The Paris Apartment (barnes And Noble Exclusive Edition)

Lucy

FOLEY

Compromised Into Marrying The Duke

ASHFORD

Mills& Boon

Bundle: Step Up With Chinese Textbook Level 3, 2nd Edition + Workbook

George's Cosmic Treasure Hunt (Turtleback School & Library Binding Edition)

Children's Books

HAWKING, STEPHEN

Literature & Fiction

Turtleback

Tübatulabal is the language spoken by the Indian people whose ancestral home is in the Kern River Valley near the southern end of the Sierra Nevada Mountains in California. Some of the older village sites are under the waters of Lake Isabella which was formed behind the Isabella Dam. Today many Tübatulabal people live in or near the towns of Weldon and Onyx in the Kern River Valley. Come of them still speak their native language. The word Tübatulabal means people who eat pine nuts. The pine nut, or pinon, was important in the diet of the ancient people. Lucy Andreas Arvidson is a Tübatulabal who was born in Onyx in 1923. She has lived all her life in the Kern River Valley. She attended South Fork School for eight years and then for four years went to Sherman Institute (now known as the Sherman Indian High School) in Riverside, California. She teachers the Tübatulabal language to an adult class at South Fork School, where she also works as a teacher s aide in the regular school program. This booklet was written and illustrated for children.

Alaawich (Our Language)

Arvidson

Malki-Ballena Press

Poetry. African &amp; African American Studies. Asian &amp; Asian American Studies. LGBTQIA Studies. Performance Studies. "Ronaldo V. Wilson explodes all over the mouth of whiteness in LUCY 72 like Césaire stroking the Latin root 'niger,' courting its deranged figuration. With satire, grace, deep lyric reflection--all inside of the persistent strangulation of a rigorous couplet--the radiant poems in LUCY 72 are a working out and a working on this thing we call 'race.' In these poems, whiteness is abstracted away from color and made manifest in gesture, a relaxed state, a non-awareness, and certain preferences and unperceived privileges. Wilson strips down the symbolic figure, Lucy, exposing her blind and deaf obsession with her own whiteness--'One of my favorite words is alabaster'--and cranks our eyes toward these brutal cultural tropes: there is 'a black' and then there is the effortless abstraction of whiteness; blackness is opaque; whiteness is transparent; blackness, hard object, whiteness, effervescence. LUCY 72 is a haunting, gorgeously written, and absolutely necessary book for our times. When Lucy speaks, we should all listen closely."--Dawn Lundy Martin "LUCY 72 is an intricate, multi-faceted, rarely used underhand serve executed with the power and skill of a masterful languager. Wilson undertakes and asserts a new kind of self-reflexive portraiture in which all manner of 'body' is addressed. The body historical, the racial body, the flesh body, all gather in an open-air refusal to conform, to resign. Here agency is fiercely nuanced--petaled and thorned...the gloves have come off. Raise your racquet. Loose your head and heart. These poems are a guidebook of rosary beads for crossing the street, returning an out wide serve, and for being transcendently human."--giovanni singleton

Lucy 72

Wilson, Ronaldo V.

Poetry

1913 Press

Democratizing Europe (Europe in Transition: The NYU European Studies Series)

A. Vauchez

Palgrave Pivot

The Life Of Joseph Addison (volume 2)

Aikin

Death On The Menu

Burdette

Worldwide Library

No More Secrets

SCORE

Bloom Books

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