Nine essays which explore the interaction of art, society, ideas and politics in the 19th-century. Topics covered include: male domination and colonialism in the Orientalism of Delacroix and Gerome; Degas' anti-Semitism; and Manet's subtle teasing of sexual norms and practices.

The Politics of Vision

Linda Nochlin

THAMES HUDSON LTD

Linda Nochlin On The Body

Thames&Hudson

Global Feminisms: New Directions in Contemporary Art

Maura Reilly

Brooklyn Museum Staff

Davis Museum and Cultural Center Staff

Merrell Publishers

European and American artists active from 1550 to 1950.

Women Artists: 1550-1950

Arts & Photography

Harris, Ann Sutherland

History & Criticism

Alfred.A. Knopf

Widely considered to be one of the most engaging and fascinating artists of our time, Kiki Smith has, over the past 25 years, developed into a major figure in the world of twenty-first-century art. Her subject matter is as wide-ranging as the materials her work has encompassed. In the 1980s, with her earliest figural sculptures in plaster, glass and wax, Smith developed an elaborate vocabulary around the forms and functions of the body and its metaphorical as well as physical relationship to society. By the early 1990s, she began to engage with themes of a more religious and mythological nature. Her re-imaginings of biblical women as inhabitants of physical bodies--rather than as abstract bearers of doctrine--led her to make series of sculptural works related to the figure of the Virgin Mary, Mary Magdalene, Lilith and others. The artist has more recently considered fairy tales and folk narratives as well as nurturing a growing menagerie of work concerned with animals and the natural world. Smith has now earned a considerable reputation as a virtuoso printmaker and draftsperson, and as a re-inventor of the startling sculptural possibilities present in materials ranging from paper and resin to bronze and porcelain. Organized by the Walker Art Center with the full collaboration of the artist, the exhibition Kiki Smith represents the artist's first full-scale monograph.

Kiki Smith: A Gathering, 1980-2005

Siri Engberg

MARINA WARNER

Individual Artists

Walker Art Center

Robert Bechtle

Gladstone Gallery, New York

Revised and Restored: The Art of Kathleen Gilje

John Yau

Peter C. Sutton

Francis M. Naumann

Robert Rosenbaum

Bruce Museum, Greenwich, Ct

A leading artist of her generation, Sam Taylor-Wood came to prominence in the mid-1990s as one of the YBAs (Young British Artists), alongside such artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensational works. Taylor-Wood has since become renowned for deftly manipulating the signature media of our age--photography, film and video--into compelling psychological portraits that tap into the ethos of our times. Documenting the artist's first major solo museum exhibition in the United States, this catalogue illustrates and discusses a selection of her most significant works from the mid-1990s to the present. Key pieces include the film "Hysteria" (1997), which portrays a woman's tumultuous descent from exhilaration to psychic disintegration; a selection from the 2002-2004 Crying Men photographs, which depict male film stars in moments of sorrow and introspection; "David" (2004), an hour-long video portrait of soccer icon David Beckham, sleeping; and the 2004 Self Portrait Suspended series. This volume provides an overview of the artist's work of the last 10 years, with commentary on Taylor-Wood's exploration of such themes as the inner psyche, vulnerability--both emotional and physical--suspended states of being and the aspiration to transcend human limits.

Sam Taylor-Wood

Barbara, London

Margo A. Crutchfield

Other Media

Museum of Contemporary Art, Cleveland

Cecily Brown

GAGOSIAN GALLERY

Building Resilient and Healthy Cities: A Guide to Environmental Sustainability and Well-being

Springer Nature

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Books by Linda Nochlin