The Two Kinds of Decay: A Memoir

A Spare and Unsparing Look at Affliction and Recovery that Heralds a Stunning New Voice 
The events that began in 1995 might keep happening to me as long as things can happen to me. Think of deep space, through which heavenly bodies fly forever. They fly until they change into new forms, simpler forms, with ever fewer qualities and increasingly beautiful names.
There are names for things in spacetime that are nothing, for things that are less than nothing. White dwarfs, red giants, black holes, singularities.
But even then, in their less-than-nothing state, they keep happening.
At twenty-one, just starting to comprehend the puzzles of adulthood, Sarah Manguso was faced with another: a wildly unpredictable disease that appeared suddenly and tore through her twenties, vanishing and then returning, paralyzing her for weeks at a time, programming her first to expect nothing from life and then, furiously, to expect everything. In this captivating story, Manguso recalls her nine-year struggle: arduous blood cleansings, collapsed veins, multiple chest catheters, the deaths of friends and strangers, addiction, depression, and, worst of all for a writer, the trite metaphors that accompany prolonged illness. 
A book of tremendous grace and self-awareness, The Two Kinds of Decay transcends the very notion of what an illness story can and should be.

Biographies & Memoirs

Manguso, Sarah

Professionals & Academics

Picador

The Guardians: An Elegy for a Friend

The Guardians opens with a story from the July 24, 2008, edition of the Riverdale Press that begins, “An unidentified white man was struck and instantly killed by a Metro-North train last night as it pulled into the station on West 254th Street.” Sarah Manguso writes: “The train’s engineer told the police that the man was alone and that he jumped. The police officers pulled the body from the track and found no identification. The train’s 425 passengers were transferred to another train and delayed about twenty minutes.”
The Guardians is an elegy for Manguso’s friend Harris, two years after he escaped from a psychiatric hospital and jumped under that train. The narrative contemplates with unrelenting clarity their crowded postcollege apartment, Manguso’s fellowship year in Rome, Harris’s death and the year that followed—the year of mourning and the year of Manguso’s marriage. As Harris is revealed both to the reader and to the narrator, the book becomes a monument to their intimacy and inability to express their love to each other properly, and to the reverberating effects of Harris’s presence in and absence from Manguso’s life. There is grief in the book but also humor, as Manguso marvels at the unexpected details that constitute a friendship. The Guardians explores the insufficiency of explanation and the necessity of the imagination in making sense of anything.

Community & Culture

Farrar. Straus and Giroux

Theevents that began in 1995 might keep happening to me as long as things can happen to me. Think of deep space, through which heavenly bodies fly forever. They fly until they change into new forms, simpler forms, with ever fewer qualities and increasingly beautiful names. There are names for things in spacetime that are nothing, for things that are less than nothing. White dwarfs, red giants, black holes, singularities. But even then, in their less-than-nothing state, they keep happening. At twenty-one, just starting to comprehend the puzzles of adulthood, Sarah Manguso was faced with another: a wildly unpredictable disease that appeared suddenly and tore through her twenties, vanishing and then returning, paralyzing her for weeks at a time, programming her first to expect nothing from life and then, furiously, to expect everything. In this captivating story, Manguso recalls her nine-year struggle: arduous blood cleansings, collapsed veins, multiple chest catheters, the deaths of friends and strangers, addiction, depression, and, worst of all for a writer, the trite metaphors that accompany prolonged illness. A book of tremendous grace and self-awareness, The Two Kinds of Decay transcends the very notion of what an illness story can and should be.

Very Cold People: A Novel

The masterly debut novel from “an exquisitely astute writer” (The Boston Globe), about growing up in—and out of—the suffocating constraints of small-town America.\n“Compact and beautiful . . . This novel bordering on a novella punches above its weight.”—The New York Times\n“Very Cold People reminded me of My Brilliant Friend.”—The New Yorker\nONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Good Housekeeping\n“My parents didn’t belong in Waitsfield, but they moved there anyway.”\nFor Ruthie, the frozen town of Waitsfield, Massachusetts, is all she has ever known.\nOnce home to the country’s oldest and most illustrious families—the Cabots, the Lowells: the “first, best people”—by the tail end of the twentieth century, it is an unforgiving place awash with secrets.\nForged in this frigid landscape Ruthie has been dogged by feelings of inadequacy her whole life. Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.\nAs she grows older, Ruthie slowly learns how the town’s prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm—from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.\nIn her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in—and out of—the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

Literature & Fiction

United States

Hogarth

NEW YORK TIMES EDITORS’ CHOICE • The masterly debut novel from “an exquisitely astute writer” (The Boston Globe), about growing up in—and out of—the suffocating constraints of small-town America.\nLONGLISTED FOR THE PEN/JEAN STEIN BOOK AWARD • “Compact and beautiful . . . This novel bordering on a novella punches above its weight.”—The New York Times\n“Very Cold People reminded me of My Brilliant Friend.”—The New Yorker\nONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Los Angeles Times, The Guardian, Good Housekeeping\n“My parents didn’t belong in Waitsfield, but they moved there anyway.”\nFor Ruthie, the frozen town of Waitsfield, Massachusetts, is all she has ever known.\nOnce home to the country’s oldest and most illustrious families—the Cabots, the Lowells: the “first, best people”—by the tail end of the twentieth century, it is an unforgiving place awash with secrets.\nForged in this frigid landscape Ruthie has been dogged by feelings of inadequacy her whole life. Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.\nAs she grows older, Ruthie slowly learns how the town’s prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm—from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.\nIn her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in—and out of—the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

