An in-depth presentation of an important contribution to New York residential architecture. Considered one of the most important architects of his generation, David Adjaye is lauded for high-profile buildings such as the Nobel Peace Center in Oslo, the Museum of Contemporary Art in Denver, and the recent competition-winning design for the Smithsonian Museum of African American History and Culture in Washington, D.C. Designed and built over five years for the contemporary art collector Adam Lindemann, 77E77 was conceived as a sophisticated response to the specific site and the culturally rich neighborhood. The result is a spatially complex series of interlocking spaces, providing suitable rooms for both the challenging art collection it houses and a young and growing family. With 77E77 Adjaye has made a fresh and successful contribution to the history of the modern home in New York: a house for our new generation.

David Adjaye: A House for an Art Collector

Arts & Photography

Adjaye, David

Lindemann, Adam

Allison, Peter

Architecture

Rizzoli

Confessions of a connoisseur     Insiders' tips: discover the world of design with the help of thirty-two international experts and learn why the most valuable furniture is not what you think it is       Adam Lindemann’s second volume is the follow-up to Collecting Contemporary, an unprecedented success, introducing the lay reader to collecting contemporary art, with tell-all interviews by the biggest players in the global art market. The idea for this volume came when he was furnishing his new house. "Art collectors like myself who hung beautiful contemporary paintings on their walls suddenly saw their furniture look sad and tired," Lindemann writes in his preface, relating how hobby became passion and an overwhelming desire to know everything. Which is how this latest volume manages to give such a perfect introduction into collectible design: it follows the path its author took.  Today’s design market has its roots in the late eighteenth century: artists created porcelain pieces in editions that became in high demand. From Art Deco to the Wiener Werkstätte, Bauhaus to the Eameses, the French modernists, and a whole bunch of designers many haven’t heard of yet, this volume is the best guide to the collectability and overall desirability of design for connoisseurs and amateurs alike.  Collecting Design tells all about an addictive occupation, vintage pieces vs. limited editions, the big names and what to keep an eye on, all from the perspective of a passionate collector meeting market luminaries for in-depth conversations—his fellow collectors (Bruno Bischofberger, Michael Boyd, Peter M. Brant, Dennis Freedman, Dakis Joannou, Reed Krakoff, Ronald Lauder), the dealers (Anthony DeLorenzo, Suzanne Demisch, Ulrich Fiedler, Barry Friedman, Didier and Clémence Krzentowski, Zesty Meyers and Evan Snyderman, Murray Moss, Patrick Seguin, Alasdhair Willis), select tastemakers (Jacques Grange, Marc Jacobs, Karl Lagerfeld, Peter Marino, Robert Rubin, Ian Schrager, Axel Vervoordt), and auction experts (Gerti Draxler from Dorotheum, Vienna, Philippe Garner from Christie’s, Peter and Shannon Loughrey from LAMA, Los Angeles, Alexander Payne from Phillips de Pury, Richard Wright, James Zemaitis from Sotheby’s).  Lindemann writes: "Sitting down for hours with 32 experts, I can now discuss the finer points of Emile-Jacques Ruhlmann versus Eileen Gray, Carlo Mollino versus Gio Ponti, of Marc Newson versus Ron Arad, and so on. I hope you will enjoy and profit from this fascinating field as much as I have."

Collecting Design

Decorative Arts & Design

Taschen America, LLC

Confessions of a connoisseur: Insiders' tips on how the design art market really works "Art is about life, the art market is about money." —Damien Hirst Whether you’re an art fan, aficionado, or collector, this completely unique book should be on your required reading list. Like a textbook for a class given by all of the world’s leading experts, Collecting Contemporary Art is the one and only book to teach you everything you ever wanted to know about the contemporary art market. The introduction explains the ABCs of buying art on the primary and secondary markets, at auction, and at art fairs and gives an overview of the world art scene and its social circles. The main body of the book brings together tell-all interviews with the biggest players in the global art market: the Critic (Rimanelli), the Dealer (Boesky, Brunnet/Hackert, Coles, Deitch, Fortes, Gagosian, Gladstone, Glimcher, Hetzler, Lybke, Perrotin, Rosen, Shave, Wirth), the Consultant (Cortez, Fletcher, Heller, Segalot, Westreich), the Collector (Brant, Broad, Habsburg, Joannou, Lambert, Lehmann, Lopez, Paz, Pinault, Rothschild Foundation, Saatchi), the Auction House Expert (Cappellazzo, de Pury, Meyer), and the Museum Curator/Director (Dennison, Eccles, Heiss, Lowry, Peyton-Jones). Rounding up the book are chapters on the year in art collecting—giving a timeline of the most important annual auctions, exhibitions, fairs, etc. around the world—as well as a glossary of terms every art savvy player should know. The text is illustrated by the work of the hottest artists in today’s market, including Matthew Barney, Jean-Michel Basquiat, Damien Hirst, Mike Kelley, Martin Kippenberger, Jeff Koons, Takashi Murakami, Richard Serra, Cindy Sherman, Andy Warhol, Lisa Yuskavage, and many more. All in all, these elements add up to the equivalent of an invaluable and privileged real-world collector’s education—all between the covers of one book.

Collecting Contemporary Art

Study & Teaching

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