Blending numerous heritages, wisdoms, and teachings, this powerfully wrought book encourages people to take charge of their lives, heal themselves, and grow. Movingly rendered, The Book of the Vision Quest is for all who long for renewal and personal transformation. In this revised edition—with two new chapters and added tales from vision questers—Steven Foster recounts his experiences guiding contemporary seekers. He recreates an ancient rite of passage—that of “dying,” “passing through,” and “being reborn”—known as a vision quest. A sacred ceremony that culminates in a three-day, three-night fast, alone, in a place of natural power, the vision quest is a mystical, practical, and intensely personal journey of self-knowledge.

The book of the vision quest: Personal transformation in the wilderness

Foster, Steven

Little, Meredith

Prentice-Hall Press

Discusses the American Indian ritual of the vision quest, explains its purpose, and tells how to adapt this rite for those seeking spiritual enlightenment

The Roaring of the Sacred River: The Wilderness Quest for Vision and Self-Healing

Politics & Social Sciences

Social Sciences

Simon&Schuster

Johann Sebastian Bach devoted a significant portion of his life to the composition of stylized dance music and music based on dance rhythms. Although the music of this very special genre has long been a part of every serious musician's repertoire, very little has been written about it. Part 1 of "Dance and the Music of J. S. Bach" describes the French Court dance practices in the cities and courts in which Bach lived. It also introduces the terminology and analytical tools, rooted in the eighteenth century, that are necessary to discuss dance music with precision. Part II presents the dance forms used by Bach, annotating all of his named dances. It offers information from choreographies, harmony, theorists' writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type. In Appendix I all of Bach's named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix II supplies the same data for pieces clearly recognizable as dance types but not named as such. This volume will stimulate both the musical scholar and the performer with a new look at the rhythmic lifeblood of Bach's remarkable repertoire of dance-based music.

Dance and the Music of J.S. Bach (Music: Scholarship and Performance)

Arts & Photography

Jenne, Natalie

Music

Indiana University Press

Stylized dance music and music based on dance rhythms pervade Bach's compositions. Although the music of this very special genre has long been a part of every serious musician's repertoire, little has been written about it.
The original edition of this addressed works that bore the names of dances―a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principals to the study of a great number of Bach's works that use identifiable dance rhythms but do not bear dance-specific titles.
Part I describes French dance practices in the cities and courts most familiar to Bach. The terminology and analytical tools necessary for discussing dance music of Bach's time are laid out. 
Part II presents the dance forms that Bach used, annotating all of his named dances. Little and Jenne draw on choreographies, harmony, theorists' writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type.
In Appendix A all of Bach's named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix B supplies the same data for pieces recognizable as dance types but not named as such.
More than ever, this book will stimulate both the musical scholar and the performer with a new perspective at the rhythmic workings of Bach's remarkable repertoire of dance-based music.

Dance and the Music of J. S. Bach: Expanded Edition (Music Scholarship and Performance)

Johann Sebastian Bach devoted a significant portion of his life to the composition of stylized dance music and music based on dance rhythms. Although the music of this very special genre has long been a part of every serious musician's repertoire, very little has been written about it.In Part I, authors Little and Jenne describe the French dance practices in the cities and courts in which Bach lived. It also introduces terminology and analytical tools necessary for discussing dance music of Bach's time. Part II presents the dance forms used by Bach, annotating all of his named dances. It offers information from choreographies, studies of harmony, theorists' writings, and the music of many 17th- and 18th-century composers in order to arrive at a model for each dance type. In Appendix I all of Bach's named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix II supplies the same data for pieces clearly recognizable as dance types but not named as such.This volume will stimulate both the musical scholar and the performer with a new look at the rhythmic lifeblood of Bach's remarkable repertoire of dance based music.

Dance and the Music of J.S. Bach (MUSIC: SCHOLARSHIP AND PERFORMANCE)

Stylized dance music and music based on dance rhythms pervade Bach's compositions. The original edition of this addressed works that bore the names of dances--a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principals to the study of a great number of Bach's works that use identifiable dance rhythms but do not bear dance-specific titles.

Dance and the Music of J. S. Bach: Expanded Edition

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