Wim Delvoye (b. 1965) is known for his inventive and often controversial projects, and his work has been exhibited around the world. One of a generation of Belgian artists who have revolutionized contemporary art, Delvoye explores the body and its functions, producing art that combines the attractive and the repulsive, and addresses themes including religion and politics. One of his most famous works is Cloaca, a digestion machine; another significant project involves tattooed live pigs.
Coinciding with Delvoye's exhibition as guest of honor at the Louvre, Wim Delvoye Introspective is the culmination of close collaboration between the artist and distinguished scholars and critics. This publication presents a complete overview of works by the artist, demonstrating the range of media, technique, and thought-provoking subjects that defines his art.

Wim Delvoye Introspective

Arts & Photography

Dannatt, Adrian

Marcadé, Bernard

Duquenne, Olivier

Swauwaert, Dirk

Verschaffel, Bart

History & Criticism

Mercatorfonds

Eugène Leroy

Reference

Foreign Language Study & Reference

Flammarion

Dennis Hopper's many talents—actor, director, photographer, painter, and collector—are showcased in this monograph on an American icon. Dennis Hopper’s role in the seminal film Easy Rider (1969) made him an icon for the greatest directors of modern times, such as Coppola, Peckinpah, Altman, Wenders, Lynch, and Ferrara. Alternately a wonder boy and a pariah of the industry, Hopper’s original ideas have transformed film as we know it. Hopper has created and collected art for decades—he was a pioneering collector of major artists such as Basquiat, Roy Lichtenstein, Jasper Johns, and Warhol, from whom he bought the very first Soup Can. This monograph presents the art and artists that have inspired his cinematic work as an actor and director. Hopper’s own photographs of the silver screen’s biggest stars are juxtaposed with paintings acquired by Hopper from renowned artists, on-set shots of his films, and an art installation co-signed with Marcel Duchamp. Complete with an exclusive extended interview of the artist/actor/director, this books offers privileged insight into one of the era’s great fringe icons and brings to light the relationship between Hopper’s artwork and his cinematographic career.

Dennis Hopper & the New Hollywood

Biographies & Memoirs

Orlean, Matthieu

Thoret, Jean-Baptiste

Evil, Pierre

Arts & Literature

Marcel Duchamp: La vie à crédit

A.R. Penck (Classiques du XXIe siècle) (French Edition)

Catalogs & Directories

Editions De La Difference

Monographie sur Jean Michel Othoniel. Exposition à Monaco en juillet 2009.\nFrom the Back Cover\nMonographie sur Jean Michel Othoniel. Exposition à Monaco en juillet 2009.

Un coeur abstrait

Actes-sud

An unbridled celebration of a life beyond guilt and expiation As sweet as raspberry ripple, as tempting as popcorn. Welcome to the seductive pictures of Pierre et Gilles. Again and again they show people in kitschy scenarios against a background of flowers and hearts. When they are not snapping portraits of the well-known - most of whom are close friends like Marc Almond or Nina Hagen - and not-so-known, they photograph themselves. 
Bizarre, and full of obscure significance, the photographs are reminiscent of stills from film melodramas.They are always colourful and presented with beguiling polish. They plunder the repertoire of historical presentation as though they were leafing through a collection of fabrics, and assume identities as though they were part of a mail-order catalogue. 
Now the latest and most comprehensive collection of the works of these two photographers can be presented to the public - in a format designed by the artists themselves. In matt skin-colour, with a golden edging, the embossed cover is reminiscent of a quilted counterpane and promises a cuddly experience within. Once between the covers one can frolic at will in a soft, artificial world of pictures. This saccharine collection of kitsch encompasses all aspects of homosexuality and offers them in an appetising form even to those who abhor them. A straight challenge is issued to all readers to participate - at least with their eyes - in this unbridled celebration of a life beyond guilt and expiation.

Pierre Et Gilles: The Complete Works

Pierre Et Gilles

Taschen America, LLC

An unbridled celebration of a life beyond guilt and expiationAs sweet as raspberry ripple, as tempting as popcorn. Welcome to the seductive pictures of Pierre et Gilles. Again and again they show people in kitschy scenarios against a background of flowers and hearts. When they are not snapping portraits of the well-known - most of whom are close friends like Marc Almond or Nina Hagen - and not-so-known, they photograph themselves. Bizarre, and full of obscure significance, the photographs are reminiscent of stills from film melodramas.They are always colourful and presented with beguiling polish. They plunder the repertoire of historical presentation as though they were leafing through a collection of fabrics, and assume identities as though they were part of a mail-order catalogue. Now the latest and most comprehensive collection of the works of these two photographers can be presented to the public - in a format designed by the artists themselves. In matt skin-col

Pierre Et Gilles: The Complete Works, 1976-1996 = L'Oeuvre Complet = Samtliche Werke

Pierre

Cameron, Dan

Wim Delvoye Introspective: La monographie définitive

MERCATOR

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