An "eviscerating" (The New York Times) novel about being a wife, a mother, and an artist, and how marriage makes liars of us all--from the author of Very Cold People and 300 Arguments "Painful and brilliant--I loved it."--Elif Batuman, author of The Idiot and Either/Or A nuclear family can destroy a woman artist. I'd always known that. But I'd never suspected how easily I'd fall into one anyway. When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including--a few years later--all the attendant joys and labors of motherhood. But it's not long until Jane finds herself subsumed by John's ambitions, whims, and ego; in short, she becomes a wife. As Jane's career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it all together. That is, until John leaves her. Liars is a tour de force of wit and rage, telling the blistering story of a marriage as it burns to the ground, and of a woman rising inexorably from its ashes.

Liars: A Novel

Literary

"An unidentified white man was struck and instantly killed by a Metro-North train last night," reported the July 24, 2008, edition of the Riverdale Press. This man was named Harris, and The Guardians―written in the years after he escaped from a psychiatric hospital and ended his life―is Sarah Manguso's heartbreaking elegy.
Harris was a man who "played music, wrote software, wrote music, learned to drive, went to college, went to bed with girls." In The Guardians, Manguso grieves not for family or for a lover, but for a best friend. With startling humor and candor, she paints a portrait of a friendship between a man and a woman―in all its unexpected detail―and shows that love and grief do not always take the shapes we expect them to.

Parenting & Relationships

300 Arguments

'This small-sized book has immense power. Marvel at the clarity and fire.' Zadie Smith'Jam-packed with insights you'll want to both text to your friends and tattoo on your skin' Celeste NgA combined book of two daring works by Sarah Manguso, presented together in a rare reversible single edition.300 ARGUMENTSThink of this as a short book composed entirely of what I hoped would be a long book’s quotable passages.300 Arguments by Sarah Manguso is at first glance a group of unrelated aphorisms, but the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso’s arguments about writing, desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature. Lines you will underline, write in notebooks and read to the person sitting next to you, that will drift back into your mind as you try to get to sleep.'300 Arguments reads like you've jumped into someone's mind.' NPRONGOINGNESS: THE END OF THE DIARYIn Ongoingness, Sarah Manguso continues to define the contours of the contemporary essay. In it, she confronts a meticulous diary that she has kept for twenty-five years. ‘I wanted to end each day with a record of everything that had ever happened,’ she explains. But this simple statement belies a terror that she might forget something, that she might miss something important. Maintaining that diary, now eight hundred thousand words, had become, until recently, a kind of spiritual practice.Then Manguso became pregnant and had a child, and these two Copernican events generated an amnesia that put her into a different relationship with the need to document herself amid ongoing time.Ongoingness is a spare, meditative work that stands in stark contrast to the volubility of the diary – it is a haunting account of mortality and impermanence, of how we struggle to find clarity in the chaos of time that rushes around and over and through us.

Ongoingness/ 300 Arguments

‘I can’t think of a writer who is at once so formally daring and so rigorously uncompromising as Sarah Manguso' - Miranda July, author of The First Bad Man\n‘No-one’s there to watch her, so she just waits for the lights to turn on, waits to begin her performance.’\nNo-one is watching Ruth. She, however, watches everyone and everything, and waits, growing up on the outskirts of an affluent but threadbare New England township, on the outer edge of popularity. She doesn’t necessarily understand what she is seeing, but she records faithfully and with absolute clarity the unfurling of her awkward youth, under even more awkward parenting. As they alternately mock, ignore, undermine and discount their daughter, Ruth’s parents present now as damaged, now as inadequate, now as monstrous. All the while the Future comes towards them all, steadily, inexorably, for some of them fatally. And the fog of the Past and the abuses committed under it gathers, swirls, settles, intermittently clears.\nWatching the future come, the reader of Very Cold People is immobilized, transfixed as much by the gross failures of the adults to be adults, as by the determinedly graceful arc Ruth’s trajectory makes towards an adulthood of her own making.

Very Cold People

Contemporary

See the best price to sell, buy, or rent books by Manguso, Sarah. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Manguso, Sarah

See the best price to sell, buy, or rent books by Manguso, Sarah. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Two Kinds of Decay: A Memoir

The Guardians: An Elegy for a Friend

The Two Kinds of Decay: A Memoir

Very Cold People: A Novel

Very Cold People: A Novel

Liars: A Novel

The Guardians: An Elegy for a Friend

300 Arguments

Ongoingness/ 300 Arguments

Very Cold People