In this examination of the fourth Gospel, the author focuses on its Hellenic and Hebrew background. The book has been previously published in the Pelican New Testament Commentaries series.

The Gospel of St. John (New Testament Commentary)

Marsh, John

Religion & Spirituality

Penguin??Books

In this examination of the fourth Gospel, the author focuses on its Hellenic and Hebrew background. The book has been previously published in the Pelican New Testament Commentaries series.

The Gospel of St. John (The Pelican New Testament Commentaries)

Christian Books & Bibles

The Emotional Life of the Great Depression documents how Americans responded emotionally to the crisis of the Great Depression. Unlike most books about the 1930s, which focus almost exclusively on the despair of the American people during the decade, this volume explores the 1930s through other, equally essential emotions: righteousness, panic, fear, awe, love, and hope. In expanding the canon of Great Depression emotions, the book draws on an eclectic archive of sources, including the ravings of a would-be presidential assassin, stock market investment handbooks, a Cleveland serial murder case, Jesse Owens's record-setting long jump at the 1936 Berlin Olympics, King Edward VIII's abdication from his throne to marry a twice-divorced American woman, and the founding of Alcoholics Anonymous. In concert with these, it offers new readings of the imaginative literature of the period, from obscure Christian apocalyptic novels and H.P. Lovecraft short stories to classics like John Steinbeck's The Grapes of Wrath and Richard Wright's Native Son. The result is a new take on the Great Depression, one that emphasizes its major events (the stock market crash, unemployment, the passage of the Social Security Act) but also, and perhaps even more so, its sensibilities, its structures of feeling.

The Emotional Life of the Great Depression

Literature & Fiction

History & Criticism

Oxford University Press

Jesus in His Lifetime

SIDGWICK JACKSON

Starting with ideas for keeping a sketchbook and choosing materials, artist John Marsh systematically teaches observational skills and techniques to master when portraying nature in all its variations. Try sketching cottages, villages, ancient buildings, and even the industrial landscape, paying close attention to the changes of the seasons, the light, and the atmosphere. Throughout, dozens of sketches illustrate the important points.

Sketching Landscapes

Arts & Photography

Drawing

Cassell

For the artist, street scenes make dramatic subjects, teeming with interest. Artist John Marsh offers ideas for choosing materials, keeping a sketchbook, drawing people quickly, and working swiftly and unnoticed. See what elements make street scenes fascinating, from landmarks to storefronts to signs. Try techniques for perspective; tone, light and shade; drawing architectural forms; and composition. Bonus: hints on the seasons, times of day, and changing light and atmosphere.

Sketching Street Scenes

UNKNO

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lectures On Rhetoric and Belles-Lettres

Reference

Words, Language & Grammar

Franklin Classics

It was the place where blues, pop, and country merged into rock and roll--and the sounds that emerged from the tiny storefront at 706 Union Avenue in Memphis are still reverberating around the world nearly fifty years after they were made. On Sam Phillips's bright yellow Sun Records label spun a mind-bendingly eclectic body of music by Carl Perkins, Jerry Lee Lewis, Roy Orbison, Charlie Rich, Junior Parker, Johnny Cash, and many others. And one day, a gawky nobody named Elvis Presley walked in. 
John Floyd has collected fascinating memories from seminal Sun artists, producers, and scenemakers, including Rufus Thomas, Little Milton, Scotty Moore, Billy Lee Riley, Jack Clement, and more. In their own words, they take you through the studio doors for a riveting look at the most influential creative environment in pop music history and the cantankerous genius who rules over it all--and make you an eyewitness to the birth of rock and roll.It was the place where blues, pop, and country merged into rock and roll--and the sounds that emerged from the tiny storefront at 706 Union Avenue in Memphis are still reverberating around the world nearly fifty years after they were made. On Sam Phillipss bright yellow Sun Records label spun a mind-bendingly eclectic body of music by Carl Perkins, Jerry Lee Lewis, Roy Orbison, Charlie Rich, Junior Parker, Johnny Cash, and many others. And one day, a gawky nobody named Elvis Presley walked in.
John Floyd has collected fascinating memories from seminal Sun artists, producers, and scenemakers, including Rufus Thomas, Little Milton, Scotty Moore, Billy Lee Riley, Jack Clement, and more. In their own words, they take you through the studio doors for a riveting look at the most influential creative environment in pop music history and the cantankerous genius who rules over it all--and make you an eyewitness to the birth of rock and roll.

Sun Records: An Oral History (For the Record)

Business & Money

Floyd, John

Economics

Avon/Books

"Impressive—Marsh successfully rewrites the founding moment of American Modernist poetry." ---Mark Van Wienen, Northern Illinois University    "Cogently argued, instructive, and sensitive, Marsh’s revisionist reading opens new insights that will elicit lively comment and critical response." ---Douglas Wixson, University of Missouri–Rolla    Between 1909 and 1922, the genre of poetry was remade. Literary scholars have long debated why modern American poetry emerged when and how it did. While earlier poetry had rhymed, scanned, and dealt with conventional subjects such as love and nature, modern poetry looked and sounded very different and considered new areas of experience. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry argues that this change was partially the result of modern poets writing into their verse what other poetry had suppressed: the gritty realities of modern life, including the problems of the poor and working class.    A closer look at the early works of the 20th century's best known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals the long-neglected role the labor problem—including sweatshops, strikes, unemployment, woman and child labor, and immigration---played in the formation of canonical modern American poetry. A revisionary history of literary modernism and exploration into how poets uniquely made the labor problem their own, this book will appeal to modernists in the fields of American and British literature as well as scholars in American studies and the growing field of working-class literature.

Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry (Class : Culture)

University of Michigan Press

"Impressive—Marsh successfully rewrites the founding moment of American Modernist poetry." ---Mark Van Wienen, Northern Illinois University"Cogently argued, instructive, and sensitive, Marsh’s revisionist reading opens new insights that will elicit lively comment and critical response." ---Douglas Wixson, University of Missouri–RollaBetween 1909 and 1922, the genre of poetry was remade. Literary scholars have long debated why modern American poetry emerged when and how it did. While earlier poetry had rhymed, scanned, and dealt with conventional subjects such as love and nature, modern poetry looked and sounded very different and considered new areas of experience. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry argues that this change was partially the result of modern poets writing into their verse what other poetry had suppressed: the gritty realities of modern life, including the problems of the poor and working class.A closer look at the early works of the 20th century's best known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals the long-neglected role the labor problem—including sweatshops, strikes, unemployment, woman and child labor, and immigration---played in the formation of canonical modern American poetry. A revisionary history of literary modernism and exploration into how poets uniquely made the labor problem their own, this book will appeal to modernists in the fields of American and British literature as well as scholars in American studies and the growing field of working-class literature.

See the best price to sell, buy, or rent books by Marsh, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Marsh, John

See the best price to sell, buy, or rent books by Marsh, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Gospel of St. John (New Testament Commentary)

The Gospel of St. John (The Pelican New Testament Commentaries)

The Emotional Life of the Great Depression

Jesus in His Lifetime

Sketching Landscapes

Sketching Street Scenes

Lectures On Rhetoric and Belles-Lettres

Sun Records: An Oral History (For the Record)

Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry (Class : Culture)

Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry (Class : Culture)