic Cinematography: Achieving Photographic Control Over the Video Image

CreateSpace Independent Publishing Platform

"Simply put, Harry Mathias has done it again. "The Death &amp; Rebirth of Cinema" solidifies Mathias's standing as THE great translator of film-to-digital imaging technology."
 The world's cinema has mostly left behind its 100-year tradition of cinematography on film, and begins its search for a new visual foundation. What is next for cinema, is what this book is about. This book discusses the big questions of the future of cinematography, in a cinema that is increasing preoccupied with technology and not with artistic moving images.
"Just as he did with "Electronic Cinematography" 30 years ago, Mathias cuts through the web of misinformation and lays out a brilliant method to gain control over new and constantly changing imaging technologies without losing sight of the valuable lessons cinematographers have taught us for over 100 years. Harry Mathias has the professional experience, technological savvy, and artistic integrity to connect the rich, foundational knowledge of past photographic systems to today's rapidly changing "technology of the month" attitude.
--William McDonald,UCLA Professor &amp; ChairDepartment of Film, Television and Digital Media, said about this book.
This book teaches the vital new cinematography skills that are needed to make great films in a digital cinema world. It covers lighting, lens selection, image control methods, and much more--whether using digital cinema or (photochemical) film with today's technology-driven cinema.
Mathias is a very experienced film cinematographer, one who also is a pioneer of digital cinema cinematography. He outlines concrete plans to take the best path forward to a digital imaging future, without leaving behind the photographic skills and lighting arts of films of the past.
Exploring the path from our past to the future, this book is not only for cinematographers; it is for anyone who cares about telling dramatic stories visually to film audiences. Film directors, producers, production designers, art directors, editors, colorists, and film critics are all concerned with communicating cinematic images effectively to a theatre audience. Often the issue today is not how can this be done effectively with digital cinema, but how can it be done in spite of all this new technology. In this book, Mathias boldly sets out the plan to reach that cinematography of the future.
What is important to cinema is image quality and the art of cinematography--and that is why the major skills required are the same whether a Director of Photography is using film or digital cinema. This book is about making images the right way, regardless of the camera technology being used.
Cinema is, after all, technology in the service of art, not the other way around...

The Death & Rebirth of Cinema: MASTERING THE ART OF CINEMATOGRAPHY IN THE DIGITAL CINEMA AGE

Waterfront Digital Press

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