Our Conrad: Constituting American Modernity

Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures―including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt―and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.

Literature & Fiction

Mallios, Peter

History & Criticism

Stanford University Press

Selected by the Modern Library as one of the 100 best novels of all time Edited and with Notes by Peter Lancelot Mallios Introduction by Robert D. Kaplan In reexamining The Secret Agent in a post-9/11 world, Robert D. Kaplan praises Joseph Conrad’s “surgical insight into the mechanics of terrorism,” calling the book “a fine example of how a savvy novelist may detect the future long before a social scientist does.” This intense 1907 thriller–a precursor to works by Graham Greene and John le Carré–concerns a British double agent who infiltrates a cabal of anarchists. Conrad explores political and criminal intrigue in a modern society, building to a climax that the critic F. R. Leavis deemed “one of the most astonishing triumphs of genius in fiction.”

The Secret Agent: A Simple Tale (Modern Library 100 Best Novels)

KAPLAN, ROBERT D.

Conrad/Joseph

United States

Modern Library

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