Harper Collins Italian Dictionary/Italian-English/English-Italian/College Edition

Clari, Michela

Love, Catherine

Reference

Harpercollins

Text and Performance in Contemporary British Theatre

<p><ul> <li>A fresh approach to the theatre text for the Twenty First Century, including recent developments in the fields of technology, publishing and theatre-making.</li> <li>Intended for scholars and upper-level students of theatre studies and performance studies.</li> <li>Gives a much fresher and more comprehensive perspective than previous work in this area, particularly in regard to topics like technology and digital performance.</li> </ul></p>

Arts & Photography

Performing Arts

Routledge

Alex, Jake and Moo Deliver Mail

Children's Books

Humor

BookBaby

An Tim Crouch's An Oak Tree (The Fourth Wall)

�You will see no false nothing false tonight� � the Hypnotist Tim Crouch�s second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch�s ongoing body of work.

Literature & Fiction

Dramas & Plays

‘You will see no false nothing false tonight’ – the Hypnotist Tim Crouch’s second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play.  Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch’s ongoing body of work.

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