1979 Hardcover. No dust jacket. Minor wear, otherwise nice clean readable copy.

The Habima, Israel's National Theater, 1917-1977: A Study of Cultural Nationalism

History

LEVY, Emanuel

Middle East

Columbia Univ. Pr.

Gay Directors, Gay Films?: Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters

Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture.Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.

Arts & Photography

Photography & Video

Columbia University Press

Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.

Vincente Minnelli, Hollywood's Dark Dreamer is the first full-length biography of Vincente Minnelli, one of the most legendary and influential directors in the twentieth century, encompassing his life, his art, and his artistry. Minnelli started out as a set and costume designer in New York, where he first notably applied his aesthetic principles to the Broadway stage design of Scheherazade. He became the first director of New York's Radio City Music Hall, as well as some of the most lavish Broadway musicals, including Ziegfeld Follies, and brought Josephine Baker back from Paris to star in his shows. As a film director, he discovered Lena Horne in a Harlem nightclub and cast her in his first movie, the legendary musical Cabin in the Sky. The winner of the Director Oscar for Gigi, the first film to win in all nine of its Oscar nominations, Minnelli directed such classics as the Oscar-winning An American in Paris, Meet Me in St. Louis, Father of the Bride, The Bad and the Beautiful, and Some Came Running. He was married to Judy Garland, who he met on the set of Meet Me in St. Louis and directed in such landmark films as The Clock; their daughter is actress-singer Liza Minnelli.

Vincente Minnelli: Hollywood's Dark Dreamer

Humor & Entertainment

St.Martin's Press

Small Town America in Film

Movies

Random House Value Publishing

Drawing on personal correspondence and interviews with more than 100 Hollywood icons, this biography chronicles Cukor's life, career, and cinematic achievements

George Cukor, Master of Elegance: Hollywood's Legendary Director and His Stars

Biographies & Memoirs

Arts & Literature

William Morrow & Co.

Light wear to boards. Content is clean and bright. Good, price clipped DJ.

And the Winner Is--: The History and Politics of the Oscar Awards

Ungar

John Wayne was the most popular and the most durable star in film history. He was also a national legend, a folk hero, and a powerful symbol of the American Dream. Levy evaluates Wayne's film oeuvre by comparing him with other major stars of his generation and demonstrates that of all American actors, he came closest to the notion of 'actor-as-auteur.'

John Wayne: Prophet of the American Way of Life

Reference

Scarecrow Pr

John Wayne

Scarecrow Press

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