A brilliantly detailed and gripping account of the assassination in 1584 of Prince William of Orange, and the shockwaves it sent through an age.  The illustrious Making History Series, edited by Lisa Jardine and Amanda Foreman, explores an eclectic mix of history's tipping points. Here, the most eminent of guest writers have been invited to present a subject closest to their heart, presenting the grand theatre of the past in a collection of inventive and provocative essays. The series awakens fresh interest in subjects long before us -- the decline of Aztec Empire, Waterloo, Nuremberg -- as well as uncovering the seemingly quiet moments of chance which turned subsequent events on their head.  In The Awful End of Prince William the Silent, series editor Lisa Jardine explores the historical ramifications of just such a instance, the first assassination of a head of state with a hand-held gun. The shooting of Prince William of Orange in the hallway of his Delft residence in July 1584 by a French catholic -- the second attempt on his life -- had immediate political consequences: it was a serious setback for the Protestant cause in the Netherlands, as its forces fought for independence from the Catholic rule of the Hapsburg empire. But, as Jardine brilliantly illustrates, its implications for those in positions of power were even more far-reaching, as the assassination brutally and irrevocably heralded the arrival of a lethal new threat to the security of nations -- a pistol that could be concealed and used to deadly effect at point-blank range.  Queen Elizabeth I, William's close Protestant ally, was devastated by his death and, being the subject of assassination plots herself, thrown into panic; in the aftermath of William's death, legislation was enacted in the English parliament making it an offence to bring a pistol anywhere near a royal palace. Elizabeth's terror was not misplaced -- as Jardine observes, this assassination was the first in a long and bloody line that would take in those of Abraham Lincoln in 1865 and Archduke Ferdinand in 1914 and is all too relevant today.

The Awful End of Prince William the Silent : The First Assassination of a Head of State With a Hand-Gun

History

Lisa Jardine

World

HarperCollins Publishers, Ltd

<p>In Going Dutch, renowned writer Lisa Jardine tells the remarkable history of the relationship between England and Holland, two of Europe’s most important colonial powers at the dawn of the modern age. Jardine, the author of The Awful End of Prince William the Silent, demonstrates that England’s rise did not come at the expense of the Dutch as is commonly thought, but was actually a “handing on” of the baton of cultural and intellectual supremacy to a nation expanding in international power and influence.</p>

GOING DUTCH. How England Plundered Holland's Glory.

Harper-perennial

Reading Shakespeare Historically

Taylor & Francis Group

Today the 'two cultures' - art and science - have come to be treated as fundamentally opposed, their aims incompatible. Scientific research is castigated for its inhumane methods & lack of moral responsibility, while art is treated as an enduring source of essential guidance to society's spiritual well-being. Lisa Jardine makes clear in this remarkable book that this is a distinction which is both artificial & historically inaccurate. The intellectual revolution of the 17th & early 18th eighteenth centuries was the single most formative event in Western history, bringing together the humanities & natural sciences in an unprecedented ferment of conceptual & practical creativity. She documents the forces for change which brought the human & natural sciences together & gave them shape. Each of her series of key components - among them, precise time measurement, enhanced astronomical observation, selective animal & plant breeding & technological advances in navigation - lays a crucial part of the foundations for modern thought. INGENIOUS PURSUITS brilliantly illuminates the practice of science, its impact on the emerging modern world & its continuing relevance to society.

Ingenious Pursuits : Building the Scientific Revolution

Europe

ABACUS +

Still Harping on Daughters: Women and Drama in the Age of Shakespeare

Literature & Fiction

Dramas & Plays

Harvester/Barnes and Noble

From Humanism to the Humanities

Anthony Grafton

Duckworth Publishing

<p>Presenting the work of young British artists from the Saatchi Collection, this volume features work by over 40 of the most radical artists working in Britain in the 1990s. Essays analyse the phenomenon of the British art scene from the late 1980s, assessing the critical reaction of the work, placing it in its historical context, and revealing the startling achievements of these young artists in Britain and the role played by imaginative and courageous patronage. The book features the work of: Darren Almond; Richard Billingham; Glenn Brown; Simon Callery; Dinos and Jake Chapman; Adam Chodzko; Mat Collishaw; Keith Coventry; Pete Davies; Tracey Emin; Paul Finnegan; Mark Francis; Alex Hartley; Marcus Harvey; Mona Hatoum; Damien Hirst; Gary Hume; Michael Landy; Abigail Lane; Langlands and Bell; Sarah Lucas; Martin Maloney; Jason Martin; Alain Miller; Ron Mueck; Chris Ofili; Jonathan Parsons; Richard Patterson; Simon Patterson; Hadrian Pigott; Marc Quinn; Fiona Rae; James Reilly; Jenny Saville; Yinka Shonibare; Jane Simpson; Sam Taylor Wood; Gavin Turk; Mark Wallinger; Gillian Wearing; Rachel Whiteread; and Cerith Wyn Evans.</p>

Sensation: Young British Artists from the Saatchi Collection

Arts & Photography

Brooks Adams

Martin Maloney

History & Criticism

Royal Academy of Arts/Thames & Hudson

Global Interests: Renaissance Art Between East and West (Picturing History)

In this groundbreaking, highly provocative examination of the Renaissance, Jerry Brotton and Lisa Jardine raise questions about the formation of cultural identity in Western Europe. Through an analysis of the circulation of art and luxury objects, the authors challenge the view that Renaissance culture defined itself in large part against an exotic, dangerous, always marginal East. Featuring more than seventy illustrations, including many in color and some published for the first time, their book provides fascinating insights into the works of Pisanello, Leonardo, Dürer, Holbein, and Titian. Global Interests explores the trade in portrait medals, tapestries, and equestrian art, all items that Brotton and Jardine demonstrate were markers of power and influence in both the West and the East. The authors reveal that this trade represented a remarkably equal exchange between Renaissance Europe and the Ottoman East. Their findings lead them to argue that the East, and in particular the Ottoman Empire of Mehmet the Conqueror and Suleiman the Magnificent, was not the antithetical "other" to the emergence of a Western European identity in the sixteenth century. Instead, Paris, Venice, and London were linked with Istanbul and the East through networks of shared political and commercial interests. By showing that the traditional view of Renaissance culture is misleading, the authors offer a more truly global understanding of historical experience.

Politics & Social Sciences

Jerry Brotton

Anthropology

Reaktion Books Ltd.

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Books by Lisa Jardine