New Haven 1983 first edition. ISBN 0-300-03070-3. Hardcover. Octavo, 212pp., cloth Near Fine, slight soiling on top fore-edge, in Near Fine DJ.

Selling Art in Georgian London: The Rise of Arthur Pond (Studies in British Art)

Lippincott, Louise

Arts & Photography

Yale Univ Pr

Of all the revolutionary changes brought about by the industrial age perhaps the most extraordinary and far-reaching was the transformation of light. Scientists described its hidden laws to the public for the first time. Artists found radical ways of depicting it. Inventors found new ways of making it. The lives of ordinary people changed forever as streets, shops, theaters, and their own homes were brilliantly illuminated, first by gas, and then, even more dazzlingly, by electricity. The story is told here for the first time in its entirety. The book describes the inventions still with us, like electric light, the microscope, and photography, as well as arcane reminders of a vanished world, such as the heliostat, the lithophane, and the magic lantern. It portrays a revolution in the arts: Caspar David Friedrich depicting twilight, the Impressionists conjuring up sunlight. And it debates the changing symbolism of light: the meaning of the Enlightenment, the light of God's truth, the nightmarish light of the furnace by night. Above all, it delineates the changing lives of people. Setting masterpieces of painting alongside contemporary scientific instruments, theater paraphernalia, and domestic articles, Light! captures the history of human perception, understanding, and ingenuity. 195 color and 100 b/w illustrations.

Light!: The Industrial Age 1750-1900, Art & Science, Technology & Society

Blühm, Andreas

History & Criticism

Thames&Hudson

Review\n"When Andy Warhol first hit the art world, he was only the second most famous painter to come out of Pittsburgh. John Kane, steelworker and housepainter, had garnered his own headlines in the 1920s, when museums discovered his 'primitive' oils. Almost a century later, Maxwell King and Louise Lippincott are giving Kane the attention he deserves. They do a lovely job on both life and art, and the amalgam Kane forged from the two." —Blake Gopnik, American art critic and author of Warhol\n“John Kane was a working man who made a living as a rail car and house painter—but this work did not define him. He was himself a study in contrasts—hard drinking, hard fighting, yet, at the same time, sensitive, contemplative, and hyper-focused. His art depicts an American workman’s life with an attention to detail that reveals his worlds, real and imagined, in high definition. Kane saw beauty where others saw a tortured industrial landscape. His artistic eye saw the can-do spirit of Pittsburgh, often filtering out the gritty ugliness that other observers could not see through. Maxwell King and Louise Lippincott have achieved something quite remarkable with their insightful and balanced examination of a most extraordinary man whose talent enabled him to elevate fleeting moments of ordinary life to works of art for the ages.” —Andrew E. Masich, President & CEO of the Senator John Heinz History Center\n“American Workman is a long-overdue reexamination of the first self-taught American painter to be taken up by the modern art establishment. As Louise Lippincott notes, there are many parallels between our twenty-first century reality and Kane’s Depression-era Pittsburgh: among them, a glaring divide between economic haves and have-nots, and an art world hungry for the next big thing. . . . This is not, however, a rags-to-riches story, but something more trenchant. Although John Kane died in poverty, he left an artistic legacy that both spoke to his time and transcended it.” —Jane Kallir, president, Kallir Research Institute\nAmerican Workman presents a comprehensive, novel reassessment of the life and work of one of America’s most influential self-taught artists, John Kane. With a full account of Kane’s life as a working man, including his time as a steelworker, coal miner, street paver, and commercial painter in and around Pittsburgh in the early twentieth century, the authors explore how these occupations shaped his development as an artist and his breakthrough success in the modern art world. A rough-and-tumble blue-collar man prone to brawling and drinking, Kane also sought out beauty in the industrial world he inhabited. This Kane paradox—brawny and tough, sensitive and creative—was at the heart of much of the public’s interest in Kane as a person. The allure of the Kane saga was heightened all the more by the fact that he did not achieve renown until he was at the age at which most people are retiring from their professions. Kane’s dedication to painting resulted in a fascinating body of work that has ended up in some of America’s most important museums and private collections. His dramatic life story demonstrates the courage, strength, and creativity of his generation of workmen. They may be long gone, but thanks to Kane they cannot be forgotten.

American Workman: The Life and Art of John Kane (Regional)

King, Maxwell

Humor & Entertainment

University of Pittsburgh Press

Examines Munch's painting "Starry Night," its origins, symbolism, motives, and history

Edvard Munch: Starry Night (Getty Museum Studies on Art)

Biographies & Memoirs

Oxford University Press

The works of the late Victorian painter Alma Tadema have recently enjoyed a revived interest. This second volume in the Getty Museum Studies on Art focuses on Spring, one of Tadema's most renowned paintings. The book is lavishly illustrated and includes details of the painting, a history, and an analysis focusing on sources, composition, and symbolism.

Lawrence Alma Tadema: Spring (Getty Museum Studies on Art)

Fierce Friends: Artists and Animals, 1750-1900 examines a critical period in our evolving relationship with animals. Between the mid-eighteenth and the early twentieth centuries, the philosophical legacy of the Enlightenment, the mechanical inventions of the Industrial Revolution, and the intellectual transformation sparked by Charles Darwin undermined many of the traditional roles assigned to animals, and overturned our view of them as physically, mentally - and divinely - separated from humans. This book interweaves the history of science and of art in an account of how humans came to understand and appreciate their shared biological ancestry.Fierce Friends explores how painters, sculptors, illustrators, and ceramists reflected contemporary changes in the perception of animals, incorporating in their work the latest developments in geographical exploration and comparative anatomy, advances in geology and the birth of paleotology, the enthusiasm of amateur naturalists, and the impact of evolution theory. It identifies the importance of illustrators such as Audubon, who were frequently at the forefront of natural history discoveries, and reveals the visionary artists who drew imaginatively on Darwin's theory of natural selection to create mythical beasts. Artists as diverse as Hogarth, Oudry, Gericault, Delacroix, and Van Gogh here demonstrate mankind's increasing awareness of animals as sentient creatures, infusing genres such as animalier painting and portraiture with new meaning and emotional power.

Fierce Friends: Artists And Animals, 1750-1900

Merrell Publishers

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